Sentences with phrase «modern painting section»

He was Chairman of the Modern Painting section of Maastricht Art Fair from 1994 to 2004 and Chairman of the Picture Section from 1996 to 2000.

Not exact matches

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Near the end of Modern Masters: Icons of 20th Century Art from the Albright - Knox Art Gallery, there's a small section (only three paintings and two sculptures), titled «Monochrome, Minimalism, and Meditation.»

Starting with the Modern stuff, though, set up the Contemporary section to disappoint — at least as far as painting was concerned.

1942 Americans 1942: 18 Artists from 9 States, The Museum of Modern Art, New York, NY Cross Section Number One of a Series of Specially Invited American Paintings and Watercolors with Rooms of Recent Works by Max Weber, Karl Knaths & Morris Graves, The Phillips Museum, Washington, DC Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings, Whitney Museum of American Art, New York, NY Eighteen Artists From Nine States, Museum of Modern Art, New York, NY

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Devree, Howard, «Picked by Critics: Selected American Paintings Since 1900 — Watercolor Annual — Abstraction», New York Times, 24 February, section 2, p. 9 Art Digest (New York), 1 March, volume 26, p. 19 McBride, Henry, «By Henry McBride: Glasco changes, too», Art News (New York), April, volume 51, no. 2, p. 47 Fitzsimmons, J, «Whitney Annual: many talents, few commitments», Art Digest (New York), April, volume 26, pp.6 - 7 McBride, Henry, «No exit at the Whitney: New American watercolors, drawings and sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, New York

Leslie Waddington served as chairman of the Modern Painting and Pictures sections of The European Fine Art Fair.

The painting and sculpture section spans in time from the Renaissance to present day and is further sub-divided in chronological sections: Late Gothic painting; Dutch and Flemish painting, including works by Rembrandt, Rubens, van Dyck and Jan Brueghel the Elder; Italian Baroque and Venetian 18th century, including works by Domenichino, Canaletto, Guardi and Bellotto; Swiss painting, including Hodler, Segantini, Vallotton, Giovanni and Augusto Giacometti; Impressionism and Post-Impressionism, with masterpieces by Géricault, Manet, Monet, Cézanne, van Gogh and Bonnard; Nordic Expressionism, including a large selection of works by Edvard Munch and Oskar Kokoschka; Modern art, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baselitz.

Opening with the seminal «Salon des Refusés» (Paris, 1863), an empowering exhibition both for artists and modern art, Volume 1 spans all key art movements of the first half of the 20th century, from Fauvism («Salon d'Automne,» 1905) to Cubism («Salon de la Section d'Or,» 1912), Surrealism («Art of This Century,» 1942; «First Papers of Surrealism,» 1942) and Abstract Expressionism («Ninth Street Show,» 1951; «New American Painting,» 1958) and more.

Moeller Fine Art, in the modern section, has several good, small Louise Nevelson works, identifiable by their pieced - together wooden construction, painted monochrome black or white.

Sims Reed has a great collection of Bridget Riley prints from the»80s and»90s in the modern section, and her influence reverberates on Pier 94, in an LED lightbox by Spencer Finch at Lisson and in Peter Schuyff paintings at the Brussels gallery Sorry We're Closed.

Paintings by Francis Bacon, Lucian Freud and David Hockney form the centrepieces of the modern section, along with pre-war pieces by Paul Nash and Henry Moore.

Near the end of Modern Masters: 20th Century Icons from the Albright - Knox Art Gallery at the Denver Art Museum there's a small section (only three paintings and two sculptures), titled «Monochrome, Minimalism, and Meditation.»

The modern art collection, housed in the old building, includes an impressionist and post-impressionist section with paintings by Monet, Cézanne and Van Gogh; a Cubist section with works by Braque, Gris, Léger and Picasso as well as an international modern art selection with works by Arp, de Chirico, Klee and Magritte, just to name a few.

Arranged in three sections — Landscape and Identity, The Avant - Garde Explosion, and Breaking Boundaries: Post 1960s Diversity & Dystopia — the show will explore the modern colonial history of Latin America; the importance of landscape painting in the formation of distinctive national identities; the influence of Symbolism, the Latin American role in the formation of an international style; the variety of Latin American avant - gardes including Surrealism and hard - edged Abstraction; modern depictions of indigenous peoples and customs; progress and modernity in the age of the metropolis; and transgressive challenges to prevailing artistic idioms.

Indeed, the three sections of the exhibition, corresponding to the three floors — Painting / Abstraction; Identity / Portrait; Landscape / Still life — remind us, for all of its understanding of the modern, industrial world, representation in grey begins and carries through it, the classical genres of pPainting / Abstraction; Identity / Portrait; Landscape / Still life — remind us, for all of its understanding of the modern, industrial world, representation in grey begins and carries through it, the classical genres of paintingpainting.

According to Griselda Pollock, [24][25] Catherine de Zegher [26][27][28] and Chris Dercon, director of the Tate Modern who had chosen her work for the contemporary art section of the Pompidou Center's major exhibition of 20th Century art Face à l'Histoire, [29] Ettinger has become one of the major artists of the New European Painting.