Sentences with phrase «modern art talking»

Not exact matches

The collections vary from sculpture, photography, impressionist and modern so every art lover will find something that sits well and with so much to see, you will find you and your date have plenty to talk about.

Join us at our Signature Talk for a glass of wine and some nibbles while we explore the lost art of flirting in today's modern dating world.

About Blog VeryVintageVegas is my blog about the historic neighborhoods and mid century modern homes of Las Vegas.We also talk about the arts and music scenes, and urban life.

We are in modern day America, talking about art, life, love and more.

MIDSECTION: SCREENWRITERS Some of the most talented writers for film and television — Ruth Gordon and Garson Kanin, Howard Koch, George Axelrod, Robert Benton and David and Leslie Newman, Richard Levinson and William Link, and Paul Schrader showed up at The Museum of Modern Art last fall to talk about their funny and frustrating adventures in Hollywood.

Special Features In Walt's Words: «Snow White And The Seven Dwarfs» - Hear Walt himself talk about Snow White Iconography - Explore how this film influences pop culture, art and fashion Disney / Animation: Designing Disney's First Princess - Modern - day Disney artists discuss the design of Snow White and how it influenced the look of some of your favorite Disney characters The Fairest Facts Of Them All - Disney channel star Sofia Carson reveals seven intriguing facts about Snow White And Much More!

We Need to Talk About Kevin: Akin to Lynne Ramsay's directorial approach only in miserable tone, the very best poster for We Need to Talk About Kevin abandons modern tendencies for an evocation of Renaissance art, its rain - pelted, window - shielded handling of subject calling to mind an aged, cracked portrait by Vermeer.

Creators Art professor Geo Sipp talks about the graphic novel he is creating, together with novelist Conger Beasley Jr., which is set during the Algerian War and draws parallels to the use of torture in that conflict and in modern times.

While modern credit card applicants can still choose to honor their ancestors by using the mail - in form — or practice the art of small talk with their local teller — today's credit seeker has an even better option: the online application.

He will talk with Kuo about his two forthcoming book projects, which will explore intersections of race, gender, and aesthetics in modern and contemporary art.

Talk: Huey Copeland and Michelle Kuo at Artists Space Part of the Artists Space «Dialogues» series, this event brings together Huey Copeland, associate professor of art history at Northwestern University, and Michelle Kuo, a curator of painting and sculpture at the Museum of Modern Art in New York and the former editor of Artforart history at Northwestern University, and Michelle Kuo, a curator of painting and sculpture at the Museum of Modern Art in New York and the former editor of ArtforArt in New York and the former editor of Artforum.

LECTURES AND WRITINGS Dear Gunnar, The Uncertain States of America, American Art in the 3rd Millennium, Astrup Fearnley Musum of Modern Art, Oslo, pp. 52 - 53, 2005 On Dan Flavin, V Magazine, October 2004 Will Bradley in conversation with Wade Guyton and Bojan Sarcevic, Modern Art Oxford, October 13, 2004 Cay - Sophie Rabinowitz in conversation with Wade Guyton Apexart, July 12, 2004 Artist Talk, Power House, July 13, 2003.

Andrew Graham - Dixon talks to Howard Hodgkin at Modern art Oxford in 2010 during the artist's exhibition «Howard Hodgkin: Time and Place».

Julia Bryan - Wilson, associate professor of modern and contemporary art at UC Berkeley, talks about Ruth Asawa's wire sculptures and Louise Bourgeois's hanging bronzes.

We also talk about modern art, technique, and theory.

Last week the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on Giorgio Morandi.

It's Whitney Biennial Season Again», The New York Times, March 7, 2004 (illus) Suzanne Cotter, «Soul Delay,» catalog essay for Real World, Modern Art Oxford, UK Manami Fujimori, «Artforum Sees and Talks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney MuseuTalks: Art in the early 2000's, (interview with Tim Griffin)» Bijutsu Techo (BT), July 2004, (illus) Blake Gopnik, «Whitney Highlights,» Washington Post, March 14, 2004, (illus) Eleanor Heartney, «The Well - Tempered Biennial,» Art in America, June / July 2004 Bruce Hainley, «Notes on Renewed Appropriationisms, «Artforum, May, 2004 (illus) Michael Kimmelman, «Touching All Bases at the Biennial,» The New York Times, March 12, 2004 (illus) «Out of the Past: Tim Griffin talks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museutalks with Whitney Biennial Curators,» Artforum, January 2004, p 57 (illus) Walter Robinson, «Building Codes,» Artnet Magazine, January 2004, (illus) Debra Singer, «The Way Things Never Were: The Way Things Never Were and the Unpredictable Past», catalog essay for Whitney Biennial, Whitney Museum, NY

She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheart publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among otheArt, New York University, Stanford and Northwestern University, among others.

THE SEEN Staff & Friends Produced in collaboration with THE SEEN, Chicago's International Online Journal of Contemporary & Modern Art, ArtSlant, the # 1 Contemporary Art Network, and Bad at Sports, Contemporary Art Talk, the daily publication printed during Chicago's largest international event of the fall season.

Today, December 10th at n / a in Oakland is «doubt it / talk series,» presenting a conversation between 2012 SECA Award winning artist Josh Faught and Julia Bryan - Wilson, associate professor of modern and contemporary art...

An essential aspect of the mission is to establish the gallery as an active, vibrant, and inventive participant in the Hamptons art panorama, with artist talks and events that significantly contribute to the modern and contemporary art discourse.

In the video, Goldsmith talks about the «Please do not touch» sign placed at the foot of the cast bronze sculpture «Homme qui marche» (Walking Man)(1960) by Italian Swiss artist Alberto Giacometti (1901 - 1966) from the Louisiana Museum of Modern Art's collection.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African aArt exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African artart.

This week: Dr. Robert Cozzolino Senior Curator and Curator of Modern Art, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and moArt, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and moart in Chicago and more!

Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945 - 1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron about the storied history of the Dwan Gallery and the artists who exhibited there.

Conceptual Art Explore the fundamentals of the Modern's permanent collection through these chronological gallery talks led by scholars in art and art histoArt Explore the fundamentals of the Modern's permanent collection through these chronological gallery talks led by scholars in art and art histoart and art histoart history.

This week: Live on stage without a net from Art Expo Chicago 2013 (aka EXPO CHICAGO, The International Exposition of Contemporary and Modern Art) Duncan and Richard talk to Galleries Charlie James (Charlie James Gallery, Los Angeles) and artist...

This Tuesday Evenings at the Modern presentation, «40 Years: Talking and Thinking about Art,» is a biographical sketch of Michael Auping's four - decade career as a renowned curator, relaying stories of artists such as Lucian Freud, Agnes Martin, John Chamberlain, Louise Bourgeois, Bruce Nauman, Jenny Holzer, and Frank Stella.

Loie Hollowell will be giving a gallery talk on Georgia O'Keefe: Living Modern, as part of a series engaging contemporary perspectives on moderModern, as part of a series engaging contemporary perspectives on modernmodern art.

As a major exhibition opens at Tate Modern, the American visual art pioneer talks about anxiety and her powerful 70s «pieces»

The artist — popular both within and beyond the art world for his darkly subversive, laugh - out - loud drawings and sculptures — takes his place alongside Tino Sehgal, whose Tate Modern Turbine Hall piece last summer saw performers talking to gallery - goers, telling them intimate stories from their own lives; Laure Prouvost, the French - born, London - based maker of warmly mischievous installations and films; and Lynette Yiadom - Boakye, whose apparently traditional portraits of ordinary sitters turn out to be fabrications drawn from her own imagination.

An essential aspect of the mission is to establish itself as an active, vibrant, and inventive participant in the Hamptons art panorama, with artist talks and events that significantly contribute to the modern and contemporary art discourse.

We were fortunate to see the Birmingham Museum of Art and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the VulcArt and meet Ron Platt, curator of modern and contemporary art, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcart, visit Space One Eleven and meet with Cheryl Lewis, program manager, visit the private collection of Michael Strauss, conduct studio visits with artists Clayton Colvin and Sonja Rieger, artist talk and tour of the exhibition Diegesis by artist John Fields at beta pictoris, and visits to the Sloss Furnaces, the 16th Street Baptist Church, Joe Minter's African Village, and the Vulcan.

Exhibition: September 12 - 15, 2015 Opening Reception: Saturday, September 12, 6 - 9 pm, Artist Talk at 7 pm Art History 101: Dance of Death: Mavo artists and Modern Tokyo: Sunday, 9/13, 3 PM Open Hours: Sunday, 9/13 from 2 - 6; Monday and Tuesday 9/14 -9 / 15 from 4 - 8 pm

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arart at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine ArArt History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arart at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine ArArt History and Archaeology - from NYU's Institute of Fine Arts.

We'll talk to the Dallas native this hour about his career and a rare joint exhibition of his work being staged by the Nasher Sculpture Center and the Modern Art Museum of Fort Worth.

In recent years, we've been invited to guest curate the hundredth anniversary OPEN FORUM talks at The Armory Show, co-curate the Latvian Pavilion at the 55th Venice Biennale, and received the highest level of press in our history with reviews by the New York Times, Artforum, Modern Painters, Art in America, and more.

Ways of talking about race and appropriation: Claudia Rankine, Hannah Black and Tate Modern's «Black Art, Black Power» conference

Last week, the New York Studio School hosted members of the Center for Italian Modern Art (CIMA) for an interesting talk on one of the greatest Italian painters of the twentieth century: Giorgio Morandi — the subject of the current exhibition at CIMA, on until June 25th.

In 2009 and 2014 she gave talks at the Museum of Modern Art in Warsaw: ``

Tours, studio visits, artist talks and an art - making program are all part of Remai Modern Art Collective, a program with membership open to those aged 15 - art - making program are all part of Remai Modern Art Collective, a program with membership open to those aged 15 - Art Collective, a program with membership open to those aged 15 - 21.

In 2009 and 2014 she gave talks at the Museum of Modern Art in Warsaw: «The Incommensurable Contemporaneity of Alina Szapocznikow» and «Maria Bartuszova: Pioneer of Form.

Byrne will talk about his recent survey show at the Irish Museum of Modern Art, which closed on Monday, Oct. 31.

She participated in «5 x 20 x 20,» in 2009 — a series of talks by artists represented in the Judith Rothschild Contemporary Drawings Collection at the Museum of Modern Art, New York.

Bruguera participated in TED Talks Global as speaker, Documenta 11, Performa, Venice and Havana Biennales, exhibited at Tate Modern, Whitechapel Gallery, Van Abbemuseum, Kunsthalle Wien and The New Museum of Contemporary Art among others.

Agnes Gund, president emerita of the Museum of Modern Art (MoMA), visits Ellsworth Kelly's cavernous Spencertown studio, where they talk about art, life, their friendship and the colors and energy of New YoArt (MoMA), visits Ellsworth Kelly's cavernous Spencertown studio, where they talk about art, life, their friendship and the colors and energy of New Yoart, life, their friendship and the colors and energy of New York.

Essential to the Gallery's mission is establishing itself as an active, vibrant, and inventive participant in the Hamptons art panorama, with artist talks and events that significantly contribute to the modern and contemporary art discourse.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Selected group exhibitions include: Playtime, Institute of Modern Art, Brisbane, 2013; We used to talk about love, Balnaves Contemporary: Photomedia, Art Gallery of New South Wales, 2013; Contemporary Australia: Women, Gallery of Modern Art Queensland Art Gallery, Brisbane, 2012; New11, Australian Centre for Contemporary Art, Melbourne, 2011; Short Sharp Shocks, Barbican, London, 2011; and Adelaide Biennial, Art Gallery of South Australia, 2010.