Sentences with phrase «modern times group»

Glatzova & Co. has advised Denemo Media s.r.o. on its acquisition of a 50 % shareholding in FTV Prima, with Allen & Overy advising Modern Times Group, the seller.

Advising on the commercial aspects of several major transactions in the media sector, including the acquisition by beIN Sport of Setanta Australia and the acquisition by Modern Times Group of Trace TV.

Advising major broadcasters, including Al Jazeera, Turner (CNN), beIN Sport and Modern Times Group on regulatory matters concerning the broadcast of their channels in the UK and the rest of the EU.

Managing partner Dace Silava - Tomsone takes on all aspects of M&A and merger control; he acted for Modern Times Group on the $ 115m sale of its Baltic subsidiaries.

Swedish media company Modern Times Group has acquired a majority stake (74 %) of Turtle Entertainment, the holding company for ESL for $ 87 million.

Not exact matches

The culture of Islamic countries has grown through the interaction of groups of Islamic peoples of widely varied ethnic and geographic backgrounds and through strong cultural influences from the non-Islamic civilizations of Greece, Persia, and India in the early days, and of western Europe in modern times.

However, it could be argued that the analogous group to modern government were the Sadducees or the Roman government, who held the political power at the time.

Besides, Sephardic Jews are a group who spent a long period of time in the Iberian peninsula (until getting kicked out 1500 - ish), so it's hard to say that modern Sephardic Jews can be used as a baseline when trying to determine the «whiteness» of a Jew who lived 2000 years ago in a totally different place.

A discussion of the positive solutions that are offered must concern itself first of all with that movement which claims to take the modern situation most seriously, i.e., with the group which, under the banner of Humanism, was in the limelight a short time ago.

Sixth century ideas in the 21st century has brought about more death, pain and destruction across the world than the ideas of any other one group in modern times.

The evangelical - moralist group represents not simply «old - time religion» but innovative, modern forces.

Writing of the French Revolution, Mosse observes: «This new politics attempted the politicization of the masses, which, for the first time in modern history, functioned as a pressure group and not just through episodic uprisings or short «lived riots.»

With a diverse group of clients who range from modern busy executives, hurried socialites, time - deprived industry regulars, stay - at - home moms, to celebrities who expect «camera ready «results in a minimum of time, the Nelson J Salon also offers house calls on request.

Thankfully, most doctors who are not familiar with heart monitors and other modern medical procedures are retired or deceased by now so this group is getting smaller as time goes by.

Just like busy moms in modern times, Smith believes «the shorter nursing times would have given mothers the freedom to reproduce more frequently and gather food for the group.»

In all, it is now clear that modern humans, Neanderthals, Denisovans and perhaps other hominin groups likely overlapped in time and space in Asia, and they certainly had many instances of interaction.

1 Minute The amount of time, on average per night, that a group of modern Tanzanian hunter - gatherers were all asleep at the same time.

Then they compared the Dmanisi population with a range of fossils belonging to ancient African hominins alive at the same time, and used modern humans and chimpanzees as control groups.

Pääbo suggests that X Woman may belong to a group of archaic humans who migrated out of Africa at a different time from Neanderthals or modern humans.

It also means that modern humans were potentially meeting and interacting during a longer period of time with other archaic human groups, providing more opportunity for cultural and biological exchanges.»

Van Andel pieced this story together after discovering that the Aurignacians, a culturally similar group of modern humans who lived alongside the Neanderthals, disappeared around the same time.

The fossil record of reef fish is patchy, so Price and colleagues traced their ancestry by developing a comprehensive family tree of the major group of modern ocean fish, the acanthomorphs or «spiny - finned fish,» and calculating the times when different groups migrated into or out of reef habitats.

A study of modern hunter - gatherers in Tanzania finds that, for people who live in groups, differences in sleep patterns commonly associated with age help ensure that at least one person is awake at all times.

And it's really the first opportunity that scientists have had to look at the composition of a social group in early modern humans from that time period.

Having such a working source of large groups of photons brings us an important step closer to constructing one type of a quantum computer, able to perform certain calculations in much less time than the best modern computing machines.

For a population isolated in a new environment, rapid selection can lead to speciation, and in the Lower Cambrian, to radically new forms that we now group in the Phyla of modern times occured to an unprecedented extent that has never since been repeated.

The modern human sequences in the Altai Neanderthal appear to derive from a group of modern human ancestors from Africa that separated early from other humans, about the time present - day African populations diverged from one another, around 200,000 years ago.

At the time modern humans were moving into Eurasia, the possible territories that could have sustained groups of hominins in the area were limited.

The environment in which the PETM took place was therefore very different to that of the Cretaceous, and many modern groups of plants and animals were diversifying at this time.

Online community forums, Facebook pages, and even Meetup groups are filled with people living the ancient lifestyle in modern times.

«From the chemical standpoint,» the critical difference between «efficient» native diets and diets characterized by the «displacing foods of modern commerce,» according to Dr. Price, was that «all the efficient dietaries were found to contain two to six times as high a factor of safety in the matter of bodybuilding material, as the displacing foods» (emphasis added).11 The foods that served a «bodybuilding» purpose varied substantially according to the group and location studied, but in all instances, traditional societies emphasized the most nutrient - dense land and sea animal and plant foods that could be obtained in their context, ranging from the exceptionally high - vitamin dairy products, whole rye sourdough bread and occasional meat of the isolated Swiss to the fish, cereals and sweet potatoes of Kenya's Maragoli tribe.

Although Dr. Weston Price found healthy populations groups that consumed fairly low levels of iodine, studies indicate that in modern times, most people do best at the upper end of the scale, taking in around 1,000 mcg per day.

But while modern make - up has improved and become gorier with time, nothing can really detract from the dilemma of the group of survivors holed up in the remote farmhouse.

Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources prepare students for answering Q1 and Q2 and cover the following: - introduction to paper 2 - expectations and timings - identifying key information in 19th century and modern texts - identifying the point of view of a writer - inferring - exploring how language creates tone - complete true or false tasks (as per the exam) for the texts read - explore the term synthesis - synthesise information from 2 texts - work in pairs and groups - explore model answers - investigate these of connectives to synthesise - self and peer assess - develop vocabulary and analyse vocabulary in texts using inference - explore audience and purpose Regular assessments are included to assess students ability in true or false and synthesis tasks.

Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources prepare students for answering Q1 and Q2 and cover the following: - structure strip to help form better responses to question 2 (synthesis)- introduction to paper 2 - expectations and timings - identifying key information in 19th century and modern texts - identifying the point of view of a writer - inferring - exploring how language creates tone - complete true or false tasks (as per the exam) for the texts read - explore the term synthesis - synthesise information from 2 texts - work in pairs and groups - explore model answers - investigate these of connectives to synthesise - self and peer assess - develop vocabulary and analyse vocabulary in texts using inference - explore audience and purpose Regular assessments are included to assess students ability in true or false and synthesis tasks.

In a bid to discover more about how modern schools are offering outdoor opportunities to their students, Education Matters» Editor, Campbell Phillips, recently spent time chatting with Richard Thornton, Chief Executive for The Outdoor Education Group.

This detailed and high quality unit includes: * 18 lesson plans (with 13 differentiation strategies) * 95 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (9 sheets) * Homework project (7 tasks) that includes both reading and writing skills * A copy of the key scene, with original version on the left and space for students to «translate» into modern English on the right * End - of - unit reading / writing exam * End - of - unit exam mark scheme (suitable for KS3 Levels 3 - 6, with GCSE 1 - 9 conversion) Unit's lessons include: * Quiz on the life and times of Shakespeare * Group «collective memory» activity on the Globe Theatre * Activities focused upon «translating» Shakespearean language * Storyboarding the play * Reading and translating Act 3 Scene 1 * Analysing characters in the key scene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunities

By the end of the 1920s, any elementary school that considered itself modern invested staff time and money in testing and ability grouping in kindergarten and first grade.

Over the 20 consecutive seasons when Lancia officially contested the modern World Rally Championship — from 1972 to 1992 — it took home the title a still - unmatched 10 times, and took the Monte on 11 occasions, five of those with production - based Group A Deltas (plus one more with the silhouette body, tubular - frame Group B Delta S4 in 1986).

Little, Brown, a division of Hachette Book Group, was the original publisher of Little Women in the US; this 2018 re-envisioning revisits the serialized format popular at the time of original publication, with a modern twist: a serial release as an online graphic novel launching March 7, 2018, a day before International Women's Day.

Interactive Entertainment Child of Eden - Tetsuya Mizuguchi, Takashi Ishihara, Yuki Ichiki Q Entertainment / Ubisoft From Dust - Eric Chahi, Guillaume Brunier, Bruno Gentile?Ubisoft Montpellier L.A. Noire - Brendan McNamara, Oliver Bao, Franta Fulin Team Bondi / Rockstar Games LittleBigPlanet 2 - Media Molecule / Sony Computers Entertainment Europe The Legend of Zelda: Skyward Sword - Nintendo Mobile & Handheld Dead Space iOS - Iron Monkey Studios / Electronic Arts Magnetic Billiards: Blueprint - John Pickford, Ste Pickford Pickford Bros / Zee -3 Limited Peggle - JP Vaughan, Paul O'Donnell, Sukhbir Sidhu Popcap Games / Electronic Arts Quarrel - Gary Penn, Aaron Puzey, Sean Taylor Denki Games / UTV Ignition Games Super Mario 3D Land - Nintendo The Nightjar - Somethin' Else Online — Browser Gardens of Time - Playdom / Disney Interactive Media Group I Am Playr - Oli Madgett, Steve Didd, Dan Mayers We R Interactive Monstermind - Henrique Olifiers, Mike Bithell, Ric Moore Bossa Studios Resistance 3 - Insomniac Game / Sony Computer Entertainment Europe Skylanders: Spyro's Universe - Toys for Bob / Activision Blizzard The Sims Social - Playfish / Electronic Arts Online - Multiplayer Assassin's Creed: Revelations - Martin Schelling, Darby McDevitt, Raphael Lacoste Ubisoft Montreal / Ubisoft Battlefield 3 - Fredrik Loving, Joakim Bodin, Oskar Gabrielson EA DICE Call of Duty: Modern Warfare 3 - Infinity Ward and Sledgehammer Games / Activision Blizzard Dark Souls - From Software / Namco Bandai Games Gears of War 3 - Epic Games / Microsoft Studios LittleBigPlanet 2 - Media Molecule / Sony Computers Entertainment Europe Original Music Assassin's Creed: Revelations - Jesper Kyd, Lorne Balfe?Ubisoft Montreal / Ubisoft Batman: Arkham City - Nick Arundel, Jamie Walker, Sefton Hill Rocksteady Studios / Warner Bros..

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

For his third exhibition at Modern Art, the US artist Richard Tuttle (b1941) presents four different groups of work that were created at different times and in different locations.

Arguably the most up - to - the - minute venue in a city jam - packed with contemporary culture, The Modern Institute stages a group show focused on art created in virtually no time at all, curated with a view to revealing associations between disparate images and techniques.

Selected group shows: In NO time, The Modern Institute, Glasgow (2014) and Roll Over: Reflections on Documentary, After Richard Leacock, Temporary Gallery, Cologne (2013).

The exhibition First Time at Kiasma Museum of Modern Art in Helsinki was a collaboration between Kiasma's youth group Kultu and artist Heta Kuchka.

His work has been featured in many group exhibitions, including The World is Yours, Louisiana Museum of Modern Art, Humlebæck, Denmark (2009); Le Corbusier: The Art of Architecture, Barbican, London, England (2009); Political / Minimal, Kunst - Werke, Berlin, Germany (2008); Modern Ruin, Gallery of Modern Art, Brisbane (2008); Whitney Biennial 2008, Whitney Museum, New York; Traces du Sacré, Centre Pompidou, Paris, France (2008); The Plain of Heaven, Creative Time, New York (2005); and Greater New York, PS1, New York (2004).

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

Exhibitions include solo show: Excavations in Space and Time, Norden Farm Centre for the Arts, Maidenhead (2009); Group shows: Postgraduate Printmaking in London, Clifford Chance, London (2010); Postgraduate Exhibition, Atkinson Gallery, Millfield (2011); Spirit Level, Go Modern, London (2011); Jerwood Drawing Prize, Jerwood Space, London (2012).