Sentences with phrase «miyoshi piano score»

But with Pellington's wandering camera and an insufferably maudlin piano score that telegraphs every emotion, Nostalgia feels like an incomplete reverie, an exploration of loss that doesn't have anything new to add.

The piano score soundtrack also makes for very pleasant listening.

But for me, the film's texture is everything — the wood, the wallpaper, the breakfasts, Daniel Day - Lewis's smooth voice as Reynolds Woodcock, Johnny Greenwood's gentle piano score; it's all silky, velvety, luscious.

Andrew Dickson's lovely and unforgettably ambiguous piano score has also been rendered with painstaking clarity and dimensionality.

It's gorgeous to look at and even prettier to listen to — Javier Navarrete's piano score is exceptionally hummable — but an absence of passion leaves the film, well, bloodless.

Cinemuseum has just released a beautiful dual - disc set on DVD and Blu - ray with a first - rate piano score by Donald Sosin.

The menu plays jumpy clips and soft piano score.

The main menu provides an animated version of the DVD cover art that's backed by piano score.

Fine's melancholy piano score edges toward the manipulative a couple of times, but that's really «Any Day Now's» most overblown aspect.

The basic menu attaches a little piano score to a static design that places some of the poster's color behind the cover two - shot.

The menu loops a textured, otherwise ordinary montage of film clips and an excerpt of piano score.

The print of South that I saw in preview had no sound track, but Neil Brand's piano score has been added to video copies of the film, and the Film Center will play it along with their gorgeous print.

The menu puts some Eastwood piano score over the static cover art, which itself colorizes an old poster / cover design.

These early scenes are some of The Ticket's most promising, enhanced by a playful, vaguely creepy piano score (by Danny Bensi and Saunder Jurriaans) that helps set a tone of gentle foreboding.

That said, hoo boy, the trailer is pretty much wall - to - wall treacle, from its endless procession of bedside heart - to - hearts to that incessantly tinkling piano score, all of it superficially suggesting a Hallmark movie that's only barely elevated by its prestige cast.

To emphasize the man's elegance, he accompanies each scene with a piano score that can be both vulnerable and forceful.

It's almost a little too square and prestigey for the maker of Inherent Vice, but then Jonny Greenwood's delicate piano score goes cello - heavy and the mood darkens into neediness — and worse.

This disc carries over Robert Israel's score from the previous release, replaces a Lee Erwin organ score with a Mont Alto Motion Picture Orchestra score, and excises a third, piano score.

In Michell's hands, a relatively working - class set of characters becomes incongruously bourgeois through sensuous camera moves and catalogue - ready tableaux accentuated by not only walls of Kubrickian white, but also a decidedly «upscale» piano score.

Thomas Marchand's taut editing and composer Alexandre Desplat's simple yet eloquent piano score propel the action forward.

There's nothing happening on the surface (something cued by Craig Armstrong's aggressively inoffensive tinkling piano score), and there's nothing happening underneath, either.

Unlike that recent captivating doc, Anderson glides through the semi-documentary introduction to a private world, keeping things weird with Jonny Greenwood's deceptively placid piano score.

It includes performance track, backing track, lyrics and piano score.

There is also a basic piano score for you to play if you prefer.

A stand - alone Christmas song for nursery, preschool, reception and Year 1 (with mp3s and piano score) from my early years musical «Robin's So Excit...

This piano score complements the free musical play of the same name, which can be found in the Maplebeck Publishing shop.

Comes with script, 12 songs, backing tracks, PowerPoint Presentation, Piano Score, follow - up work and 20 worksheets.

Four great songs, play script, pupil workbook, piano score, a...

This collector's item was created in close collaboration with Monolith Soft special box booklet (120 pages) piano score message card Type B: Luxury CD Music Complete Edition Price: 7 800 Yen Format: CD Music contents: all 126 tracks (including the 105 tracks from the «main» album, 16 jingles, 5 piano arrangements) Contents: special box booklet (120 pages) piano score message card Type C: Regular Edition Price: 4 500 Yen + taxes Format: CD Music contents: all 105 tracks from the «main» album Contents: booklet (12 pages) Type D: Digital Edition Price: 200 Yen (individual tracks) / 4 500 Yen (full album) Digital stores: iTunes, Google Play Music, Amazon, mora, RecoChoku, animelo mix Digital stores (high - quality version): mora, e-onkyo music, RecoChoku, music.jp

There's a melancholic edge here, born out through the game's moody piano score, even despite its outwardly bright colour palette.

Before getting to the actual concert hall, there was the obligatory merchandise table selling the recently released DQIX on Synthesizer and Original Soundtrack as well as reprints of some of the older DQ orchestra albums, posters of the concert, and piano scores (if I had been able to play the piano, I would definitely have picked one of these up).

It's worth a shot if you want the piano scores!

«To The Moon» features a fantastic cast of characters and a breathtaking piano score whose retro - style graphics will echo the game's themes of nostalgia and childhood.

Out in mid-July, the game built its hype by purporting to be an old - school Square JRPG, complete with Chrono Trigger battle system, minimalist presentation, single - focus narrative and Tomoki Miyoshi piano score.

The presentation has an original piano score, performed live by composer Jay Israelson to punctuate the film and performances.

With Jason Moran's elegiac piano score to Ligon's The Death of Tom (2008) wafting through the space on a loop, «Blackness in Abstraction» can, at times, feel like a gothic art auction or a bizzaro Robert Ryman retrospective — all meditations on different registers of monochromatic tone and texture.

Not exact matches

I agree let's move on from Sanchez I don't know why but it's realy anoying me seeing him playing the piano, knowing our luck when we play United he will score against us and probebly he will kiss his United badge

The score by Tom Dearing, employing a string quartet and piano, creates a surprising unity to a work, based as it is on the disparate exchanges of our hearing.

what a great score... player piano.

An exercise in tasteful pointlessness, shot in flat black and white and scored (by Gruff Rhys, of all people) with tinkling piano and sawing strings that evoke nothing so much as an aura of cut - rate class.

John Debney's evocative score echoes traces of Alan Silvestri's suspenseful, clanky piano theme for the original motion picture.

The understated menus are accompanied by soft piano - driven score excerpts.

The film is also aurally ravishing; in his fourth project with the director, Radiohead guitarist Jonny Greenwood composes a score that encompasses everything from an opening blast of cochlea - rattling drone to silkiest jazz piano.

As soon as the Helvetica - style opening credits and plinky - plonk piano and strings score roll, you'll know exactly where No Pay, Nudity is headed.

There are no high - energy pop songs to be found on the soundtrack only Herbert Gronemeyer's haunting piano - heavy score which Corbijn employs sparingly.

The subdued musical score is a bit quiet for my taste, but the light piano and violin pieces fit the fantasy theme.

The opening act in Toronto feels like a standard indie comedy about (yet another) white male's arrested development, the piano - based score and aversion to dialogue feels indebted to silent films, and once the film transitions to the wilderness it goes into European arthouse territory (the title card doesn't appear until James ends up in BC, a choice that implies this is where the film really begins).

The best of the old themes is the one heard most famously in the first score's «Oogway Ascends» and it gets an absolutely lovely treatment in the opening «Oogway's Legacy», with romantic piano (played by Lang Lang of all people) taking centre - stage, and it's probably the best piece on the album.

Johan Johannsson's score, covered in ACOUSTIC SIGNATURE: THE SOUND DESIGN, is a masterwork in minimalism, using tape loops of attenuated vocals and layers and layers of piano notes to build up an organic soundtrack that sucks you in.

The big pieces - primarily the three tracks called «We're Better Than This» - are the predictably inspirational stuff, but they aren't as good as similar things Rabin has done in the past, and surprisingly the score's finest moments come when the composer keeps things down to a simple level and attempts the more touching music, with the lovely piano music.