The relationships and events amount to a credible portrait of
modern city and
family life, but it's the intimate, improvised
shooting style (16 mm, natural light, all on location) and Michael Nyman's evocative, memorable score (this often feels like a film made to music) that define the film and give it the sense of immediacy and compassion that make it so enduring.
A selection of her most notable exhibitions includes: Lingering Nous, Centre Pompidou, Paris, France (2016); An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal (2016); The Malady of Death: Écrire and Lire (commissioned by M + for Mobile M +: Live Art), Hong Kong, China (2015);
Shooting the Elephant象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, Korea (2015); Uneven Arrivals, Ullens Center for Contemporary Arts UCCA, Beijing, China (2015);
Family of Equivocations, Museum of
Modern and Contemporary Art, Strasbourg, France (2013); Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore (2013); Accomodating the Epic Dispersion, Haus der Kunst, Munich, Germany (2012); Arrivals, Kunsthaus Bregenz, Bregenz, Austria (2011); Voice and Wind, New Museum, New York, United States (2010); Symmetric Inequality, Sala Rekalde, Bilbao, Spain (2008); Asymmetric Equality, REDCAT, Los Angeles, United States (2008); Sadong 30, Incheon, South Korea (2006); Unfolding, Dépendance, Brussels, Belgium (2004).