Sentences with phrase «modern literature at»

Here is a full set of photos, plans and elevations of David Chipperfield's Museum of Modern Literature at Marbach am Neckar in Germany, which won the RIBA Stirling Prize 2007 at a ceremony in London on Saturday (and which you heard about first on Dezeen, of course).

MacArthur Fellow and visual artist Ann Hamilton leads a workshop exploring the intersection of texts and textiles in modern literature at the Free Library of Philadelphia.

Not exact matches

• Sadegh Hedayat, The Blind Owl: The greatest work of modern Iranian literature, by a writer whose devotion to Poe inspired at least one work far greater than anything of which Poe was capable.

Following on the British government's decision in favour of promoting English rather than Oriental or Vernacular education in India, and to seek the help of private agencies in the task, the Missions started Christian colleges for imparting education in Western culture and modern science with the teaching of English literature at the centre of secular courses and spiritually interpreted by the teaching of Christian Scripture.

While remarking that of course a barbarous age is not expected to hold to modern standards of decency, Chamberlain writes: «At the same time the whole range of literature might be ransacked in vain for a parallel to the naïve filthiness of the passage forming Section IV, or to the extraordinary topic which the hero Yamato - take and his mistress Miyazu are made to select as the theme of their repartee.»

At the same time in France, another Catholic revival had emerged, guided by novelists Georges Bernanos and François Mauriac and poets Paul Claudel and Pierre Reverdy, all of whom were widely read in the U.S.. Another factor inspiring American Catholic authors, a disproportionate number of whom were Irish - American, was the rise of modern Irish literature.

He scoffs at the idea that some modern proponents of homosexual marriage see homosexual behavior in the deep male friendships of ancient literature.

Here is the sheer miracle of it: a literature that long antedated our glorious gains in science and the immense scope of modern knowledge, which moves in the quiet atmosphere of the ancient countryside, with camels and flocks and roadside wells and the joyous shout of the peasant at vintage or in harvest — this literature, after all that has intervened, is still our great literature, published abroad as no other in the total of man's writing, translated into the world's great languages and many minor ones, and cherished and loved and studied so earnestly as to set it in a class apart.

Alter is a professor of Hebrew and comparative literature at the University of California at Berkeley, with primary expertise in modern literature.

But by far the bulk of the scientific literature hand - wrings, ponders, and philosophizes about the most familiar form of the Frankenstein myth, which Shelley flicked at in her «Modern Prometheus» subtitle: the idea that mad scientists playing God the creator will cause the entire human species to suffer eternal punishment for their trespasses and hubris.

As a postdoc in modern thought and literature at Stanford, it was very beneficial for me to be teamed up with people from the sciences because it highlighted how differently we situate ourselves in relation to our research when we describe it.

While Payne and his colleagues did not directly examine why large modern marine animals are at higher risk of extinction, their findings are consistent with a growing body of scientific literature that point to humans as the main culprits.

The Kanapoi elbow, dated at 4.5 million, is «fully human», so all these australopithecines and whatnot can not be ancestral to us because a modern human was already in existence; his thorough - or, let us say, thoroughly selective - combing of the literature has overlooked a paper by Marc R. Feldesman (1982, American Journal of Physical Anthropology, 59:73 - 95) which finds that Kanapoi is very far from being modern human.

Dr Claire Breay, Head of Ancient, Medieval and Early Modern Manuscripts at the British Library, said: «The British Library's medieval collections are world - renowned and it's very exciting to be opening up the Library's collections of early literary history to young learners through Discovering Literature.

Sure self - publishing MAY pay for a few bills, but at the expense of modern literature.

A recent article in The Guardian by We Need to Talk about Kevin author, Lionel Shriver (who I was lucky enough to meet at a literary festival a few years ago) rightly said: «If all modern literature comes to toe the same goody - goody line, fiction is bound to grow timid, homogeneous, and dreary.»

For the first time in history, at least in the history of modern print, we could be facing the loss of some of our most valuable literature.

One article published yesterday at Good e-reader entitled «Self - Published Authors Are Destroying Literature» changed the way literature was perceived due to the writer's perception based on his view of modern lLiterature» changed the way literature was perceived due to the writer's perception based on his view of modern lliterature was perceived due to the writer's perception based on his view of modern literatureliterature.

Self - publishing is essentially commercial viable at the cost of devaluing modern literature.

Since studying modern and medieval French literature at Cambridge University, Louise has written for Financial Times, The Independent, Telegraph Travel and Condé Nast in the UK and for Zagat and Google in the US.

Kopacka finds inspiration for this surreal imagery from the literature and poetry of the Viennese Modern Age at the turn of the 20th century.

Having studied Art History and German Literature and Linguistics at the University of Hamburg, Germany, Herrmann worked as Curator at the Scottish National Gallery of Modern Art, Edinburgh, Scotland, before joining the Whitechapel Gallery in 2010.

Originally studying English Literature at Cambridge University, Perret works against an extensive backdrop of art historical and literary inspirations and drawing from this vast catalogue of influences, Perret addresses sustained narratives which revolve around ideas of feminism, modern utopias and the consumption of art and lLiterature at Cambridge University, Perret works against an extensive backdrop of art historical and literary inspirations and drawing from this vast catalogue of influences, Perret addresses sustained narratives which revolve around ideas of feminism, modern utopias and the consumption of art and literatureliterature.

Events he has keynoted include the «Disrupting Narratives» symposium at the Tate Modern, the Electronic Literature Organization «Visionary Landscapes» conference in Vancouver, the «Misunderstanding» festival for the International Network of Performance Artists in Zurich, the Digital Interconnections festival in Tokyo, transmediale in Berlin, the «Buddhism and New Media» conference in Seoul, the Ciber@rt Bilbao festival in Spain, and the Seminário Internacional de Cinema e Audiovisual in Salvador, Brazil.

This program is aimed at artists in every artistic discipline: Architecture / landscape / urbanism, street arts / circus / puppets, digital arts, visual arts, comics, cinema / movies / video, curating projects, dance / performances, design, literature, youth book, fine arts and crafts, modern music and jazz, classical and contemporary music, contemporary art performances, photography, theatre, musics for films and video games.

Hinman first received critical attention in the ground breaking exhibition «Seven New Artists» at the Sidney Janis Gallery in May, 1964 Literature: Pop Impressions Europe / USA, page 52, Museum of Modern Art, 1999, 1st Edition, published by MOMA.

Sjón, James McBride and Daniel Kehlmann was interviewed by Kasper Bech Dyg at the Louisiana Literature festival at the Louisiana Museum of Modern Art, August 2014.

Publications include Lubricants & Literature (2017), published with Tenderbooks and Tenderpixel, with writings by Sasha Craddock and Chris McCormack, launched at OFFPRINT London, Tate Modern, London UK (2017) and NY Art Book Fair, MoMA PS1, New York USA (2017).

Patti Smith was interviewed by Christian Lund at the Louisiana Literature festival at the Louisiana Museum of Modern Art in August 2012.

She holds a BA in Comparative Literature, a Masters in Communication Design from Pratt Institute, and has studied modern and contemporary art and history of the art market at Christie's Education in New York.

Robert G. O'Meally, the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University and curator of the exhibition, suggests a still broader context to Bearden's series, which assures us that the search for home, family and a sense of belonging is central to self - discovery for all modern - day Americans regardless of race.

In 1959, after a year of graduate work in English literature at the University of Michigan, he got a job in the Modern's department of public information.

In an exceptionally informative catalog essay for the present exhibition (organized by Corey Keller, a curator at the San Francisco Museum of Modern Art, where it opened last November), the art historian Julia Bryan - Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.

1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87) Masterpieces of British Art from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre», New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale», Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue Raisonné and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.

He holds a Ph.D. in Italian Literature and is Adjunct Assistant Professor in the Department of Modern Languages and Literatures at CUNY Brooklyn College, where he also works in the Art Department as a writing advisor.

During the remainder of the 1960s, he was a regular contributor to both ARTnews and Arts, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School for Social Research and Yale University.

However there is no convincing evidence in the scientific literature of direct physiological effects occurring at sound levels commonly associated with modern wind turbines

Kalamazoo About Blog A Shakespeare scholar and editor, a professor of English at Western Michigan University, and the author of two nonfiction works on Renaissance literature and culture, Grace Tiffany uses fiction as an additional medium for exploring the early modern world.