Sentences with phrase «modern art gallery ikon»

Not exact matches

Celebrating modern art from across the globe, Birmingham's Ikon Gallery is housed in a Victorian school building in Brindleyplace, beside the city's canals.

Over the course of her career Finn - Kelcey exhibited at numerous galleries in the UK including, in London, the Royal Academy of Art, Whitechapel Gallery, Chisenhale Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Gallery, Chisenhale Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Gallery, Matt's Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Gallery, the Serpentine Galleries, the Hayward Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Gallery, the Saatchi Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in Gallery, Camden Arts Centre and Tate Britain; also at the Ikon gallery in Birmingham and the Irish Museum of Modern Art in gallery in Birmingham and the Irish Museum of Modern Art in Dublin.

2012 Barber Institute of Fine Arts, Birmingham 2011 RWA, Bristol 2010 Artsdepot, London 2009 Alan Cristea Gallery, London 2007 Ikon Gallery, Birmingham 2006 Galerie Lelong, Zurich The New Art Centre Sculpture Park and Gallery, Roche Court, Salisbury 2005 Alan Cristea Gallery, London Tate Modern, London 2004 Focus London Galerie Lelong, Zurich Kunstmuseum Bonn, Bonn

The new film Zamach was commissioned by Artangel, Outset Contemporary Art Fund, Louisiana Museum of Modern Art, The Netherlands Foundation for Visual Arts, Design and Architecture and Zachęta National Gallery of Art in association with Annet Gelink Gallery, Sommer Contemporary Art, Ikon Gallery, Netherlands Film Fund, Australian Centre for Contemporary Art and Artis and produced by My - i Productions in association with Artangel.

Fiona Bradley Director, Fruitmarket Gallery Dr Maria Balshaw Director, Manchester City Art Gallery and Whitworth Art Gallery Iwona Blazwick Director, Whitechapel Gallery Caroline Collier Director of partnerships and programmes, Tate Jeremy Deller Artist Dr Stephen Deuchar Director, Art Fund Adam Caruso Caruso St John Architects Alex Farquharson Director, Tate Britain Martin Green CEO & Director, Hull City of Culture 2017 Simon Groom Director, Scottish National Gallery of Modern Art Paul Hobson Director, Modern Art Oxford Alistair Hudson Director, Mima, Middlesbrough Judy Kelly Artistic director, Southbank Centre David Lan Director, The Young Vic James Lingwood Co-director, Artangel Dave Moutrey Director and CEO, Home Andrew Nairne Director, Kettle's Yard Hans Ulrich Obrist Artistic director, Serpentine Gallery Cornelia Parker Artist Grayson Perry Artist Fiona Rae Artist Jonathan Reekie Director, Somerset House Trust Charles Saumarez Smith CEO, Royal Academy of Arts Conrad Shawcross Artist Matthew Slotover Co-founder, Frieze Kathleen Soriano Chair, Liverpool Biennial Peter St John Caruso St John Architects Polly Staple Director, Chisenhale Gallery Sally Tallant Director, Liverpool Biennial Paul Thompson Rector, Royal College of Art Mark Wallinger Artist Simon Wallis Director, Hepworth Wakefield Jonathan Watkins Director, Ikon Gallery Richard Wentworth Artist Samuel West Chair, National Campaign for the Arts

Founded in 1966, it was one of that great wave of new institutions that included the Scottish National Gallery of Modern Art, the Camden Arts Centre in London and the Ikon Gallery in Birmingham.

Maria Balshaw picks robots at the Manchester Art Gallery, Mona Hatoum at Tate Modern, hard - hitting photographs at Birmingham's Ikon gallery and underwear at Gallery, Mona Hatoum at Tate Modern, hard - hitting photographs at Birmingham's Ikon gallery and underwear at gallery and underwear at the V&A

Solo exhibitions of Lee Bul's work have been organized at museums throughout the world, including Artsonje Center, Seoul (2016); Vancouver Art Gallery (2015); Palais de Tokyo, Paris (2015); Espai d'art contemporani de Castelló, Castellón, Spain (2015); Musée d'art moderne et contemporain de Saint - Etienne Métropole, France (2015); National Museum of Modern and Contemporary Art, Seoul (2014); Ikon Gallery, Birmingham, United Kingdom (2014); Musée d'Art Moderne Grand - Duc Jean, Luxembourg (2013); Mori Art Museum, Tokyo (2012); Fondation Cartier pour l'art contemporain, Paris (2007); Museum of Contemporary Art Australia, Sydney (2004); Henry Art Gallery, Seattle (2003); The Power Plant, Toronto (2002); New Museum, New York (2002); The Fabric Workshop and Museum, Philadelphia (2001); and The Museum of Modern Art, New York (1997).

Santiago Sierra's performances, installations and interventions have been featured internationally at venues such as Ikon Gallery, P.S. 1 / MoMA, Museo Rufino Tamayo, the Irish Museum of Modern Art, the Museo Nacional Centro de Arte Reina Sofia, the ICA (London), and the Sharjah and Moscow biennials.

From 1994 - 95 the work toured to the following UK venues: Oriel Mostyn, Gwynedd, Wales (6 August - 10 September 1994); Scottish National Gallery of Modern Art, Edinburgh, Scotland (1 November 1994 - 15 January 1995); Orchard Gallery, Derry, Northern Ireland (20 March - 30 April 1995); Ikon Gallery, Birmingham, England (13 May - 24 June 1995); and the National Gallery of Wales, Cardiff, Wales (8 July - 20 August 1995).

FIELD FOR THE BRITISH ISLES, touring: Oriel Mostyn, Llandudno, Wales / Scottish Museum of Modern Art, Edinburgh, Scotland / 1995: Orchard Gallery, Derry, Ireland / Ikon Gallery, Birmingham [with concrete works], England / National Gallery of Wales, Cardiff, Wales [cat.]

The four speakers are Jonathan Walkins, Direcotr of the Ikon Gallery in Birmingham; independent curator Sarah Pierce; Stephen Snoddy, Director of the Milton Keynes Gallery; and Enrique Juncosa, Director of the Irish Museum of Modern Art.

He has exhibited his work nationally and internationally in solo exhibitions at Kaldor Art Projects, Melbourne, Australia; Kunstverein Munster, Germany; Ikon Gallery, Birmingham, England; Sculpture Centre, New York (with Ugo Rondinone); The Modern Institute, Glasgow; Centre d'Art Contemporain, Geneva; Tanya Bonakdar Gallery, New York; FRAC Pays de la Loire, Carquefou, France; Johnen Galerie, Berlin; Galerie Eva Presenhuber, Zurich; Tramway, Glasgow.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

Recent and upcoming solo exhibitions include the Fruitmarket Gallery, Edinburgh; Ikon Gallery, Birmingham; Gallery of Modern Art, Glasgow; BALTIC, Gateshead; among others.

Clients include Schinkel Pavillon (Berlin), Vancouver Art Gallery, The Vinyl Factory UK, Burnaby Art Gallery, Walter Phillips Gallery at the Banff Centre for Arts and Creativity, SFU Galleries, Simon Fraser University, Morris and Helen Belkin Gallery, White Columns (New York), Hauser & Wirth (Zürich), Lisson Gallery (London), The Power Plant (Toronto), University of British Columbia, Art Gallery of Alberta, Illingworth Kerr Gallery, Ikon Gallery (Birmingham), Presentation House Gallery, Charles H. Scott Gallery, Or Gallery, Museu Picasso (Barcelona), Seattle Art Museum, Institute of Contemporary Art (Boston), University of California (Berkeley), and The Museum of Modern Art (New York).

She recently completed an outdoor commission for Jupiter Artland and has exhibited widely, including at the Whitworth, the Ikon and the Gallery of Modern Art (GoMA).

Solo presentations include: Toronto International Film Festival, Taylor Macklin, Zurich; Halle für Kunst, Lüneburg (DE); Ikon Gallery, Birmingham (GB); Museum of Modern Art, New York, and Portikus, Frankfurt am Main.

cat., Zache̜ta National Gallery Warszawa; Museum of Modern Art, Warsaw; Louisiana Museum of Modern Art, Humlebaek; Van Abbemuseum, Eindhoven; Ikon gallery, Birmingham, (2011 - 2012), London, ArtangeGallery Warszawa; Museum of Modern Art, Warsaw; Louisiana Museum of Modern Art, Humlebaek; Van Abbemuseum, Eindhoven; Ikon gallery, Birmingham, (2011 - 2012), London, Artangegallery, Birmingham, (2011 - 2012), London, Artangel, 2011

Solo presentations include: Toronto International Film Festival (CA), Taylor Macklin, Zurich (CH), Halle für Kunst, Lüneburg (DE), Ikon Gallery, Birmingham (GB), Museum of Modern Art, New York, and Portikus, Frankfurt am Main (DE).

Jury: William Feaver, art critic, Observer; Gary Garrels, Curator of Contemporary Art, San Francisco Museum of Modern Art; George Loudon, representative of the Patrons of New Art; Elizabeth Macgregor, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate Galleart critic, Observer; Gary Garrels, Curator of Contemporary Art, San Francisco Museum of Modern Art; George Loudon, representative of the Patrons of New Art; Elizabeth Macgregor, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate GalleArt, San Francisco Museum of Modern Art; George Loudon, representative of the Patrons of New Art; Elizabeth Macgregor, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate GalleArt; George Loudon, representative of the Patrons of New Art; Elizabeth Macgregor, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate GalleArt; Elizabeth Macgregor, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate Gallery.

Jury: Patricia Bickers, Editor, Art Monthly; Stuart Evans, representative of the Patrons of New Art; Robert Storr, Senior Curator, Painting and Sculpture, The Museum of Modern Art, New York; Jonathan Watkins, Director, Ikon Gallery, Birmingham; Nicholas Serota, Director, Tate.

Herrera's solo and project - based exhibitions have been held at Ikon Gallery, Birmingham, UK; Kettle's Yard, Cambridge, UK; The Art Institute of Chicago, IL; The Aldrich Contemporary Art Museum, Ridgefield, CT; daadgalerie, Berlin; Whitney Museum of American Art, New York; CGAC, Santiago de Compostela, Spain; Americas Society Art Gallery, NY; Centre d'Art Contemporain, Switzerland; Art Gallery of Ontario; ICA Philadelphia; The UCLA Hammer Museum, Museum of Modern Art, NY; and The Renaissance Society of the University of Chicago.

Zamach (Assassination) was commissioned by Artangel; Ikon, Birmingham; Louisiana Museum of Modern Art, Humlebæk; Netherlands Foundation for Visual Arts, Design and Architecture; Netherlands Film Fund; Outset Contemporary Art Fund, and Zachęta National Gallery of Art.