Sentences with phrase «moca cleveland»

«In The Hedge, the walls of the gallery become sites for change and renewal,» says David Norr, Chief Curator at MOCA Cleveland.
MOCA Cleveland will be producing Hewitt's first comprehensive monograph, published by Mousse in spring 2013.
MOCA Cleveland is also debuting a new piece by David Altmejd, The Orbit (2012), as a special project for Inside Out and From the Ground Up.
The Toby Devan Lewis Plaza at Case Western Reserve University serves as a public gathering place and links MOCA Cleveland to Uptown attractions and amenities.
All MOCA Cleveland exhibitions are supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture, the Cleveland Foundation, the George Gund Foundation, and the continuing support of the Museum's Board of Directors, patrons, and members.
At MOCA Cleveland, The Suburban will host a series of installations by artists Karl Haendel, Michael Smith, Amanda Ross - Ho, and Jessica Jackson Hutchins.
© MOCA Cleveland 2018.
Like the permanent installation, Unit 1: 3583 Dubois at MOCA Cleveland is both a memorial and a proposal in which materials and forms coalesce to retell (and thus reclaim) the past, animate the present, and suggest a shifted future.
He has been active in contemporary art for 40 years and has held curatorial posts at the Contemporary Arts Center, New Orleans; MOCA Cleveland; Phoenix Art Museum; and the San Antonio Museum of Art.
FRONT acknowledges the support of our presenting partners Akron Art Museum, Allen Memorial Art Museum, Oberlin College, Case Western Reserve University, Cleveland Clinic, Cleveland Institute of Art, Cleveland Museum of Art, Cleveland Public Library, MOCA Cleveland, SPACES, and Transformer Station.
Join artist William Villalongo as he discusses the works he created for MOCA Cleveland's inaugural exhibition, including the paintings Zebra (2012) and The Thirsty Laborer (2012).
Grosse's project at MOCA Cleveland, Third Man Begins Digging Through Her Pockets (2012), layers the dynamic space inside of the building's three - story atrium with blasts of orange, purple, and yellow.
Megan Lykins Reich, Director of Programs and Associate Curator at MOCA Cleveland, interviews artist Barry Underwood as he discusses the creation of new works for the inaugural exhibition at MOCA Cleveland's new building, Inside Out and From the Ground Up.
His work has been exhibited in galleries and museums including Deitch Projects, Lehmann Maupin Gallery, MOCA Miami, MOCA Cleveland, PSI / MOMA, the United Nations, and the Library of Congress.
Grosse's commission is a special project for the inaugural exhibition at MOCA Cleveland's new building, Inside Out and From the Ground Up, and she is the first artist to be featured in the Museum's new annual Atrium Project series.
David Norr, Chief Curator at MOCA Cleveland, interviews artist Katharina Grosse as she discusses her new work Third Man Begins Digging Through Her Pockets.
7PM ARTIST TALK Adam Pendleton and Lisa Oppenheim talk with MOCA Cleveland Senior Curator, Andria Hickey about their exhibitions.
MOCA Cleveland will also present works from Suh's Rubbing / Loving Project, large scale rubbings in which the interior textures and details of the artist's New York apartment are directly transferred onto paper.
MOCA Cleveland and the Cleveland Museum of Art proudly present Janet Cardiff (born March 1957, Brussels, Ontario).
David Norr, Chief Curator at MOCA Cleveland, interviews artist Henrique Oliviera as he discusses his new work Carambóxido.
MOCA Cleveland's presentation of Becoming Imperceptible is organized by Senior Curator Andria Hickey.
MOCA Cleveland invites you to celebrate the start of our summer season with new exhibitions that explore the power and provocation of socially conscious art and its relevance to the urgent issues we face today.
MOCA Cleveland exhibitions are funded by The Andy Warhol Foundation for the Visual Arts and Leadership Circle gifts from an anonymous donor, Yuval Brisker, Joanne Cohen + Morris Wheeler, Margaret Cohen + Kevin Rahilly, Becky Dunn, Harriet Goldberg, Agnes Gund, Richard + Michelle Jeschelnig, Donna + Stewart Kohl, Jan Lewis, Toby Devan Lewis, and Scott Mueller.
The current MOCA Cleveland exhibition holds that this contradiction is the space in which creative revolution happens.
In a review of the artist's exhibition at MoCA Cleveland for the December 2009 issue of Artforum, Christopher Bedford wrote, «There is a great deal of romance and heroism to be found in the relationship between Stanczak's early life and the work he has chosen to make.
Commissioned by MOCA Cleveland.
He has held key curatorial positions at Scripps and Pomona Colleges, Santa Monica College, San Francisco Art Institute, Albright College, MOCA Cleveland, Phoenix Art Museum, Contemporary Arts Center, New Orleans, and San Antonio Museum of Art.
His work has been the subject of solo exhibitions at Royal Museums of Fine Arts Belgium, Brussels, Belgium (2016); Louisiana Museum of Modern Art, Humlebæk, Denmark (2015); MUDAM, Luxembourg (2015); Musée d'art contemporain de Montréal, Montréal, Canada (2015); Musée d'Art Moderne de la Ville de Paris, Paris, France (2014); MOCA Cleveland, Cleveland, OH, USA (2012); Brant Foundation Study Center, Greenwich CT, USA (2011); Le Magasin, Centre National d'Art Contemporain de Grenoble, Grenoble, France (2009); Museum of Contemporary Art, Denver, CO, USA (2007).
Central to the exhibition is a new series of photoworks entitled Spine, created for Oppenheim's solo exhibition of the same title at MoCA Cleveland earlier this year.
Her work has been featured in numerous group exhibitions including: An Irruption of the Rainbow, Los Angeles County Museum of Art, Los Angeles, CA (2016); Wall to Wall, MOCA Cleveland, Cleveland, OH (2016); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Waltham, MA (2015); Three Graces, Everson Museum of Art, Syracuse, NY (2015); Pathmakers: Women in Art, Craft and Design, Midcentury and Today, Museum of Art and Design, New York (2015); AMERICANA: Formalizing Craft, Perez Art Museum Miami, Miami, FL (2013); Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York, (2012); Lines, Grids, Stains, and Words (2008), Comic Abstraction (2007), and Sense and Sensibility: Women and Minimalism in the 90's (1994) all at the Museum of Modern Art, New York; Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, (2005); As Painting: Division and Displacement, Wexner Center for the Arts, Columbus, OH, (2002); Operativo, Museo Rufino Tamayo, Mexico City, (2001).
MOCA Cleveland presents Kate Gilmore's first solo museum exhibition, featuring a newly commissioned work.
All MOCA Cleveland programs are supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture, the Cleveland Foundation, the George Gund Foundation, and the continuing support of the Museum's Board of Directors, patrons, and members.
Kris Paulsen: «I Work from Home» at MOCA Cleveland is the first comprehensive museum survey of your work, and covers your artistic and curatorial practice.
Constant as the Sun is the third installment in MOCA Cleveland's series of thematic group exhibitions focusing on artists working in or deeply connected to the region, including artists working in cities in Western Pennsylvania, Western New York, and Eastern Michigan.
Grosse is the first artist to be featured in MOCA Cleveland's new annual Atrium Commission series.
Ruilova's first museum survey exhibition traveled to the Aspen Art Museum, St. Louis Contemporary Museum of Art, MOCA Cleveland, and Contemporary Arts Center New Orleans between 2009 and 2010.
Tagged With: ACAC, Atlanta Contemporary Art Center, Cleveland Institute of Art, Cooper Union, Corin Hewitt, Featured, Lamar Dodd School of Art, MOCA Cleveland, Seattle Art Museum, SVA, Tyler, UGA, VCU, Whitney Museum
He has exhibited widely, including solo exhibitions at the Whitney Museum of American Art, the Seattle Art Museum, the Atlanta Contemporary Art Center, and most recently at MOCA Cleveland in January 2013.
He has had solo exhibitions at institutions such as MoCA Cleveland, Hayward Gallery in London, Saatchi Gallery in London, Royal Academy of Arts in London, and Musée d'art contemporain de Montréal.
Solo exhibitions include Kunsthalle Zurich (1997), Louisiana Museum of Modern Art, Humlebaek (1997), Hirshhorn Museum and Sculpture Garden, Washington DC (1999), Museo Nacional Centro de Arte Reina Sofía, Madrid (2000), Hayward Gallery, London (2002), State Russian Museum, St Petersburg (2004), MCA, Moscow (2004), BALTIC, Gateshead (2006), MCA Sydney (2006), MoCA Cleveland (2008) and Contemporary Art Museum, Houston (2008).
She grabbed the coveted Gallery Weekend Berlin slot for a solo exhibition at Société last year, as well as a solo show at MOCA Cleveland, titled «Delusional Mandala.»
Over the last decade, Op de Beeck has mounted institution - based solo exhibitions at museums across the US and Europe, including the Smithsonian's Hirshhorn Museum and Sculpture Garden (2010), MOCA Cleveland (2014), and Kunstmuseum Wolfsburg (2017).
Recent shows include Otis College of Art; Brown University; MOCA Cleveland; Camden Art Center; Everson Museum; Albright Knox Museum; Perez Museum; Be-Part; Frith Street Gallery; and The Suburban.
Installation view, Tony Lewis: pressure free weight power nomenclature movement, MOCA Cleveland, 2015.
Judy Crook, 4 (2014) will be installed in MOCA Cleveland's Gund Commons, an open - access space for the public.
Evans» solo exhibition, Only Words Eaten by Experience, is on view at MoCA Cleveland, OH through February 16, 2014.
This MOCA - published catalog includes texts by Rose Bouthillier, MOCA Cleveland's Associate Curator, and art historian Julian Myers - Szupinska.
Installation view, MOCA Cleveland, 2015.
Adam Pendleton: Becoming Imperceptible opens Friday, January 27 at MOCA Cleveland, having travelled from the MCA Denver and the CAC New Orleans.
For more information, visit MOCA Cleveland's website.
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