Sentences with phrase «modern states presents»

Not exact matches

STATE OF THE AMERICAN WORKPLACE presents an unparalleled look into the modern workforce.

In the modern era, and perhaps in all of history, Jews have never been so secure as they are at present in the United States of America.

While the United States bishops focused on nuclear war, a more general judgment about modern war as inherently unjust had been present in Catholic thought since at least 1870, the year when a group of bishops, in a Postulata addressed to Pope Pius XI and the First Vatican Council, excoriated the expense of «huge standing and conscript armies» and the prospect of «illegal and unjust wars, or rather hideous massacres spreading far and wide.»

If this aspect differed in kind in the case of Jesus from every other member of the species man, then in the present state of our knowledge it would seem impossible rightly to describe Jesus as a man.17 It may be the case that most Christians (and most Christian theologians) in most centuries have accepted this claim: but most have not shared either our modern sensitivity to the difference between history and mythology or our concern for the principles of logic.

They fondly recall Lyndon Johnson's inauguration of the modern welfare state, often bitterly denouncing conservative resistance, arguing that our present political distempers flow from our failure to expand the scope and reach of the welfare state.

This dreadful threat to their national community must have contributed considerable drive to the present establishment of the modern state of Israel.

Gertrude Himmelfarb, in The De-Moralization of Society: From Victorian Virtues to Modern Values (1995), states that «it was not until the present century that morality became so thoroughly relativized that virtues ceased to be «virtues» and became «values.

If there is a profound disparity between the present American economic system and basic American values, and if many Americans have so argued, then it is all the more surprising that some version of socialism, as the main alternative to capitalist economic organization in the modern world, has not found favor in the United States.

One recent Saturday, Mr. Cuomo, the former governor, showed up at his former residence, the Executive Mansion, and broached the unbroachable: before a crowd of about 100 relatives, friends and advisers gathered to mark his 80th birthday, he called his son, Andrew M. Cuomo, «the best governor in modern times,» and, according to several of those present, mused at length that the younger Mr. Cuomo might someday «have an opportunity to serve at a higher level, to serve the people of the United States.»

Erin Crotty, acting commissioner of the state Department of Environmental Conservation said, «The closure of Fresh Kills not only marks the culmination of years of effort to bring the state into the age of modern solid waste management practices, but presents a tremendous opportunity to turn this blighted landscape into an environmental success story.»

He noted that the plight of Kogi State workers today was like a dagger in his mind, saying that no responsible leader would allow workers to go home empty handed at the end of the month in this modern age and chided the present government for being economical with the truth over the bailout fund.

Scott has previously written about modern states» failed social engineering projects and the evasion of state control by present - day mountain peoples in Southeast Asia.

In 2013, a special EDA Award was presented as part of the Museum of Modern Art's 25th anniversary celebration of P.O.V., the renowned documentary series that airs on the national Public Broadcasting Service (PBS) in the United States.

The AmericanUniversity in Bosnia and Herzegovina is present since 2005 with departments in Tuzla, Sarajevo, Mostar and Banjaluka, several programs in modern science, partnerships and close cooperation with USA, local and international institutions, including European Centre for Security Studies George C. Marshall, State University of New York, GeorgeMasonUniversity, etc..

K - 4.3 The History of the United States: Democratic Principles and Values and the People from Many Cultures Who Contributed to Its Cultural, Economic, and Political Heritage GRADES 5 - 12 NSS - USH.5 - 12.1 Era 1: Three Worlds Meet (Beginnings to 1620) NSS - USH.5 - 12.2 Era 2: Colonization and Settlement (1585 - 1763) NSS - USH.5 - 12.3 Era 3: Revolution and the New Nation (1754 - 1820s) NSS - USH.5 - 12.4 Era 4: Expansion and Reform (1801 - 1861) NSS - USH.5 - 12.5 Era 5: Civil War and Reconstruction (1850 - 1877) NSS - USH.5 - 12.6 Era 6: The Development of the Industrial United States (1870 - 1900) NSS - USH.5 - 12.7 Era 7: The Emergence of Modern America (1890 - 1930) NSS - USH.5 - 12.8 Era 8: The Great Depression and World War II (1929 - 1945) NSS - USH.5 - 12.9 Era 9: Postwar United States (1945 to early 1970s) NSS - USH.5 - 12.10 Era 10: Contemporary United States (1968 to the Present)

Divided into three sections, «The Natural World,» «Human Culture» and «The Modern World,» Timeless Earth offers concise data about each site and its present state of preservation, accompanied by sumptuous photography that almost makes the text superfluous (almost).

This 4 + bedroom stunning home, which is beautifully set on Williamsburg inspired landscaped grounds, presents the best of both worlds; State of the art modern amenities,... Ver detalles de la propiedad»

This 4 + bedroom stunning home, which is beautifully set on Williamsburg inspired landscaped grounds, presents the best of both worlds; State of the art modern amenities,... View Listing Details»

Condo: 2 Bedroom, 2 Bathroom, Sleeps 6 Location: Steamboat Springs, Colorado, United States Description: Past and present are architecturally melded together to satisfy the desire for modern interiors while maintaining the spirit of western heritage.

«Black Fire: A Constant State of Revolution» Featuring works by modern and contemporary artists, «Fire» includes works by Hendricks, Cox, Robert Colescott and Martin Puryear, among others that reflect the African American experience from 1964 to the present.

Mandiberg's projects have also been presented at The Museum of Modern Art (MoMA), Los Angeles County Museum of Art (LACMA), The New Museum, Postmasters Gallery, Denny Gallery, Art - in - Buildings Financial District Project Space, Arizona State University Library / Museum, Eyebeam, Ars Electronica, Jeu De Paume, Plug.in, Transmediale, and ZKM.

The Museum of Modern Art presented a retrospective of DeCarava's work, which traveled from 1996 to 1999 to museums throughout the United States.

2016 The Color Line: African American Artists and the Civil Rights in the United States, Musee du Quai Branly, Paris, France Expansive Visions: GW Collections Past, Present, Future, George Washington University Museum and The Textile Museum, Washington, DC 2017 Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY The Last Ten Years: In Focus; Selections from the David C. Driskell Center Collections, David C. Driskell Center Gallery, University of Maryland, College Park, MD 2018 Hopes Springing High: Gifts of Art by African American Artists, Crocker Art Museum, Sacramento, CA Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX Histórias Afro - Atlânticas, Museu de Arte de São Paulo (MASP) and Instituto Tomie Ohtake, São Paulo, Brazil

Rethorst's work has been presented by The Museum of Modern Art, The Kitchen, Dance Theater Workshop, Danspace Project at St. Mark's Church, and the Whitney Museum Of American Art, as well as at various dance theaters, universities, and festivals throughout the United States.

Inspired in part by the Hammer Museum's exhibition A. Quincy Jones: Building for Better Living and Jones's vision of modern architecture, Koumoundouros fast - forwards more than half a century to the present, a moment filled with far less optimism about housing in the United States.

Saturday, November 12 The Legacy of the California Design Exhibitions: Creating a Forum for Craft and Design Craft in America and LACMA collaborate to present a day of panel discussions and film screenings in conjunction with the exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 1985 at CAFAM.

The Museum Series (2006 — present) shows Weems, shrouded in black, traveling to domestic locations, such as the Philadelphia Museum of Art and Project Row Houses in Houston, as well as outside of the United States to the Tate Modern, London; the Pergamon Museum in Berlin; and the Galleria Nazionale D'Arte Moderna in Rome.

2012 Pothole, Salon 94, New York, NY, United States Cellblock I & II, Andrea Rosen Gallery, New York, NY, United States California, Charles Riva Collection, Brussels, Belgium Spheres 2012, GALLERIA CONTINUA / Le Moulin, Boissy - le - Châtel, France Crossing Mirrors, Rosenblum Collection & Friends, Paris, France Americas, Modern Collections, London, England Sõida tasa üle silla (ride gently over the bridge), ART IST KUKU NU UT, Tartu, Estonia The Mash Up: Collage from the 1930's to present, L&M Arts, Los Angeles, CA, United States Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago, IL, United States The Painting Factory: Abstraction After Warhol, Museum of Contemporary Art, Los Angeles, CA, United States, (cat.)

Mr. Leonard's collaborations with visual artist Maria Magdalena Campos - Pons were featured in the 49th Venice Biennale and Museum of Modern Art / NYC, purchased by the Guangzhou Contemporary Art Museum / China and the National Gallery of Canada, and presented by the U.S. State Department at the Dakar Biennial / Senegal.

The Center for Italian Modern Art presents the first exhibition in the United States of the work of Alberto Savinio... Read more

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

This exhibition is the first in the United States to present that career in full, with the aim of advancing appreciation of Picabia's unruly genius and its vital place in the history of modern art.»

Craft in America and LACMA collaborate to present a day of panel discussions and film screenings in conjunction with the exhibitions California Design, 1930 — 1965: Living in a Modern Way at LACMA and Golden State of Craft: California 1960 — 1985 at CAFAM.

As the show states: «Appropriating and reinterpreting traditional mediums or themes, the artworks presented are an example of the beauty and sensibility you can find in modern Japanese art today.

2010 Particular Pieces II, Oakland Museum of California at City Center, CA 2009 Time Present... Time Past, Cuesta College, San Luis Obispo, CA 2009 From My Parents» Garden to Giverny, San Francisco Museum of Modern Art Artists» Gallery, CA 2008 In My Parents» Garden, Traywick Contemporary, Berkeley, CA 2004 New Work 2004, Rock, Paper, Scissors, Traywick Contemporary, Berkeley, CA 2000 Rock, Paper, Scissors, Traywick Gallery, Berkeley, CA 1997 Epiphanies, Sybaris Gallery, Royal Oak, MI 1994 Long Division, Sybaris Gallery, Royal Oak, MI 1992 Sculpture, Sybaris Gallery, Royal Oak, MI 1992 Susan Martin: Sculpture, Dennos Museum Center, Northwestern Michigan State, Traverse City, MI 1991 Sculpture, Stephen Wirtz Gallery, San Francisco, CA 1987 Sculpture, Fiberworks, Center for the Textile Arts, Berkeley, CA

By Raisa Clavijo PINTA, the Latin American Fair for Modern and Contemporary Art will take place for the second consecutive year in New York City, presenting carefully - selected, notable galleries from the United States, Latin America and Europe.

The exhibition at the Schirn presents works from leading museums and collections in the United States and Europe, including the Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Walker Art Center in Minneapolis, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Tate in London, the Centre Pompidou in Paris, the Fondation Alberto et Annette Giacometti in Paris, the Fondation Marguerite et Aimé Maeght in Saint - Paul de Vence, the Louisiana Museum of Modern Art in Humlebæk, the Fondation Beyeler in Basel / Riehen, the Lehmbruck Museum in Duisburg, the Neue Nationalgalerie in Berlin, and the Hamburger Kunsthalle.

Each artist presents meditations on new and ever - changing cultural imaginaries that co-exist within the modern nation state in both its cities and rural spaces.

1996 Crossing the Frontier: Photographs of the Developing West from 1840 to the Present, San Francisco Museum of Modern Art, Tokyo Metropolitan Museum of Photography Perpetual Mirage: Photographic Narratives of the Desert West, Whitney Museum, New York, NY Long Beach Odyssey: A Photographic Survey, University Art Museum, California State University, Long Beach, CA

In the quarter - century since it opened to the public, the Menil has established an international reputation for presenting acclaimed exhibitions and producing many scholarly publications; pioneering partnerships with other cultural and educational institutions across Houston, Texas and the United States; and conducting groundbreaking research in the conservation of modern and contemporary art.

This expanded version of that exhibition fills our galleries as never before, presenting a thematic journey that reveals the breadth of America's modernist vision, beginning with the great heroes of American art of the late 19th century, whose work set the course for modern art in the United States, and concluding with a grand display of the Abstract Expressionists, whose new visual language turned American art into a global force.

Over the course of a quarter of a century, the Menil has established an international reputation for presenting acclaimed exhibitions and producing highly respected scholarly publications; pioneering partnerships with other cultural and education institutions across Houston, Texas and the United States; and conducting groundbreaking research into the conservation of modern and contemporary art.

The images presented form a record of modern times, and between each work a new dialogue emerges — one that questions and provokes the current state of play, but remains uncertain, revealing something dark, disquieting and not yet fully formed.

2013 WILDNESS, Nottingham Contemporary, Nottingham, UK Tied and True as part of Future Perfect: States of Time, Tate Modern, London, UK WILDNESS and State of a Right Statement, Stedelijk Museum, Amsterdam Kinoapparatom presents: Cinéma Oblique, Kunsthaus Bregenz, Austria WILDNESS, Palais de Tokyo, Paris, France WILDNESS, Beursschouwburg, Brussels, Belgium WILDNESS, Vdrome online WILDNESS, The Tanks at Tate Modern, London, UK

Over the course of a quarter of a century, the Menil has established an international reputation for presenting acclaimed exhibitions; pioneering partnerships with other cultural and education institutions across Houston, Texas and the United States; and conducting groundbreaking research into the conservation of modern and contemporary art.

'' With Tarsila do Amaral: Inventing Modern Art in Brazil, The Museum of Modern Art presents the first monographic exhibition in the United States exclusively devoted to the pioneering work of Tarsila do Amaral (Brazilian, 1886 — 1973), a founding figure of Brazilian modernism.

Over the course of a quarter of a century, the Menil has established an international reputation for presenting acclaimed exhibitions and producing scholarly publications; pioneering partnerships with other cultural and education institutions across Houston, Texas and the United States; and conducting groundbreaking research into the conservation of modern and contemporary art.

The Center for Italian Modern Art (CIMA) presents the first exhibition in the United States of the work of Alberto Savinio (1891 — 1952) in over two decades.

This exhibition presents a thematic journey that reveals the breadth of America's modernist vision, beginning with the great American art heroes of the late 19th century, whose work set the course for modern art in the United States, and concluding with the Abstract Expressionists, whose new visual language turned American art into a global force.

«The Gang: Photographs by Catherine Opie,» Walker Art Gallery, Liverpool, UK, October 4, 2014 — February 15, 2015 «Only Miss the Sun when it Starts to Snow,» Peder Lund, Oslo, Norway, June 21 — September 13, 2014» 2013 «In and Around LA,» Julius Shulman Institute, Los Angeles, CA, February 16 — March 24, 2013 «Catherine Opie,» Regen Projects, Los Angeles, CA, February 22 — March 28, 2013 2012 «Twelve Miles to the Horizon: Sunrises and Sunsets,» Long Beach Museum of Art, CA, October 5, 2012 - March 24, 2013 «BROADWAY BILLBOARD: Catherine Opie, Untitled (Stump Fire # 4),» Socrates Sculpture Park, New York, NY, September 9, 2012 - March 31, 2013 «Catherine Opie: High School Football,» Mitchell - Innes & Nash, New York, NY, March 10 — April 14, 2012 2011 «Catherine Opie,» Stephen Friedman Gallery, London, UK, November 23, 2011 — January 28, 2012 «Catherine Opie: New Zealand; Zero to Something,» projectspace B431, Elam School of Fine Arts, New Zealand, August 9 — 13, 2011 «Catherine Opie: Empty and Full,» Institute of Contemporary Art, Boston, MA, April 12 — September 5, 2011; catalogue «Catherine Opie: Football Landscapes,» Peder Lund, Oslo, Norway, January 15 — February 26, 2011 2010 «Catherine Opie,» Portland Art Museum, Portland, OR, October 23, 2010 — February 6, 2011 «Catherine Opie: Figure and Landscape,» Los Angeles County Museum of Art, Los Angeles, CA, July 25 — October 17, 2010 «Catherine Opie: High School Football Players,» Sabine Knust Galerie Maximilian Verlag, Munich, Germany, May 20 — June 10, 2010 «Venezia / Venice,» Studio Guenzani, Milan, Italy, May 19 — July 30, 2010 «Catherine Opie: Twelve Miles to the Horizon,» Regen Projects II, Los Angeles, CA, April 24 — May 22, 2010 «Catherine Opie: Girlfriends,» Gladstone Gallery, New York, NY, March 19 — April 24, 2010 2008 «Catherine Opie The Blue of Distance: Photographs from Alaska,» Stephen Friedman Gallery, London, UK, October 14 — November 14, 2008 «Catherine Opie: American Photographer,» Guggenheim Museum, New York, September 26, 2008 — January 7, 2009; catalogue «Catherine Opie,» Regen Projects, Los Angeles, CA, April 10 — May 17, 2008 2006 «1999 & In and Around Home,» Aldrich Museum, Ridgefield, CT, January 22 — May 14, 2006; traveled to The Orange County Museum of Art, CA, June 4 — September 3, 2006; Cleveland Museum of Contemporary Art, OH, September 29 — December 30, 2006; Weatherspoon Art Museum, Greensboro, NC, February 11 — April 29, 2007; catalogue «Catherine Opie: Chicago,» Museum of Contemporary Art Chicago, Chicago, IL, May 20 — October 15, 2006 «Catherine Opie: American Cities,» Gladstone Gallery, New York, NY, September 8 — October 14, 2006 2004 «Catherine Opie: Children,» Studio Guenzani, Milan, Italy, October 27 — December 4, 2004 «Catherine Opie: Surfers,» Gorney, Bravin & Lee, New York, NY, March 13 — April 10, 2004 «Catherine Opie: Surfers,» Stephen Friedman Gallery, London, UK, January 22 — February 21, 2004 «Catherine Opie: Surfers,» Regen Projects, Los Angeles, CA, January 10 — February 14, 2004 2002 «Catherine Opie: Icehouses,» Studio Guenzani, Milan, Italy, October 2 — November 6, 2002 «Catherine Opie: Icehouses,» Regen Projects, Los Angeles, CA, May 11 — June 15, 2002 «Catherine Opie: Skyways and Icehouses,» Walker Art Center, Minneapolis, MN, April 28 — July 21, 2002; catalogue 2001 «Wall Street,» Stephen Friedman Gallery, London, UK, November 30, 2001 — January 19, 2002 «1999,» Galeria Presenca, Porto, Portugal, November 10 — December 20, 2001 «Wall Street 2000 - 2001,» presented by Antik in cooperation with Gorney, Bravin & Lee, New York, NY, November 3 — December 10, 2001 2000 «Catherine Opie: In between here and there,» curated by Rochelle Steiner, The Saint Louis Art Museum, St. Louis, MO, October 6 — November 26, 2000 «Catherine Opie,» The Photographers» Gallery, London, UK, August 9 — September 24, 2000; traveled to the Museum of Contemporary Art, Chicago, IL, November 18, 2000 — February 18, 2001; catalogue «Catherine Opie: Large Format Polaroids,» Thread Waxing Space, New York, NY, May 12 — June 10, 2000 «Catherine Opie,» Artpace, San Antonio, TX, April 6 — July 2, 2000 «Catherine Opie,» Partobject Gallery, Carrboro, NC, April 1 — May 27, 2000 «Catherine Opie,» Gorney Bravin + Lee, New York, NY, March 18 — April 15, 2000 «Catherine Opie,» Susan Inglett, New York, NY, February 24 — April 1, 2000 1999 «Catherine Opie: A Survey,» Woodstreet Galleries, Pittsburgh, PA, September 3 — October 16, 1999 «Domestic,» Regen Projects, Los Angeles, CA, April 17 — May 22, 1999 1998 «Mini-Malls,» Jay Gorney Modern Art, New York, NY, March 21 — April 25, 1998 1997 «Catherine Opie,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, October 5, 1997 — February 8, 1998 «Houses and Landscapes,» Ginza Art Space, Shiseido, Tokyo, Japan, February 25 — March 31, 1997 «Portraits and Houses,» Susanne Hilberry Gallery, Birmingham, MI, 1997 1996 «Houses and Landscapes,» Regen Projects, Los Angeles, CA, April 27 — June 1, 1996 «Houses and Freeways,» Jay Gorney Modern Art, New York, NY, February 24 — March 30 «Freeways,» Feigen Gallery, Chicago, IL, 1996 1995 «Portraits,» enterprise, New York, NY, 1995 «Portraits,» Parco, Tokyo, Japan, 1995 «Portraits,» Galeria Massimo De Carlo, Milan, Italy, 1995 «Portraits and Freeways,» Richard Foncke Galerie, Ghent, Belgium, 1995 1994 «Portraits,» Regen Projects, Los Angeles, CA, June 4 — July 2, 1994 «Portraits,» Kiki Gallery, San Francisco, CA, 1994 «L.A. Freeways,» Jack Hanley Gallery, San Francisco, CA, November 19 — December 13, 1994 1991 «Being and Having,» 494 Gallery, New York, NY, 1991 1990 «A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,» Beyond Baroque, Venice, CA, 1990 1989 «Master Plan,» United States Post Office, Valencia, CA, 1989 «Master Plan,» Mills College, Oakland, CA, 1989 Selected Group Exhibitions: