«
Modern city life presents complex challenges for drivers, pedestrians, cyclists and other road users.
Not exact matches
In his book The Secular
City, theologian Harvey Cox in 1965
presented a significant challenge to Western theological thought by highlighting the difference which existed between the natural agricultural environment in which biblical thought had developed and the urban social environment of
modern life.
SPH 550.609.01
Life and death in Charm
City: Histories of Public Health in Baltimore, 1750 to the
present (Johns Hopkins Bloomberg School of Public Health Excellence in Teaching, 2013, 2014) SPH 550.605.81 History of
Modern Public Health (Online Class.
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the
Present Tense,» about the
modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the
lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved
city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and
modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
The Sessions Promised Land Broken
City Side Effects Amour Take This Waltz Beasts of the Southern Wild Tinker Tailor Soldier Spy Oz, The Great and Powerful Side By Side A Separation Wreck - It Ralph Compliance Admission The Silence The Prodigal Son Evil Dead Flashdance Days of Heaven Jurassic Park 3D Double Indemnity Room 237 To the Wonder The Place Beyond the Pines ParaNorman Iron Man 3 The Paperboy The Great Gatsby Bernie Star Trek Into Darkness Oblivion Now You Seen Me All Good Things End of Watch Lars and the Real Girl The Way Way Back Tucker and Dale Vs. Evil Behind the Candelabra Man of Steel Beautiful Creatures Stoker Not Fade Away Identity Thief Mama This is the End V / H / S The Heat White House Down The Exorcism of Emily Rose World War Z The Blue Umbrella Monsters University Despicable Me
Modern Times The Conjuring Red Pacific Rim The Wolverine We're the Millers Fruitvale Station Lee Daniels» The Butler Seven Psychopaths Bachelorette Blue Jasmine Chronicle Like Crazy The Spectacular Now Austenland Hot Fuzz The World's End Best Worst Movie The Possession Isidious: Chapter 2 Prisoners Anna Karenina Don Jon Enough Said V / H / S / 2 The Ward Gravity Captain Phillips Nebraska Honeymoon Suite We Are What We Are Winter in the Blood Truth or Blood The Search for Simon Ghost Light They Will Outlive Us All Hot «n Bothered Casual Encounters A Better
Life Mud 12 Years a Slave Much Ado About Nothing (2013) About Time Thor: The Dark World Only God Forgives Frances Ha Salinger Dallas Buyers Club JFK The Hunger Games: Catching Fire Frozen Philomena Parkland Delivery Man Prince Avalanche The Hobbit: The Desolation of Smaug Upstream Color Jackass
Presents: Bad Grandpa What Maisie Knew The Great Beauty (La Grande Bellezza) Lovelace Saving Mr. Banks The Secret
Life of Walter Mitty August: Osage County The Wolf of Wall Street American Hustle
This 4 stars hotel in Bandung is also a
modern and contemporarily designed and
presented building which fits in well with the
city life of Bandung and offers a number of different places to stay and Sensa Hotel Bandung is a great hotel for facilities including the bars and restaurants as well as the business facilities which open up Sensa Bandung to all of the cliental who travel to Bandung.
«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of
Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg
City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to
Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX,
presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.
Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008);
Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary
Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico
City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of
Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México
City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico
City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.
After Americas Society's exploration of the emergence of mid-century
modern design through our 2015 exhibition MODERNO: Design for
Living in Brazil, Mexico, and Venezuela 1940 - 1978, we aim to
present a previous step in the configuration of
modern impulses and projects for the urban environment in small
cities and big capitals.»
Miguel Covarrubias: Drawing a Cosmopolitan Line
presents artwork that links Covarrubias» commercial art, scholarly publications, and studio practice, to demonstrate the cosmopolitan modernism of his
life and work, which were deeply influenced by his
life - long practice of moving between
modern cities and sites remote from New York or Mexico
City.
Recent and current exhibitions include The Time Domain, a site specific
live work,
presented during Liverpool Biennal 2016, co-commissioned between Bluecoat School and Liverpool Biennial; 2015: I reached inside myself through time, commissioned for LIAF, Lofoten International Art Festival, Norway, 2014: PROTOTYPES, Limerick
City Gallery of Art, Limerick; A Leisure Complex, Collective, Edinburgh; 2013: INTERZONE, The Box, The Wexner Center, Columbus, Ohio; The Face of Something New, Scriptings, Berlin; A Stew of Universals, ZKU, Berlin; 2012: PRECAST, off - site project, London; INTERZONE, Seamus Ennis Center, Fingal, Co Dublin, 2011: The Eyes of Ayn Rand, Performa 11, New York; Another Construction, Irish Museum of
Modern Art, Dublin; Space replaced by volume, Granoff Centre for the Arts, Brown University, Providence, Rhode Island.
Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF
MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open
City Festival, Lublin, PL Ryan Gander and A.FOUR
present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?
The show — including Valie Export, Sharon Hayes, Jiří Kovanda, Klara Lidén, and Ettore Sottsass among others — embraces the discussion around the ideas of the
city, with
modern views and the measurement of real
living and working conditions and
presents international examples over the last 60 years.