Sentences with phrase «modern american»

With hilarious cameos throughout, I have high hopes that David Wain (We Hot American Summer) will be able to truly capture the art of modern American Comedy.

From Kim Ji - woon making a fun throwback to 80's action with The Last Stand, to long time cinephile favorite Park chan - Wook making the best film of the year (so far) with Stoker, modern American filmmakers could learn a thing or two from their foreign colleagues.

John Wells is one of the towering figures in modern American television.

«But as I got older and started to learn about the scope of his work, I began to understand the extent of his unparalleled contribution and the debt of gratitude modern American culture owes him.

This three - part project is driven by his fascination with the «modern American frontier» and the ways in which that frontier has changed... and stayed the same.

Ahmed is perfectly cast as a young Pakistani man who, in the year 2000, emigrates to the U.S. to live the modern American dream.

From its humble beginnings on the now - ancient Japanese MSX2 computer following a young, lone - wolf US soldier Solid Snake as he infiltrates the secret military base Outer Heaven, Metal Gear has blossomed into a empire of its own, its story spanning generations of supersoldiers and over a century of modern American history and politics across nearly two dozen games.

Called by some the Great Forerunner and others the Tallest Tree in Our Forest, Paul Robeson is without peer in the annals of modern American civilization.

From A+E Studios and Weinstein Television, and created by father / son duo William and David Broyles, the series follows members of Navy SEAL Team Six, modern American warriors whose covert mission to eliminate a Taliban leader in Afghanistan goes awry when they uncover a U.S. citizen working with terrorists.

Reaching back a little to the modern American indie explosion of the eighties is Spike Lee's debut feature «She's Got ta Have It» (1986) and a small library of Roger Corman seventies film arriving, including «Rock «n» Roll High School,» «Caged Heat» and «Crazy Mama.»

The path of the dollar bill, and point of view in each episode, paints a picture of a modern American town with deep class and cultural divides that spill out into the open as the town's secrets get revealed.

An exchange of these new films would be cultural beneficial not only for the modern American cinema but also for off stream foreign film directors.

If there's a widespread problem in modern American comedies, it's that readiness to give up a good joke for some sorry excuse for a moral about family values, friendship, being yourself, yada yada yada.

But for Toller, the faith of those early founders, who once used their chapel to shelter slaves fleeing north along the Underground Railroad, stands in stark contrast to the slick, corporatized hypocrisy of the modern American church — an institution that has betrayed its believers, its mission and, above all, the Earth over which God decreed that man should have dominion.

The Room may be a non-native's laughable, even grotesque caricature of modern American life, but it's an incredibly sincere one.

New York Stories is an extremely mixed bag, but it is essential viewing for fans of three of the most celebrated directors in modern American film.

Black Panther debuted in Marvel Comics in 1966 as the first superhero of African descent in modern American comics.

It's a breathtaking vision of fighting spirit and how the modern American underclass take any action available (legal or otherwise) for the purposes of self - betterment.

Reuniting «Game Change» director and executive producer Jay Roach and Playtone producers Tom Hanks and Gary Goetzman with Mark and John for a project based on their upcoming book promises to vividly capture the most unique and impactful event in modern American politics.»

The boisterousness of the film's finale, with its sieges and rescues, its lightning bolts and flash floods, relieves what would otherwise be an almost unbearably sad evocation of what is least preservable about youthful experience: not so much the loss of that «innocence» that is such a hackneyed motif of modern American culture (and for which summer camps have always been a favored location) but the awakening of the first radiance of mature intelligence in a world liable to be indifferent or hostile to it, an intelligence that can conceive everything and realize only the tiniest fragment of it.

After scoring with wonderful, whimsical, globe - trotting comedies the last few years (Midnight in Paris, Vicky Cristina Barcelona), Allen comes home to craft a finely tuned drama on common anxieties of modern American class warfare.

Here is a film that possesses all the hallmarks of what can make modern American comedy so lazy.

There was also a conversation with one of his proteges, Lena Dunham, plus he got to introduce a 35 mm print of Hal Ashby's 1979 masterpiece Being There starring Peter Sellers because, when you are introduced to a packed house of society swells as «the man who transformed the face of modern American comedy», you get to do things like that.

Though it did premiere at Cannes, Thief isn't an obvious selection for Criterion, who tends to release vintage, foreign and independent cinema much more frequently than modern American studio fare.

Al Pacino stars as Michael Corleone in this dark side of the American dream story, rising from clean - cut son of New York Godfather Vito Corleone (Marlon Brando in an Oscar — winning performance) to ruthless mob leader to modern American businessman trying to pull his family's tentacles from the criminal world.

American Indians used to be treated this way in American cinema (fool vs. wise fool)-- unsure how to treat them in any different way, modern American cinema has chosen not to treat them at all.

The question hangs over the film, making for an introspective journey; this isn't When Worlds Collide so much as The Double Life Of Véronique in a modern American setting, with a touch of Hal Hartley melancholy, whimsy, and an atmospheric indie soundtrack.

She took on serious issues through her dramas, putting a face to the social problems she addressed, and brought nuance and complexity to her stories of struggle and hardship in modern American life in the 1910s.

Gay marriage and same - sex parenthood in the suburban world of the film are shown as facts of modern American life, represented with a cheerful wholesomeness that could appeal to various ideological leanings.

Consequently, it is refreshing to find a book that takes a more nuanced and delicate approach to analysing this moment of modern American film.

Though the film follows a pretty standard cops - and - robbers formula, it does so with such razor - sharp proficiency and well - drawn characters that it succeeds not just as a terrific genre film but a modern American classic in the same vein as «No Country for Old Men.»

The communist, celebrity - kidnapping group The Future angles to infiltrate the industry, as the future descends upon Josh Brolin's Eddie Mannix as modern American capitalistic militarization promises a better tomorrow outside of the fading cinerama of the studio system.

Granted, I'm already interested, so I found it fascinating, but one can't deny that the Black Power movement was a vital part of modern American history.

It may look like a total ballache half the time, but there are virtues: a sense of community rare in modern American cities, and they live in the one part of Brooklyn that's not infested with insufferable people squandering their trust funds on MFAs.

And that's what's so subtly special about The Rider — the way it takes what easily could have been reportage and turns it into modern American myth.

Basically, he's made a modern American version of classic Seventies and Eighties Kaiju (in knowing nods, megacroc Lizzie even has definite hints of Godzilla's fellow beasts Anguirus and Biollante in the design).

The film is, even by Schrader's standards, a bleak endeavor, concerned with the durability of spirituality, its susceptibility to corruption and radicalism, and its place in modern American life: with the slow decay of the planet, as well as with pain, penance, and the validity of suicide and murder.

THE CIRCUS is a non-partisan, never - before - attempted take on one of the most fascinating and consequential political periods in modern American history.

ALIVE AND KICKING gives the audience an intimate, insider's view into the culture of the current swing dance world while shedding light on issues facing modern American society.

Anticipating the headache described in its title, I wasn't looking forward to The Hangover, a raucous guys - in - Vegas, party - outta - control movie with a plot lifted from that influential modern American work of art, Dude, Where's My Car?

As an actor Buscemi has practically become a poster boy for the modern American independent film movement.

About Blog That Crazy Christian Romance is a blog dedicated to discussing the pursuit of romance and matrimony as a modern American Christian, created by blogger and speaker Justin Megna.

The new adaptation of Stephen King's It earned a... Is September 2015 going to be one of the most important months in modern American history?

The Modern American Singles Dating Scene that people use the internet dating sites to find their second half has been the most effective today.

A blend of modern American and traditional Italian cooking, this eatery effortlessly blends relaxation and romance.

Daylesford, Gloucestershire About Blog Chef Steve Brown is a Modern American Chef / Restauranteur / Caterer in Southern California.

However, the phrase «when you go black you never go back» still persists within the modern American society signifying that racism is a human vice that is going to take a little longer than anticipated to eliminate.

American women are completely turned off by traditional gender roles and this leaves American men slightly confused when courting a modern American women.

Another thing to mention is that in cities like Lisbon women are no different than modern American ones.

Modern American prep is achieved with spot - on tailoring, skinny - sleeved blazers, and a button - up done to the throat.