Sentences with phrase «modern and contemporary art council»
Ms. Asher joined the museum's staff in 1966 as a curatorial assistant in the department of 20th - Century art and later helped to found the Modern and Contemporary Art Council, a private fund - raising group.
http://articles.latimes.com/
(193.7 x 439.1 x 81.3 cm), Los Angeles County Museum of Art, Modern and Contemporary Art Council Fund, M. 67.26, © Estate of David Smith / VAGA, New York, photo © 2010 Museum Associates / LACMA
She also was a longtime member of the Los Angeles County Museum of Art's Modern and Contemporary Art Council.
Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!
Images: Top: L.A., Edward Ruscha, United States, 1970, Drawings, Gunpowder and pastel, Gift of the Modern and Contemporary Art Council, © Edward Ruscha.
John Baldessari, Wrong, 1967, photographic emulsion and acrylic paint on canvas, 149.9 x 114.3 cm, Los Angeles County Museum of Art, Modern and Contemporary Art Council, Young Talent Purchase Award, M. 71.40, © John Baldessari, photo courtesy of Museum Associates / LACMA
Mel Bochner, American, born 1940, Language Is Not Transparent, 1970, chalk on paint and wall, Los Angeles County Museum of Art, Modern and Contemporary Art Council Fund
Los Angeles County Museum of Art Purchased with matching funds of the National Endowment for the Arts and the Modern and Contemporary Art Council (M. 74.81)
Los Angeles County Museum of Art, Modern and Contemporary Art Council.
Not exact matches
Major support for the exhibition is provided by The Contemporary Arts Council of The Museum of Modern Art, and The International Council of The Museum of Modern Art.
The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.
PPOW Gallery, New York, NY 1987 «Contemporary Arts Council» Museum of Modern Art, Saatchi Corp., New York, NY 1986 «Painting and Sculpture Today: 1986, «Indianapolis Museum of Art, Indianapolis, IN
Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.
Additional funding provided by the Board of Directors of P.S. 1 Contemporary Art Center, Robert J. Denison, the Douglas S. Cramer Foundation, The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art, and by the New York City Department of Cultural Affairs.
1966 The First Flint Invitational: An Exhibition of Contemporary Painting and Sculpture, Flint Institute of Arts, Flint, Michigan (November 4 — December 31) Two Decades of American Painting, International Council, Museum of Modern Art, New York.
His work has been exhibited at The Centre Pompidou, Whitney Museum, Royal Academy, Tate Modern, the ICA and San Francisco Museum of Modern Art, and is held in collections around the world, including the Louisiana Museum of Modern Art, Denmark, Arts Council, London, MOMA, New York, and Los Angeles Contemporary Museum of Art.
Los Carpinteros: Ciudad Transportable is made possible through the generous support of The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art, Angeliki Intzides, Mellville and Leila Straus, Kathleen Lingo, Barbara and Ira Sahlman, Carol Ann Schuster, Marazul Charters and Cuba Travel Services, Long Beach, CA.
Major support is provided by Lonti Ebers and The Contemporary Arts Council of The Museum of Modern Art.
The accompanying publication is made possible by The Contemporary Arts Council of The Museum of Modern Art, Terri and Timothy Childs, and the Rainer Werner Fassbinder Foundation.
Additional support is provided by Lawrence B. Benenson, David Teiger, The Contemporary Arts Council of The Museum of Modern Art, The Friends of Education of The Museum of Modern Art, The Junior Associates of The Museum of Modern Art, and by Bernard Lumpkin and Carmine Boccuzzi.
Shonibare's works are included in prominent collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institute, Washington, D.C; Museum of Modern Art, New York; Museum of Contemporary Art, Chicago, USA; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome, Rome; Arts Council Collection, London; and VandenBroek Foundation, The Netherlands.
Additional support is provided by The Modern Women's Fund, David Teiger, the New York State Council on the Arts, a State Agency, and The Contemporary Arts Council of The Museum of Modern Art.
Selected public collections include: Tate Gallery, London; Museum of Modern Art, New York; Brooklyn Museum, New York; Solomon R. Guggenheim Museum, New York; Princeton Art Gallery, NJ; Philadelphia Museum of Art, PA; Los Angeles County Museum, CA; Museum of Contemporary Art, San Diego, CA; Eastman House, Rochester, NY; National Gallery of Canada, Ottawa; Metropolitan Museum, Tokyo, JP; National Museum, Osaka, JP; Victoria and Albert Museum, London; Biblioteque National, Paris; IVAM, Valencia, ES; Australian National Gallery, Canberra; Stedelijk Museum, Amsterdam, NL; Stedelijk Van Abbemuseum, Eindhoven, NL; Art Gallery of Ontario, Toronto, CA; National Gallery of Scotland, Edinburgh, UK; British Council, London; Kunstmuseum, Basel, CH; Centro Cultural Arte Contemporaneo, Mexico City, MX; Centre d'Art Contemporain, Geneva, CH; Musee de Grenoble, FR; Musee St. Pierre, Lyon, FR; FRAC, Rennes, FR; National Gallery of Iceland, Reykjavík; Museum of Modern Art, Wakayama, JP; Museum Moderner Kunst, Vienna, AT; University of Lethbridge, CA.
Albright - Knox, New York Arts Council of Great Britain Art / Pace Roberts Foundation, San Antonio British Museum, London Camden Arts Center, London Denver Art Musuem, Colorado Deutsche Bank Garage Centre for Contemporary Sculpture, Moscow Hamburger Kunsthalle, Hamburg Hara Museum, Tokyo Mattress Factory, Pittsburgh Museum of Contemporary Art, Los Angeles Museum of Contemporary Art, San Diego Museum of Modern Art, New York Museum van Loon, Amsterdam National Portrait Gallery, London Neue Nationalgalerie, Berlin Pompidou Centre, Paris RISD Museum, Rhode Island Saatchi Collection, London Sackler Center for Feminist Art, Brooklyn Museum Sammlung Goetz Collection, Munich San Francisco Museum of Modern Art Scottish National Gallery, Edinburgh Simmons and Simmons, London South London Gallery, London Tate Gallery, London TI Group PLC, Oxon Walker Art Centre, Minneapolis
This exhibition is supported by the Kunsthalle der Hypo - Kulturstiftung, Munich; HypoVereinsbank, New York; The Mondriaan Foundation, Amsterdam; The Contemporary Arts Council of the Museum of Modern Art; The Junior Associates of The Museum of Modern Art; Goethe - Institut Inter Nationes; Visual Word Systems, JVC; Lawton Fitt; and Gregor Medinger.
Winstanley's work is represented in numerous public and private collections, including the collections of the Tate Gallery, the British Council, the European Parliament, the New York City Public Library, The Irish Museum of Modern Art, and the Museum of Contemporary Art, Los Angeles.
Arts Council of Great Britain Arts Council of Northern Ireland Art Gallery of South Australia Birmingham City Art Gallery British Council British Council, New Delhi, India British Museum Contemporary Art Society, London Glasgow Art Gallery & Museum Gulbenkian Foundation, Lisbon Laing Art Gallery, Newcastle upon Tyne Leeds City Art Gallery Museum of Modern Art, Brasilia Museum of Modern Art, New York Olinda Museum, Sao Paulo Tate Gallery, London Ulster Museum, Belfast Victoria and Albert Museum, London Walker Art Gallery, Liverpool Yale Centre for British Art, New Haven, Connecticut
Additional funding is provided by The Contemporary Arts Council and The Junior Associates of The Museum of Modern Art.
He is a member of the advisory council of The Andy Warhol Museum in Pittsburgh, serves on the art advisory board at Hunter College, New York, NY, and is a member of the Department of Modern and Contemporary Art's Visiting Committee of the Metropolitan Museum of Art, New Yoart advisory board at Hunter College, New York, NY, and is a member of the Department of Modern and Contemporary Art's Visiting Committee of the Metropolitan Museum of Art, New YoArt's Visiting Committee of the Metropolitan Museum of Art, New YoArt, New York.
More recently, the notable gifts of funds from the Contemporary and Modern Art Council have contributed toward the acquisition of significant artworks including examples by Dan Flavin, William Kentridge, Yinka Shonibare, and Kara Walker.
Museum van Hedendaagse, Belgium Ottawa, National Gallery of Canada Museum of Contemporary Art, Helsinki, Finland Centres Georges Pompidou, Paris, France Musée de l'Art Moderne de la Ville de Paris, France Bristol City Museum and Art Gallery, England Scottish National Gallery of Modern Art, Edinburgh, Scotland Leeds City Art Gallery, Leeds, England Arts Council of Great Britain, London, England Tate Gallery, London, England City Museum of Contemporary Art, Hiroshima, Japan Museum of Contemporary Art, Tokyo, Japan Tokyo Metropolitan Museum, Japan Stedelijk Museum, Amsterdam, Netherlands Museum Boijmans - van Beuningen, Rotterdam, Netherlands Museu Serralves, Porto, Portugal The Art Institute of Chicago, Chicago, USA The Solomon R. Guggenheim Museum, New York, USA San Francisco Museum of Modern Art, San Francisco, USA National Gallery of Art, Washington, USA
Additional funding is provided by The Contemporary Arts Council of The Museum of Modern Art and by Flanders House, New York.
Acquired with support from The Modern Women's Fund and The Contemporary Arts Council of The Museum of Modern Art, through the generosity of Ahmet Kocabiyik and Jill and Peter Kraus, and with Committee on Media and Performance Art Funds.
She has exhibited at Commonwealth and Council, Los Angeles (2017); 32nd São Paulo Biennial (2016); Human Resources, Los Angeles (2016); LAXART, Los Angeles (2016); Museo de Arte Universidad Nacional, Medellín, Colombia (2016); Museum of Contemporary Art, Santa Barbara, California (2016); 9th Shanghai Biennale (2012); San Francisco Museum of Modern Art (2012); X Havana Biennial (2009); Wattis Institute for Contemporary Art, San Francisco (2009); New Museum, New York (2009); Queens Museum, New York (2007); Whitney Biennial, New York (2006); Los Angeles Contemporary Exhibitions (2005); Museo de Arte Contemporáneo, Santo Domingo, Dominican Republic (2003); and 50th Venice Biennale (2003).
Additional funding is provided by Jerry I. Speyer and Katherine G. Farley, The Contemporary Arts Council of The Museum of Modern Art, Danish Ministry of Culture, and Skagen Designs.
Acquired through the generosity of The Modern Women's Fund and The Contemporary Arts Council.
Major support is provided by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Mr. Eugenio López Alonso, The International Council of The Museum of Modern Art, and Jerry I. Speyer and Katherine G. Farley.
His work is held in the public collections of the Arts Council of Great Britain; The British Museum, London; Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; TATE Gallery, London; Victoria and Albert Museum, London; Walker Art Center, Minneapolis; the Whitney, New York; MIT, Boston; Philadelphia Museum of Art; Museum of Contemporary Art, Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC.
Arts Council of Great Britain British Council British Museum, London Contemporary Art Society Fitzwilliam Museum, Cambridge Government Art Collection Hunterian Art Gallery, University of Glasgow Metropolitan Museum of Art, New York Museum of London Museum of Modern Art, New York National Gallery of Art, Gdansk National Gallery of Poland, Warsaw National Library of Congress, Washington National Portrait Gallery, London New York Public Library Royal College of Art, London Scottish Arts Council Scottish National Gallery of Modern Art, Edinburgh Tate Gallery, London Victoria and Albert Museum, London
The exhibition is supported by MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, The Contemporary Arts Council of The Museum of Modern Art, and Sally and Wynn Kramarsky.
The Arts Council collection was established in 1946 «to promote and enrich knowledge of modern and contemporary art» and is the UK's most widely seen body of art of its type.
Major support is provided by The International Council of The Museum of Modern Art, The Contemporary Arts Council of The Museum of Modern Art, The Junior Associates of The Museum of Modern Art and the Maurice Marciano Family Foundation.
He has exhibited at venues throughout the US and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, and at Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles.
The inaugural exhibition is The Responsive Eye, an Op Art exhibition assembled by William Seitz of the Museum of Modern Art and sponsored by SAM's Contemporary Art Council.
Among her many philanthropic involvements, Joyner is a trustee of the Art Institute of Chicago and a member of the Tate International Council, the Director's Circle of the San Francisco Museum of Modern Art and the Modern and Contemporary Art Visiting Committee of the Metropolitan Museum of Art.
Michael Lin: Grind is made possible with support from the James Family Foundation, The Contemporary Art Council of The Museum of Modern Art, and the Gershwin Hotel, New York City.
Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).
Additional support is provided by the Bertha and Isaac Liberman Foundation, Jeffrey and Michèle Klein, Agnes Gund, The Contemporary Arts Council of The Museum of Modern Art, Elise Jaffe + Jeffrey Brown, and Con Edison.
Tags: American Academy of Arts and Letters, Art in America, Art Press, Artcritical.com, Artforum, Artnet Magazine, Arts, Ben La Rocco, Ben Shahn Gallery, Condeso / Lawler Gallery, Damon Brandt Gallery, David Shapiro, Equitable Collection, Flash Art, Frankfurter Allgemeine Zeitung, Galerie Ghislain Mollet - Vieville et J.P. Najar, Gallery Janet Kournatowski, Gallery Per Sten, Hal Bromm Gallery, John Simon Guggenheim Memorial Foundation, Kemper Museum of Contemporary Art, Ken Johnson, Leubsdorf Art Gallery, Linda Francis, Louisiana Museum of Modern Art, Matthew Deleget, Michael Brennan, Michael Zahn, MIT List Visual Arts Center, National Endowment for the Arts, New Arts Program, New York State Council on the Arts, New York Times, Nicholas Davies Gallery, Nordjyullands Kunstmuseum, P.S. 1, Paul Cezanne, Philip Morris Collection, Rainer Maria Rilke, Rogaland Kunstmuseum, Rogalund Kunstmuseum, Sarah Moody Gallery of Art, Sarah Moody Gallery of Art / University of Alabama, Schlumberger Collection, Sydney Non Objective, Terra Foundation, Tiffany Bell, Yve - Alain Bois
Site and Insight: an Assemblage of Artists is made possible by the Lily Auchincloss Foundation and The Friends of Education and The Contemporary Arts Council of The Museum of Modern Art.