Sentences with phrase «modern film curator»
The last biennial, which curators Elisabeth Sussman and Jay Sanders used as an opportunity to showcase the ways in which artists were embracing a hybridized approach to their mediums in order to invent new directions forward, was an enormous critical success — raising the stakes for this year's curators, the themselves - hybridized trio of former Tate Modern film curator Stuart Comer (now at MoMA), Art Institute of Chicago professor and artist Michelle Grabner, and ICA Philadelphia curator and WhiteWalls editor Anthony Elms.
https://www.artspace.com/ Not exact matches
New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.
To Ron Magliozzi, associate curator, and Peter Williamson, film conservation manager, of the Museum of Modern Art, for identifying and assembling the earliest surviving footage of what would have been the first feature film to star a black cast, the 1913 «Lime Kiln Field Day» starring Bert Williams.
Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].
He was assistant curator of film at Tate Modern (2013 - 2015) where he curated numerous retrospectives and thematic seasons.
The Tate Modern, London, has announced that Andrea Lissoni has been appointed its film and international art curator, reports Artdaily.
The film investigates Pratt's architectural and cultural impact through interviews with art and design luminaries such as Margaret Russell, editor in chief, Architectural Digest; Francis Morrone, architectural historian; and Paola Antonelli, curator of architecture and design, Museum of Modern Art (MoMA).
Selected for the job were Stuart Comer, formerly a film curator at Tate Modern and now chief curator of media and performance art at the Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art, in Philadelphia; and Michelle Grabner, an artist and professor of painting and drawing at the School of the Art Institute of Chicago as well as a teacher at Yale.
The film explores Pratt's architectural and cultural impact with the following interviewees: Mike Pratt, Chairman of the Board, Pratt Institute; Dr. Thomas F. Schutte, President, Pratt Institute; Paola Antonelli, Curator of Architecture and Design, Museum of Modern Art (MoMA); Margaret Russell, Editor in Chief, Architectural Digest; Francis Morrone, Architectural historian; and Rob Walsh, Commissioner of Small Businesses in New York.
Come September, Stuart Comer, who is currently the film curator at the Tate Modern, will be assuming the new role of chief curator of media and performance art at MoMA, an institution that's seen a considerable amount of success with its recent performance art initiatives like Marina Abramovic's «The Artist Is Present,» among others.
Filmmaker / curator / professor Roger Beebe has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues.
The Museum of Modern Art presents The Short Century Film Program, a series of nine films by major African directors organized by Laurence Kardish, Senior Curator, Department of Film and Media, The Museum of Modern Art, in association with Okwui Enwezor and Mark Nash.
He was previously Curator of International Modern Art at Tate Modern, London, where he worked on exhibitions such as: Duchamp, Man Ray, Picabia (2008); Cy Twombly: Cycles and Seasons (2008); Tacita Dean: FILM (2011); Edvard Munch: The Modern Eye (2012) and Henri Matisse: The Cut - Outs (2014).
«Tango for Page Turning joins a burgeoning collection of film and video art at Middlebury,» said Emmie Donadio, Middlebury College Museum of Art's Curator of Modern and Contemporary Art.
A diverse programme of public and family events accompanies the exhibition, including free exhibition tours, regular and February Half Term children's workshops, a Friday night film programme selected by the artist (to enrich the references to these works in the catalogue), and Daria Martin In Conversation with Catherine Wood, Curator, Contemporary Art / Performance Tate Modern, on Thursday 23 February at 6.30 pm.
Before joining the Met, he was Curator of International Modern Art at Tate Modern in London, where he worked on major exhibitions including: Duchamp, Man Ray, Picabia (2008); Cy Twombly: Cycles and Seasons (2008); Pop Life: Art in a Material World (2009); Tacita Dean: FILM, the twelfth Unilever commission for the Turbine Hall (2011); and Edvard Munch: The Modern Eye (2012).
This film program is organized by Rajendra Roy, the Celeste Bartos Chief Curator of Film, and Sean Egan, Producer, Film Exhibitions and Projects, The Museum of Modern Art, New York.
The exhibition is realized in connection with the film series Jean - Marie Straub and Danièle Huillet at the Harvard Film Archive from September 15 to October 15, 2016, originally organized by Joshua Siegel, Curator, Department of Film, Museum of Modern Art, New York.
The buttons and the ecstatic film collage «Looking for Mushrooms» are among some two hundred and fifty eye - opening works in the retrospective «Bruce Conner: It's All True,» organized by the San Francisco Museum of Modern Art and dexterously installed on the sixth floor of moma by the curators Laura Hoptman and Stuart Comer.
The Museum of Modern Art announced today that Ron Magliozzi is now a curator in its film department.
Indiewire reports that the Museum of Modern Art has fired Sally Berger, an assistant curator in the film department.
Also, this month New York's Museum of Modern Art has scheduled China Now, a survey of recent video works by 18 Chinese artists, including Yang, organized by film and video curator Barbara London.
The jury for the 2018 edition was chaired by EYE CEO Sandra den Hamer and included the French fashion designer Agnès B., Andrea Lissoni, senior curator of film and international art at Tate Modern in London, and the Thai film director Apichatpong Weerasethakul.
He is also currently co-curator of the 2014 Whitney Biennial, and from 2004 to 2013 was curator of film at the Tate Modern, London.
From 2009 - 16 she was Curator of Public Programmes at Tate Britain / Modern programming talks, symposia, film screenings, courses and workshops, performance and interdisciplinary events like Late at Tate Britain and «The Tanks: Fifteen Weeks of Art in Action» at Tate Modern in 2012.
Previously Curator of International Modern Art at Tate Modern (2007 - 2013), he worked on exhibitions such as Henri Matisse: The Cut - Outs (2014), Malevich (2014), Edvard Munch: The Modern Eye (2012), Tacita Dean: FILM (2011), Duchamp, Man Ray, Picabia (2008) and Cy Twombly: Cycles and Seasons (2008).
He is Assistant Curator: Film at Tate Modern and has curated retrospectives and film programmes for galleries, festivals and television.
Stuart Comer is the chief curator of media and performance art at the Museum of Modern Art; he is no longer the film curator at the Tate Modern in London.
The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.
Exploring challenging issues and questions provoked by engaging with modern and contemporary art, Red Studio features filmed conversations with curators and artists, podcasts, and interactives.
He previously served as the curator of Film at Tate Modern, London, UK where he oversaw film and video work for the Tate Collection and Displays and was co-curator for the opening program of The Tanks at Tate Modern.
Prior to MoMA, Janevksi was Curator at the Museum of Modern Art in Warsaw, Poland, where she curated the large - scale exhibition on Yugoslav experimental film and art from the 1960s and 1970s, As Soon As I Open My Eyes I See a Film (2008).
This year's jury included: John Akomfrah, filmmaker; Iwona Blazwick, director of the Whitechapel Gallery; Avi Grewal of Channel 4 documentaries; Mark Rappolt, editor of ArtReview; artist Gillian Wearing; and Stuart Comer, film curator at Tate Modern.
The film will be followed by a panel discussion about Hesse's work and legacy in contemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artist Sam Lewitt.
This encounter is intended as a collaboration of sorts, as curators write «for the first time ever, they will team up with works produced by non-European artists in modern media such as photography, film, and installations.»
Rudolf Frieling, Curator of Media Arts at the San Francisco Museum of Modern Art, developed an interest in Bruce Conner's work soon after relocating to the Bay Area and has subsequently acquired several of the artist's films for the museum's collection.
Nominated by experts across the UK contemporary film and arts sectors, the Jury who selected this year's shortlist were: Iwona Blazwick OBE, Director, Whitechapel Gallery; Andrea Lissoni, Senior Curator, International Art (Film), Tate Modern and Film London Board Member; Catherine Bray, Editor, Random Acts, Channel 4; Shona Illingworth, Artist; Peter Taylor, Director, Berwick Film & Media Arts Festival and Tyrone Walker - Hebborn, Director, Genesis Cinema.