Sentences with phrase «modern black identity»

Rather than being confined to a vertical column on the inside flap, the book's cogent description, written by Walker, is laid out horizontally and incorporated into the entire dust jacket, which unfolds into a poster - size sheet that on the reverse features a detail of one of her works, ``... (And Modern Black Identity).»

From left, Page 102: ``... (And Modern Black Identity),» 2010 (unique ink transfer on paper); Page 103: «Kiss,» 2010 (graphite and pastel on paper).

Not exact matches

The teaser for Black Panther, a substantially better representation of the project than the poster, features vivid imagery, an intriguing tribal - versus - modern setting plus just enough information about a conflict that can affect more than T'Challa's (Chadwick Boseman, «42») world and identity.

The subtle variations of black hues and tonalities relate to African American identity issues and the role of the color black in modern art, as seen in the artwork of Kasimir Malevich and Frank Stella.

2 Wangechi Mutu in 6 Artists on Black Identity, from Louisiana Channel, Louisiana Museum of Modern Art, Humlebæk, Denmark, 2016: http://channel.louisiana.dk/video/6-artists-black-identity.

The upbeat Barber's Sign from Ghana, infused with the optimism of the new era, suggests modern hairstyles for fashionable personal identity, while celebrating the name Ghana along with the red, yellow, green, and black state colors the new nation adopted after declaring autonomy from Britain in 1957.

Her work focuses on the interaction between technology and black identity and questions how blackness is represented through modern technology.

Animated by flânerie — the idle, detached observation of street life that 19th - century writers associated with the rise of modern cities, that was an important strategy of the French Impressionists — and making reference to African tribal art, Ward's oeuvre resonates with the Barnes collection and speaks with penetrating insight and imagination to a broad range of subjects, including black history and culture, the dynamics of power and politics, and Caribbean diaspora identity.

2004 African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare, Norton Museum in West Palm Beach, FL, USA Fashination, Moderna Museet, Stockholm, Sweden The Fabric Workshop and Museum, New York, NY, USA Flexible 4: Identities, Landes Museen, Linz, Austria Between The Lines, James Cohan Gallery, New York, NY, USA Black President: The Art and Legacy of Fela Anikulapo - Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) 2003 Looking Both Ways: Art of the Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) Love over Gold, Gallery of Modern Art, Glasgow, Scotland Black President: The Art and Legacy of Fela Anikulapo - Kuti, New Museum, New York, NY, USA, (catalogue) Flexible 4: Identities, The Whitworth Art Gallery, Manchester Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA (doublures), vêtements de l'art contemporain, Musée national des beaux - arts du Québec, Québec, Canada (catalogue) Independence, South London Gallery, London The African Exile Museum, Migros Museum, Zürich, Switzerland Somewhere better than this Place, The Contemporary Arts Center, Cincinnati, Ohio, USA

Here, using black models, Wiley reimagined these classical portraits for a modern age to powerfully confront entrenched conceptions of race, identity politics and status.

Art and the Feminist Revolution, 1965 - 1980, Los Angeles Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, Swaziland

Since, Lydia has created «In / Between Spaces» - a mobile group exhibition series in a 26» U-Haul that explores Black identity in various spheres of modern life and that travels to predominantly Black neighborhoods in New Orleans to engage those who have been alienated from the world of contemporary fine art.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

Modern and contemporary figurative works dominate, and they are often mounted in ways that contest or question the notion of a monolithic black identity.

«Civil Progress: Life in Black America,» Greg Kucera Gallery, Seattle, WA, February 6 — March 30, 1997 «Blind Spot: Coming of Age,» White Columns, New York, NY, May 8 — 29, 1997 «Kimchi Xtravaganza,» Korean American Museum, Los Angeles, CA, June 16, 1997 — January 10, 1998; catalogue «The Dual Muse: The Writer As Artist, The Artist As Writer,» Washington University Gallery of Art, St Louis, MO, November 7 — December 21, 1997; catalogue «Thirty - Third Annual Exhibition of Art on Paper,» Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC, November 16, 1997 — January 18, 1998; catalogue «Heart, Mind, Body, Soul: American Art in the 1990's,» Whitney Museum of American Art, New York, NY, November 26, 1997 — January 4, 1998 «La Biennale di Venezia, XLVII Esposizione Internationale d'Arte,» Venice, Italy, 1997; catalogue «A Decade in Collecting: Recent Acquisitions in Contemporary Drawing,» Museum of Modern Art, New York, NY, 1997 «Coming of Age,» White Columns, New York, NY, 1997 «Identity Crisis: Self Portraiture at the End of the Century,» Milwaukee Art Museum, Milwaukee, WI, 1997; traveled to Aspen Art Museum, Aspen, CO; catalogue «Kinds of Abstract,» Seattle Art Museum, Seattle, WA, 1997 «Rhapsodies in Black,» Hayward Gallery, The South Bank Centre, London, UK, 1997; travels to Arnolfini Gallery, Bristol, UK; The Mead Gallery, Coventry, UK; California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San Francisco, CA; Corcoran Gallery of Art, Washington D.C.; catalogue «Sunny Days / Critical Times,» The Bohen Foundation, New York, NY, 1997 «Un Bel Ete,» Casino Luxembourg, Luxembourg City, Luxembourg, 1997

«The Paintings of Mike Cloud: In Celebration of Black History Month,» Lincoln Center Gallery, New York, NY, February 1 — March 3, 2007 «Not For Sale,» PS1 Contemporary Art Center, Long Island City, NY, February 11 — April 30, 2007 «Paper Trail: A Decade of Acquisitions,» Walker Art Center, Minneapolis, MN, March 16 — September 23, 2007 «Simply Red,» The Fabric Workshop and Museum, Philadelphia, PA, April 7 — May 19, 2007 «Collected Identities: Gifts from the Blake Byrne Collection,» Nasher Museum of Art, Duke University, Durham, NC, April 19 — September 30, 2007 «For the Love of the Game: Race and Sport in America, Wadsworth Atheneum, Hartford, CT, June 9 — October 21, 2007 «Gallery Artists,» Regen Projects, Los Angeles, CA, July 7 — August 25, 2007 «Taking Aim: Selections from the Elliot L Perry Collection,» Clough - Hanson Gallery, Rhodes College, Memphis, TN, August 31 — October 11, 2007 «ART PROTECTS,» Galerie Yvon Lambert, Paris, France, September 8 — 9, 2007 «Modern Times: Alumni Collect,» Bowdoin College Museum of Art, Brunswick, ME, October 14, 2007 — March 9, 2008 «Read Me!

2017 Roaring into the Future: New York 1925 - 35, Munson Williams Proctor Arts Institute, Museum of Art, Utica, NY Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England; Crystal Bridges Museum of American Art, Bentonville, AR; Brooklyn Museum of Art, Brooklyn, NY Art of Rebellion: Black Art of the Civil Rights Movement, Detroit Institute of Fine Arts, Detroit, MI Blue Black, Pulitzer Arts Foundation, St. Louis, MO, curated by Glenn Ligon Expanding Tradition: Selections from the Larry D. and Brenda A. Thompson Collection, Georgia Museum of Art, Athens, GA Ten Americans: After Paul Klee, Zentrum Paul Klee, Bern, Switzerland; The Phillips Collection, Washington, DC, February 3 - May 8, 2018 Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, Portland, OR Why Draw?