Sentences with phrase «modern painters as»

He was published in Modern Painters as one of 2014's 25 Artists to Watch.

Hofmann's school in Provincetown filled the vacuum left by Charles Hawthorne's death in 1930 and became as important to modern painters as Hawthorne's had been in its capacity to mold a generation of American artists.

Yossifor was recently profiled by Modern Painters as an artist to watch for 2016 and this year has exhibitions in New York; Frankfurt, Germany; Guadalajara and Chicago.

In addition to being picked by Artforum as the Best of 2011, Sam Falls was also chosen as one of Forbes» Top 30 Under 30 and was featured by Modern Painter as one of the 100 Artists to Watch.

Not exact matches

As great filmmakers have inspired modern painters, so to have great painters influenced the mise en scène of directors and cinematographers throughout the history of cinema.

Applying modern science and forensic techniques to a century - old crime, Cornwell's research led to the publication of Portrait of a Killer, in which she identified the renowned British painter Walter Sickert as the Ripper.

Applying old - fashioned as well as modern forensic techniques to a century old crime, Patricia Cornwell's research led to the publication of Portrait of a Killer, in which she identified the renowned British painter Walter Sickert as the Ripper.

Pennsylvania, United States About Blog Taryn Day's style of painterly realism is inspired by the work of modern painters who combine realism with a strong emphasis on abstract design, such as Richard Diebenkorn, Fairfield Porter, Edwin Dickinson and Edward Hopper.

Having been immediately hailed by European critics as one of his era's greatest painters, Soutine, who was based in France for much of his career, was largely ignored in America until the Museum of Modern Art in New York hosted a small exhibition of his work in 1950.

Reiterating his effusive rhetoric from 1958, Sylvester wrote of Bomberg on the occasion of an exhibition at the Herbert Art Gallery in Coventry in 1960: «I feel no other modern British painter is in the same class as Bomberg».23 This judgment, Sylvester later acknowledged, still referred exclusively to Bomberg's late work.

Despite the pronounced effect on his work of the hugely influential Russian - born French painter Nicolas de Stael, described by the art critic Marco Livingstone as, a godsend to Kinley, the young British painter apparently, trod a solitary path that has made him difficult to place in the pantheon of Modern British art.

In the Spring 1998 issue of Modern Painters, the painter Trevor Winkfield described Abstract Expressionism «as a monolith» that has been «accorded a reverential deference which... seems a mite slavish, if not downright unhealthy.»

AWARD / HONOR Describing Kerry James Marshall as «The Modern Master,» Chicago magazine names the painter among its Chicagoans of the Year.

At the same time, however, by recycling and affirming in 1967 his own words from nearly a decade earlier, Sylvester suggests that we can celebrate Bomberg for his genuine accomplishments as a painter and teacher while frankly acknowledging his important, if limited impact in the history of modern art — an impact which is still being assessed today.

PG: The Renaissance chiefly - Piero, Mantegna, Uccello - but I was attracted also by the modern idioms - Leger, Picasso - and was close to the abstract painters on the project such as Stuart Davis, Burgoyne Diller, Arshile Gorky, Balcomb Greene, etc..

Reviews of Isenstein's work have appeared in such publications as the New York Times, Contemporary, Art in America, and Modern Painters.

(As he told Modern Painters, he sees «the excesses of HD skins, images, as tipping the scales toward some deathly material image, deathly mortal image.»As he told Modern Painters, he sees «the excesses of HD skins, images, as tipping the scales toward some deathly material image, deathly mortal image.»as tipping the scales toward some deathly material image, deathly mortal image.»)

In 1955, as a young painter, Anthea Oswell married the art historian and curator Ronald Alley (1926 - 1999) who later became Keeper of the Modern Collection at the Tate Gallery.

Guston briefly provides biographical information and spends the remainder of his time speaking of his experiences working on the Mural Project (PWAP) in Los Angeles; his move to New York working under Reginald Marsh as a non-relief artist; his multiple mural projects in New York (Penn Station Subway, Queensbridge Housing Project, WPA Mural for the World's Fair, etc.); his success in WPA Fine Arts competitions; his move to Woodstock, New York; his time spent teaching at the University of Iowa; his many influences (Renaissance, Modern and Abstract Painters); his personal / professional feelings about the WPA as well as his political feelings about it.

The gallery's shows are regularly reviewed in international publications such as Frieze, Artforum, Flash Art, and Modern Painters.

Walk into your prototypical observational painter's studio and you are likely to find monographs from modern painters such as Edwin Dickinson and Giorgio Morandi side by side with books on early Renaissance masters Masaccio and Piero della Francesca, as well as a tome filled with the prehistoric cave paintings from Lascaux.

A Decade of American Drawings Whitney Museum of American Art New York, NY Young Americans — 35 Artists under 35 Whitney Museum of American Art New York, NY 1964 Painters and Sculptors as Printmakers The Museum of Modern Art New York, NY 14th Annual Print Exhibition Library of Congress Washington, D.C. 1963 National Prints Exhibition Brooks Memorial Gallery Memphis, TN 19th Annual Print Exhibition Library of Congress Washington, D.C.

Tate Modern's exhibition confirms Martin as one of the foremost painters of the 20th century.

«When my work was not censored outright, it was either mildly ridiculed, or described as folkloric, or just ignored,» she recalled to the art magazine Modern Painters.

Giacometti made Femme in 1928 - 29 and it was purchased by the painter Winifred Nicholson in the mid-1930s just as the European modern art movement was beginning to influence British art.

2010 Rother, Larry, A Brasilian Makes Playful but Serious Art, The New York Times, 21 June Wilson, Michael, Time Out New York, Issue 775, 5 - 11 August Paist, Janet; Scharr, Julian, Polish Sketch Artist Captures Your First Love, CNN New York, 21 July Douglas, Sara, Modern Painters, 1 July Rooney, Kara L., The Brooklyn Rail, September Wilson, Michael, As You Wish, Artforum Diary, 23 June New Museum Presents First Survey of Brasilian Artist Rivane Neuenschwander, Art Daily, 25 June Malone, Meredith, Neuenschwander and Influence, Ethiopian Review, 24 November Small, Irene V., Artforum, November

He has contributed articles to Triple Canopy, Paper Monument, Modern Painters, and North Drive Press; and has curated or co-curated several shows, including A Rabbit As King of the Ghosts (2006), I Just Can't Pretend (2004), and Reading Room (2002).

The Early Renaissance painter Piero della Francesca, the Dutch masters Rembrandt and Vermeer, as well as more modern artists, like Cézanne, Pierre Bonnard, Piet Mondrian, Edward Hopper, and Willem de Kooning, were frequent guests and, sometimes, studio crashers.

As a writer on art and culture, Arning's essays have been published in Time Out New York, Aperture, Modern Painters, The Village Voice, Art in America, Trans, Out, and Parkett.

Many of the artists have been influenced in some way by Japanese Sumi painters or modern artists such as Sam Francis.

For the past decade, Moyer's writing has appeared in publications such as Art in America, The Brooklyn Rail, Artforum, and Modern Painters.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

His essays and reviews have appeared in Artforum, Art in America, Modern Painters, The Paris Review, Interview, as well as numerous exhibition catalogs and anthologies.

Under new curator Clara M. Kim, a few trends have emerged among the 15 participating galleries: firstly, reappraisals of African - American artists later in life, among them abstract painter Jack Whitten (Alexander Gray Associates); secondly, «Global Pop», a nod to Tate Modern's autumn show «The World Goes Pop» (17 September — 24 January 2016), with Brazilian and Japanese Pop artists, such as Keiichi Tanaami at the stand of Tokyo - based Nanzuka.

While he did not switch completely over to abstract techniques until 1910, he is regarded as one of the first abstract painters of modern times.

His essays and interviews have appeared in Artforum, Art in America, Modern Painters, and The Paris Review, as well as numerous exhibition catalogs and anthologies.

«This major exhibition of Schnabel's recent paintings from the last ten years is the first museum exhibition in the United States since 1987 when Nicholas Serota, director of the Tate Modern, and Dominique Bozo, then president of the Centre Pompidou, curated a traveling exhibition that went from: Whitechapel Gallery, London, Centre Georges Pompidou, Paris, Kunsthalle Dusseldorf, Dusseldorf, Whitney Museum of American Art, New York, San Francisco Museum of Modern Art, San Francisco and ended up at the Museum of Fine Arts in Houston, Texas where Schnabel once lived as a young painter.

The gallery has been reviewed in such publications as the New York Times, Art in America, Artforum, The Village Voice, the Washington Post, Modern Painters, Interview Magazine, Sculpture Magazine among others.

The Washington Color School has its origins in the mid-1950s but was formalized as a group of six painters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald Npainters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald NPainters at the Washington Gallery of Modern Art, curated by Gerald Nordland.

His writings have been published in Bidoun Magazine, where he is a contributing editor, as well Artforum, Art Agenda, and Modern Painters, among others.

Freilicher started out as an abstract painter after studying with Hans Hofmann in the late 1940s, but turned somewhat abruptly to representational painting, Russeth wrote for ARTnews, after seeing the Museum of Modern Art's 1948 Bonnard retrospective.

Featuring large - scale installations, lush colorful paintings, video works, and sculptures from the 21st century as well as an accompanying exhibition of works by Francis Newton Souza, one of the most important 20th century Indian painters, these exhibitions showcase two significant Columbus - based collections, offering an unprecedented look at modern and contemporary art from India.

Often characterized by contemporary critics as a sort of modern - day Jean Auguste Dominique Ingres, Tamara de Lempicka was the lone traditional easel painter in the entirety of the Art Deco style.

Brookes has been featured in numerous pop culture and design publications such as GQ, Modern Painters, ARTnews, Playboy, Paper, Juxtapoz, Beautiful Decay, Dazed and Confused, RE: UP, and HUCK.

Georgia O'Keeffe is the star of Tate Modern's summer show, which aims to redefine the famed flower painter as an ambitious and influential artist whose multilayered images have Freudian possibilities.

Dodge's work is the subject of several monographic catalogs and has been discussed in such publications as Art Forum, Flash Art, Modern Painters, Art Review, Los Angeles Times and New York Times.

As a small, nervy group in 1936 — led by such figures as painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract arAs a small, nervy group in 1936 — led by such figures as painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract aras painter George L. K. Morris, muralists and WPA leaders Ilya Bolotowsky and Balcomb Greene, and sculptor Wilfred Zogbaum — they challenged Alfred Barr and The Museum of Modern Art to include Americans as well as Europeans in MoMA's first major survey of abstract aras well as Europeans in MoMA's first major survey of abstract aras Europeans in MoMA's first major survey of abstract art.

Botkin served as president of The Artist's Equity Association, The American Abstract Artists, Group 256 in Provincetown, and the Federation of Modern Painters and Sculptors.

Jibade - Khalil Huffman featured in Modern Painters «12 Emerging Artists to Watch This Year» as part of the January — February 2018 issue.

His work has been exhibited in New York, Miami, Austin, San Francisco, Los Angeles, Laguna Beach, CA and in France and Japan and has been featured in publications such as New York Magazine, Modern Painter, New American Paintings, American Artist, Hi - Fructose, Proximity Magazine and Coast Magazine.