Sentences with phrase «model viewer with»

The trailer also does a fairly deep dive into the customization menu and what appears to be a model viewer with a security camera filter.

Bonus Content: Model Viewer with animations, Photo Mode, Concept Art, Scrap Book, Developer Interview and Cheats.

Not exact matches

A reference model of the Sony PlayStation VR viewer is on display with a PlayStation 4 system during a press event for CES 2016 at the Mandalay Bay Convention Center on January 5, 2016, in Las Vegas.

The model for other studios to follow here would seem to be to, first, test your potential audience with more than just a vague idea and then deliver a product that is both true to its source material while also offering something beyond what viewers have already come to expect from typical superheroes (in this case, that would be the comedy, sex, and violence).

Echoing the working methods of ship - in - a-bottle hobbyists, Hawkinson created a painstakingly detailed model ship that twists in upon itself, presenting the viewer with a thought - provoking visual conundrum.

In my review of the show, I'd criticized Jamie Oliver in a big way for failing to tell viewers that Carpinteria High, the school he held up as a model for excellent food (and it did look fantastic, no question about it), was the recipient of a generous grant from the Orfalea Foundation which assisted with staff training, the purchase of kitchen equipment and the planting and maintenance of the school garden.

With the interactive model, a viewer can pan, zoom, rotate and pause / activate the time evolution of movement along orbits.

In this research, the DNNs were trained with natural scene videos of motion from the point of view of the viewer, and the motion prediction ability of the obtained computer model was verified using a rotating propeller in unlearned videos and the «Rotating Snake Illusion.»

Though various models are seen donning into such apparels, to give the viewers a great treat to sight and interest, Pakistan's finest fashion and television stars are invited to adorn the ramp with their presence.

The season, British style bible i - D continues its «Model Mother Tongue» video series, featuring top models teaching viewers simple but useful phrases in their native languages, with Japanese model and actress Tao OkaModel Mother Tongue» video series, featuring top models teaching viewers simple but useful phrases in their native languages, with Japanese model and actress Tao Okamodel and actress Tao Okamoto.

Notably, i - D has also helped to drive the trend, publishing funny educational videos like «How to Speak Japanese with Tao Okamoto,» part of the magazine's «Model Mother Tongue» series in which the world's top models teach viewers a few phrases in their native languages.

The broadcast, which will be held at 3:00 PM EST, will take viewers through the journey of how the Land Rover began as a utility model at the end of the Second World War and grew to become the world's favorite 4x4, with more than 7 million sold globally.

Instead of following the music video model and entertaining viewers with well produced content in the style of a short film, initial book trailers did the absolute minimum possible to still fall under the definition of video.

Known as A60, new models have Pearl screen, Comic Viewer (JPEG, BMP and GIF in ZIP Container), Support for RTL (right - to - left) languages in EPUB files (in non-DRM FBReader mode), A62 is the successor (with 800 MHz CPU and 4 GB flash)

All these features, coupled with a New Game + mode, additional difficulty options and an in - game model viewer, ensure that The Evil Within has plenty to offer to those who wish to enter the madness once again.

Minimalism provided viewers with a direct and non-illusory view of sequences of forms that reflect the mathematical models that underlie nature.

With pursed lips and slender arms, the former work's model is nearly bleached out to a clean cream; while the latter, with impossibly pouffy hair, looks at the viewer from within her angled storefront winWith pursed lips and slender arms, the former work's model is nearly bleached out to a clean cream; while the latter, with impossibly pouffy hair, looks at the viewer from within her angled storefront winwith impossibly pouffy hair, looks at the viewer from within her angled storefront window.

While Morley's paintings invite the viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits of his youth to the paper cut - out varieties.

The series of exhibition spaces, created by Gehry's own studio, leads the viewer through the architect's oeuvre chronologically, charting the stylistic and technological evolution of his career with 67 models and more than 200 sketches.

The exhibit will be divided into three parts: the museum's Rubin Gallery will be organized into a layout that mimics Manhattan with scale models of projects like Steven Holl's Parallax Towers (alluded to above) and an alternate design for Central Park inspired by the gardens of Versailles; the museum's long - standing Panorama of the City of New York display will get 70 new additions to show viewers what the city would have looked like if all of the exhibit's projects had been completed; and a third display will focus on projects that were specifically intended for Flushing Meadows Corona Park.

There is no observation, no photographic source, no model and she presents the viewer with things no one has ever seen before.

Instead this is sculpture that is not carved, modeled or constructed — it is designed to interact, both physically and intellectually, with the viewer and their environment.

The crowd was outraged at the brazen immodesty of the model who returned the viewer's gaze with a cool appraisal.

With their quiet and unassuming presence, the models led both artist and viewer to imagine an infinity of possible scenarios, suspended between past, present and future.

They stare out at the viewer with an uncanny, alien gaze, created by lavishly painting eyes onto the models» closed eyelids — a technique drawn from the «Doll Girls» community.

The difference with showing single models in solo frames — which enables the viewer to construct of a one - to - one fantasy relationship with them — is that, with couples, other connotations — the intimate relationship in between the two models — can come to the surface.

Styled by the artist somewhere between high - fashion models and post-apocalyptic survivors, these figures represent Genzken's most explicit engagement with the human form, confronting viewers with a distorted reflection of the world around them.

Wiley adapted the famously contorted torso of Clésinger's female nude to show both the rear and front of his model: the viewer is confronted with both the alluring expanse of the white underwear and, at the same time, the searching face with open eyes and mouth.

Graham takes on the role of the model seen from the viewpoint of the artist — unseen and displaced from the image — thus coinciding with the point of view of the viewer.

Roger Hiorns» current solo exhibition at Luhring Augustine — the British artist's first in New York City — presents viewers with two inscrutable situations: In one, a quantity of gray powder has been deposited, apparently by hand, over a large, rectangular area occupying the better part of the main gallery; in another, a nude male model loiters about a massive, faceted stone object and a low table, the surface of which is a flat - screen TV monitor displaying video content by the Wall Street Journal.

While we do not know the models for these sculptures or paintings, we can identify with their emotions of anger, disappointment and envy as they evoke a memory or distain for someone that we — the viewer — do know.

In 2014, he unveiled this new model of embodied writing - as - art practice at the Whitney Biennial with his audio installation 16 Sculptures, in which he re-created iconic and lesser known sculptural works from throughout the history of art in the medium of language, infesting these works with an authorial agency hitherto unexplored and allowing the viewer to collaborate in a re-creative perceptual exercise of meaning - formation.

In constructing life - sized models out of paper and cardboard often based on images taken from various media sources, and by photographing the constructed scene, Demand plays with the viewer's notions of the real and the fictional.

The answer lies in how the viewer engages with the subjects to understand the intimate moment shared by Gorelick and her models.

Building on the progressive proposals and theories put forth by R. Buckminster Fuller, Gyula Kosice, Yona Friedman and other visionary architects before him, Saraceno develops engaging proposals and models that invite viewers to conceptualize innovative ways of living and interacting with one another, and with their surroundings at large.

Always substantive, always skeptical (one of a minority of credible law practice management types who didn't unquestioningly embrace Richard Susskind) and always spot - on (read his series on business models or non-equity partners to see what I mean), when Bruce MacEwen blogs, I along with 375,000 monthly page viewers listen.

It starts with a product tentatively called Article that Ali and Carpenter describe as a 3D model viewer for browsers.