There are scores of other recent examples of secret art — shows of paintings by Wade Guyton and Stephen Prina that appear suddenly, announced to only a select group, each year for a single day at Friedrich Petzel Gallery (most recently in March); a two - person show last summer at the Untitled gallery with a rear wall that, when pushed, swiveled and, like a James Bond - style hidden - door bookcase,
opened onto a prodigious group show; the recent obsession over Kraftwerk's über - secret studio in Germany in advance of the group's
MoMA retrospective; the hidden rooms and trap doors in Swedish artist Klara Lidén's shows (there's one in her current New Museum retrospective); and a drawing by David Hammons at
MoMA that was covered with a cloth and unveiled only a
few minutes a
week by appointment at select times.
Carolee Schneemann, «Kinetic Painting»
MoMA PS1 22 October 2017 — 11 March 2018 «I've waited a very long time for this,» Carolee Schneemann said of her first comprehensive retrospective which
opened during the first
few weeks of the #metoo movement and which is set to close on Sunday.