Sentences with phrase «moca museum»

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch
His work will be on view in the upcoming exhibitions Play Ball: Baseball at the Detroit Institute of Arts, MI, The World's Game: Fútbol and Contemporary Art at Pérez Art Museum Miami, FL and at the Art Museum of the Americas, Washington D.C. Recent exhibitions include: Pacific Standard Time: LA / LA, CA (2017); Centro Cultural Sao Paulo, BR; Fundación Proa, Buenos Aires, AR; Neuberger Museum, Purchase College, NY; Nasher Museum, Duke University, Durham, NC (2015); LACMA Los Angeles County Museum of Art, CA; Pizzuti Collection, Columbus, OH; Museo Jumex, Mexico, D.F.; Bass Museum, Miami, FL; Museu de Arte do Rio, BR (2014); California - Pacific Triennial, OCMA Orange County Museum of Art, Newport Beach, CA (2013); MoCA Museum of Contemporary Art, Los Angeles, CA (2011); 53rd Venice Biennale, Mundus Novus - Artiglierie dell» Arsenale, IT (2009).
WELCOME TO MOCA MUSEUM OF CONTEMPORARY ARTS Museum of Contemporary Arts (MoCA@Loewen) is developed as an integrated museum and art facilities by Linda Gallery through an inter-agency Committee chaired by the National Heritage Board (NHB) with members from the Singapore Land Authority (SLA), Urban Redevelopment Authority (URA) and Ministry of Information, Communications and the Arts (MICA).
-- MoCA museum thirtieth - anniversary gala artforum.com — Celebrities Help MOCA Raise Nearly $ 4M at Anniversary Gala thedailybeast.com
2009 MOCA Museum of Contemporary Art, «The Reach of Realism», North Miami FL Woxart, «Abstraction + Warhol», Prague, Czech Republic Museo d' Arte Provincia di Nuoro, «Something Else!!!
Nationally and internationally recognized, her work was shown at The Drawing Center, New York (2014); MOCA Museum of Contemporary Art, Los Angeles (2007); 52 Venice Biennial (2007); IV Biennale Internationale de la Photographie et des Arts Visuels de Liège, Musée d'Art moderne et d'Art contemporain, Liège, Belgium (2004).
His work has been exhibited at the SAM Swiss Architecture Museum, ARCHILAB in Orléans, France, the MOCA Museum at the Pacific Design Center in Los Angeles, Artist Space in New York and the Rotterdam and London Biennales.
MOCA Museum of Contemporary Art North Miami.
Ein Film als Kunstwerk, Kunsthalle Bremen (2015); Im Inneren der Stadt, GAK Gesellschaft für aktuelle Kunst Bremen (2015); Krankheit als Metapher, Kunsthaus, Hamburg (2014); Fremd & Eigen, Galerie im Taxispalais, Innsbruck (2013); Risc Society, MoCA Museum of Contemporary Art Taipeh (2013) and One On One, KW Institue for Contemporary Art, Berlin (2012).
Curator: Rebecca Matalon, MoCA Museum of Contemporary Art.
Lickety Split at MASS MoCA Our museum café offers mouth - watering soups, salads, and giant burritos made with the freshest local ingredients.

Not exact matches

This Friday's group includes MASS MoCA, the zoo, and the MIT Museum.
(Airs 2/19/15) WAMC's Alan Chartock In Conversation with Joseph Thompson, Director of MASS MoCA, The Massachusetts Museum of Contemporary Art.
The Broad Foundation's most recent $ 30 million challenge grant to the Museum of Contemporary Art, Los Angeles, of which Eli Broad was the founding chairman, has enabled MOCA to present Collection: MOCA's First Thirty Years, which opens Nov. 15 and features more than 500 works from the institution's 6,000 - work permanent collection.
The Museum of Contemporary Art (MOCA) Jacksonville, the Cummer Museum of Art & Gardens and the Museum of Science & History (MOSH) all offer daily adult admission for $ 10 or less and offer special free admission days.
Sparked by the visionary efforts of the Massachusetts Museum of Contemporary Art (MASS MoCA), which has renovated parts of a sprawling mill complex, the Porches Inn represents a new twist on hospitality.
Commonly known as the MOCA, the Museum of Contemporary Art in Chicago was established in 1967 and is the largest museum in the world dedicated to contemporarMuseum of Contemporary Art in Chicago was established in 1967 and is the largest museum in the world dedicated to contemporarmuseum in the world dedicated to contemporary art.
Stark's art is featured at institutions across the globe including the Smithsonian American Art Museum and the Museum of Contemporary Art (MOCA) in her hometown of Miami, FL..
MOCA provides free admission through the Blue Star Museums program to active duty military, including Reserves and National Guard, and their immediate family members Memorial Day through Labor Day.
September 18 - October 30, 2005 Adler Guerrier MOCA and MIAMI Museum of Contemporary Art, North Miami, FL Visit Website
The 1/4 Mile or 2 Furlong Piece (1981 — 98) at the inaugural exhibition of MASS MoCA (Massachusetts Museum of Contemporary Art), North Adams, Massachusetts, 1999.
Oursler has mounted solo exhibitions at prestigious exhibitions including PinchukArtCentre, Kiev, Ukraine; Tate Modern, London; ARoS Aarhus Kunstmuseum, Denmark; Kunsthaus Bregenz, Austria; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; Centre Georges Pompidou, Paris; Institute of Contemporary Art, Philadelphia; MASS MoCA, Massachusetts; Kunstverein Hannover, Germany; Aspen Art Museum, Colorado; Museum of Contemporary Art San Diego, California; Centre d'Art Contemporain, Geneva, Switzerland; Honolulu Museum of Art, Hawaii; Museum fur Gegenwartskunst, Basel, Switzerland; P.S. 1, New York; Musée d'Art Contemporain de Bordeaux, France; Museo D'Arte Contemporanea Rome, Italy; Sao Paulo Museum of Modern Art, Brazil; Jeu de Paume, Paris; Musee d'Orsay, Paris; Kunstforeningen GL Strand, Kobenhavn, Denmark; Helsinki City Art Museum, Finland; Institut Valencia D'Art Modern, Valencia, Spain; Fridericianum, Kassel, Germany.
MASS MoCA's vast galleries and expert fabrication staff offer visual artists the technical tools and time to create works of a scale and duration difficult to realize in the time - constrained and space - cramped conditions of most museums.
She was one of MASS MoCA's first artists - in - residence, and has returned to the museum many times to develop and discuss works - in - progress.
Her work has been exhibited in many galleries and museums, including Kidspace at MASS MoCA in 2003 - 2004 and 2010.
The 38 - year old Arcangel has been the subject of numerous international monographic exhibitions at both galleries and major museums, including The Carnegie Museum of Art in Pittsburgh, The Whitney Museum in New York, The Hamburger Bahnhof in Berlin, The Barbican in London and MoCA in Miami.
About Teen Programs Teen Programs at MASS MoCA expose area youth to contemporary art - making practices, build confidence and leadership abilities, provide creative avenues for self - expression, and deepen teens» connections to the museum and greater North Adams community.
She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.
2015 Institute of the New York County Lawyers Association, NY St Ann's School, Brooklyn, NY Smith College, Northampton, MA Museum of Fine Arts, St. Petersberg, FL St. Catherines College, St. Paul, MN Minneapolis College of Art and Design, MN Minneapolis Institute of Art, MN Printed Matter's New York Art Book Fair, MoMA PS1, Queens, NY Pitchwise Festival, Sarajevo, Bosnia - Herzegovina Museum of the City of New York, NY Reykjavik Arts Festival, Iceland Texas Women's University, Denton, TX Georgia Museum of Art, Athens, GA Printed Matter's Los Angeles Art Book Fair, MOCA, CA Stanford University, Stanford, CA Pomona College Museum of Art, Pomona, CA Matadero Madrid, Madrid, Spain Akademie der Bildenden Künste Wien, Vienna, Austria
Massachusetts Museum of Contemporary Art, 1040 Mass MoCA Way, North Adams.
His work is held in numerous private, corporate and public collections including the Whitney Museum of Art, Phoenix Museum of Art, MOCA LA, Weatherspoon Art Museum and the L.A. County Museum of Art, among others.
In 2011, MASS MoCA worked with Bennington College, where Schonbeck taught from 1947 - 2008, to move Schonbeck's surviving instruments from the college to the museum.
What to Expect The MASS MoCA galleries will be open until 7 pm — so get here early to check out the museum the New York Times says ``... Is a weird and wonderful place.
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
«A Point of View: Selected Gifts from the Laurence A. Rickels Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 13 — March 11 2012 «Blues for Smoke,» Museum of Contemporary Art, Los Angeles, October 21 — January 7, 2013; traveled to the Whitney Museum of American Art, New York, NY, February 7 — April 28, 2013, and Wexner Center for the Arts, Columbus, OH, September 21 — January 5, 2014 «Group Face,» Paradise Garage, Venice, CA, September 22 — October 24, 2012 «DECADE: Contemporary Collecting 2002 - 2012,» Albright - Knox Art Gallery, Buffalo, NY, August 21, 2012 - January 3, 2013 «Prima Materia,» Gladstone Gallery, Brussels, Belgium, March 30 — April 28, 2012 «Intimate Immensity: The Susan and Larry Marx Collection,» Hammer Museum, Los Angeles, CA, February 14 — May 6, 2012 2011»... there is a crack in everything,» Michael Janssen, Berlin, Germany, November 12 - December 20, 2011 «Under Destruction,» Swiss Institute, New York, NY, March 15 — May 28, 2011 «Paul Clay,» Studio 94 Bowery, New York, NY, June 23 — July 30, 2011 «De-Building,» Christchurch Art Gallery Te Puna O Waiwhetu, Christchurch, New Zealand, February 5 - 22 2010 «The Artist's MuseumMuseum of Contemporary Art Los Angeles, Los Angeles, CA, October 31, 2010 - January 31, 2011 «Under Destruction,» Museum Tinguely, Basel, Switzerland, October 15, 2010 — January 23, 2011; traveled to the Swiss Institute, New York, NY, April 6 — May 8, 2011 «The Jewel Thief,» Tang Museum at Skidmore College, Saratoga Springs, NY, October 9, 2010 — February 27, 2011; catalogue «Immaterial,» Ballroom Marfa, Marfa, TX, October 1 — February 20, 2011 «The Artist's MuseumMuseum of Contemporary Art, Los Angeles, September 19 — January 31, 2011 «Selections from the Hammer Contemporary Collection,» Hammer Museum, Los Angeles, July 3 - January 30, 2011 «Collecting Biennials,» Whitney Museum, New York, January 16 - November 28, 2010 2009 «Collection: MOCA's First Thirty Years,» Museum of Contemporary Art, Los Angeles, CA, November 15, 2009 - July 12, 2010 «Collecting History, Highlighting Recent Acquisitions,» Museum of Contemporary Art, Los Angeles, CA, July 12 — October 19, 2009 «Abstractionists Unite!»
Mackler has organized exhibitions at The Museum of Contemporary Art, Los Angeles (MOCA); The Hammer Museum, Los Angeles; Artissima LIDO, Turin, Italy; and Frieze Projects, New York amongst others.
«storefront: NOAH DAVIS: Imitation of Wealth» @ Museum of Contemporary Art, Los Angeles, Grand Avenue Los Angeles Paying homage to the artist - run store front spaces common in Los Angeles, each year, MOCA LA invites artists to take over a museum space, creating a «storefront» exhibMuseum of Contemporary Art, Los Angeles, Grand Avenue Los Angeles Paying homage to the artist - run store front spaces common in Los Angeles, each year, MOCA LA invites artists to take over a museum space, creating a «storefront» exhibmuseum space, creating a «storefront» exhibition.
Primarily working as hyper - real costumed DJ's, LXXX YOU has provided entertainment for the Hambidge auction, The opening of Ponce City Market, Burnaway Auction, Zuckerman Museum of Art, Eide Magazine anniversary party, MOCA GA, Marcia Wood Gallery, Sandler Hudson Gallery, WonderFarm, and Atlanta Contemporary's ART PARTY.
Massachusetts Museum of Contemporary Art (MASS MoCA), 1040 Mass Moca Way; 413-662-2111, massmoca.org
The lavishly illustrated publication will also feature essays by MASS MoCA Curator Susan Cross; Connie Butler, Chief Curator at the Hammer Museum, Los Angeles; and José Luis Blondet, Curator of Special Projects at LACMA, Los Angeles.
Until's Call and Response Program will continue throughout the run of the exhibition at MASS MoCA and will engage communities globally as Cave's project travels to Carriageworks in Sydney, Australia, and the Crystal Bridges Museum of American Art in Bentonville, Arkansas.
Other recent exhibitions include Thomas Houseago: Striding Figure / Standing Figure, Galleria Borghese, Rome (2013); Where the Wild Things Are and Thomas Houseago: Hermaphrodite, Sainsbury Centre for the Visual Arts, Norwich (2012); The Beat of the Show, Inverleith House, Edinburgh (2011); The World Belongs to You, Palazzo Grassi, Venice (2011); The Artist's Museum, MOCA, Los Angeles (2010); What Went Down, Modern Art Oxford (2010, travelling to the Ashmolean Museum, Oxford, the Museum Abteiberg, Mönchengladbach and the Centre International d'Art et du Paysage de l'Ile de Vassivière throughout 2011).
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
MOCA Cleveland presents the first major US solo museum exhibition of Aleksandra Domanović (b. 1981, Novi Sad, Yugoslavia).
Thus we interviewed not only Jeffrey Deitch, who had directed MOCA in LA; Philippe de Montebello of the Metropolitan; Alanna Heiss, and then Glenn Lowry, from MoMA; Massimiliano Gioni of the New Museum; and Thelma Golden of the Studio Museum in Harlem; but also Sir Norman Rosenthal from the Royal Academy, London; and Mikhail Piotrovsky at the Hermitage in St. Petersburg.
In 2011, Roger Gastman was an associate curator of Art in the Streets, the first major US museum (at MOCA) survey of graffiti and street art.
After relating this story, she teased her New York dealer David Maupin — of Lehmann Maupin, where her two - gallery show of new works opened last month, part of a protracted one - woman British invasion that includes her first museum show in the States, at MOCA North Miami this December, and her purchase of an apartment there — by pointing out his late arrival to everyone in the room (at this, the suited dealer gave a little wave and sat down).
Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.
Stamm's work is included in the public collections of Brooklyn Museum (Brooklyn, NY), Carnegie Museum (Pittsburgh, PA), Hall Art Collection (Derneburg, Germany; Reading, Vermont), Museum of Contemporary Art MoCA (Los Angeles, CA), Phoenix Art Museum (Phoenix, AZ), Aldrich Contemporary Art Museum (Ridgefield, CT), Museum of Modern Art MoMA (New York, NY), Guggenheim Museum (New York, NY) and Western Australia Art Gallery (Perth, Australia).
Joseph C. Thompson, Krens» colleague at the Williams College Museum of Art, was named founding director of MASS MoCA and spearheaded the project's launch after Krens went to the Guggenheim in 1988, shortly after the Massachusetts legislature voted its support for the project.
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