Sentences with phrase «moma drawings department»

Not exact matches

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Indeed, in the November 1959 issue of Arts Magazine, William Rubin — later the director of the painting and sculpture department at MoMA — drew just such parallels in a comparison of Pollock and Masson.

Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew, Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik, Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Elisabeth Sherman, Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge

MoMA recently added an artist's book by Andersson to their Drawings and Prints Department.

It's to the credit of the show's organizers — Christophe Cherix, chief curator of the drawings and prints department at MoMA; David Platzker, a former curator in that department; Cornelia H. Butler, chief curator at the Hammer Museum in Los Angeles; and Tessa Ferreyros, a curatorial assistant at MoMA — that they've been careful to make such links, and by doing so point up the fierce, steady logic of this artist's career.

Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

In early May, MoMA revealed that it will merge the Departments of Drawings and Prints and Illustrated Books into a single Department of Prints and Drawings effective July 1, prompting a number of questions about how the institution will allocate resources under the new structure.

The online presence of «Please Come to the Show» — which invites researchers «to seek out our ephemera files and documents that are waiting to be explored» — is a step towards addressing this neglect, as is the appointment of an ephemera expert, David Platzker, as a curator in MoMA's newly - formed Department of Prints and Drawings.

Competently put together by Starr Figura, MoMA's curator in the Department of Drawings and Prints, the show brings to our attention Pollock's works in different media — drawings, prints, paintings, and even one decorative design on the lid of a wooden box — in a compact, but thorough overview of hisDrawings and Prints, the show brings to our attention Pollock's works in different media — drawings, prints, paintings, and even one decorative design on the lid of a wooden box — in a compact, but thorough overview of hisdrawings, prints, paintings, and even one decorative design on the lid of a wooden box — in a compact, but thorough overview of his career.

In the works for four years, the exhibition is a collaboration between the artist and Christophe Cherix and David Platzker, curators from MoMA's Department of Drawings and Prints, and Connie Butler, chief curator at the Hammer Museum in Los Angeles.

The seventy - seventh Whitney Biennial — on view March 7 — May 25, 2014 — is being organized by three outside curators: Stuart Comer, Chief Curator of Media and Performance Art at MoMA; Anthony Elms, Associate Curator at the Institute of Contemporary Art in Philadelphia; and Michelle Grabner, Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

Curated by Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)

The Museum of Modern Art will combine its Department of Prints and Illustrated Books with the Department of Drawings, effective July 1, it was announced today by MoMA Director Glenn D. Lowry.

Ms. Hoptman was an Assistant Curator in MoMA's Department of Drawings from 1995 until 2001, when she was named Curator and Head of the Department of Contemporary Art at the Carnegie Museum of Art in Pittsburgh, PA..

Judith B. Hecker, Assistant Curator, Department of Drawings and Prints at MoMA, organized Impressions from South Africa, 1965 to Now: Prints from The Museum of Modern Art (2011), which featured some 80 prints, artist's books, posters, and wall stencils by artists living in South Africa that were acquired by the Museum.

After four years as deputy director of MoMA PS1, where he managed five departments and oversaw the Warm Up summer DJ festival and wps1.org (now ArtonAir.org) radio, Brett Littman assumed the post of executive director of The Drawing Center in 2007.

Teachers and advisors for this program included independent curators Cecilia Alemani, Regine Basha, and Teresa Gleadowe; Kate Fowle, Executive Director, ICI; Sofia Hernandez Chong Cuy, Curator of Contemporary Art, Coleccion Patricia Phelps de Cisneros; Matthew Higgs, Director and Chief Curator, White Columns; and Christian Rattemeyer, Associate Curator, Department of Drawings, MoMA.

The 77th Whitney Biennial will, this year, be corralled by three curators sourced from outside the institution (but no less internationally regarded): Stuart Comer (Chief Curator of a Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and a professor in the Painting & Drawing Department at the School of the Art Institute of Chicago).

The works are drawn from all six of the MoMA's curatorial departments, reflecting the history of the institution and the choices it had made in building its collecting.

Gift of Anne Kurakin (Transferred from Department of Drawings and Prints study collection to MoMA permanent collection)

If you're eight and you're looking for answers, you could hardly do better than a dip into the colorful new children's book, Yayoi Kusama: From Here to infinity, published by the Museum of Modern Art, New York, and written by Sarah Suzuki, a curator in the department of drawings and prints at MoMA, with illustrations by Ellen Weinstein, a New York - based illustrator.

Organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Ingrid Langston, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

The 2014 Whitney Biennial on March 7 — May 25, 2014, will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.

Organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator of Drawings and Prints; and Klaus Biesenbach, Chief Curator at Large, MoMA, and Director, MoMA PS1; with Francesca Wilmott, Curatorial Assistant, Department of Drawings and Prints.

Organized by Christophe Cherix, The Robert Lehman Chief Curator of Drawings and Prints, MoMA; and Manuel Borja - Villel, Director, MNCARS; with Francesca Wilmott, Curatorial Assistant, Department of Drawings and Prints, MoMA.

Currently head of the department of drawings and curator of painting and sculpture at MoMA, Garrels will assume his new position June 1.

At MoMA, from 2000 to 2005, Garrels was head of the department of drawings and a curator in the department of painting and sculpture.

Perhaps reflecting the wide range of approaches artists engage today, the Whitney rejected a team approach and selected three separate curators: Anthony Elms, Associate Curator at the Institute of Contemporary Art, Philadelphia; Stuart Comer, Chief Curator of Media and Performance Art at MoMA; and Michelle Grabner, artist and Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago; to organize their own independent sections of the show.

The 2014 Whitney Biennial will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.

Organized by Jodi Hauptman, senior curator, and Heidi Hirschl, curatorial assistant, of MoMA's department of drawings and prints, with Karl Buchberg, senior conservator, and the independent Degas scholar Richard Kendall, the exhibition assembles about 120 monotypes and 60 related prints, drawings, pastels and paintings.