Sentences with phrase «modern gallery gives»

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This edition was created exclusively for the Whitechapel Gallery to accompany Gauri Gills inclusion in the Exhibition Where three Dreams Cross, 2009 - a landmark exhibition which gave an inside view of how modern India, Pakistan and Bangladesh have been shaped through the lens of their photographers.

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She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.

Nicholas Hlobo, a South African visual artist who has been given prominent shows at the Tate Modern, the Institute of Contemporary Art / Boston, and other institutions, has joined Lehmann Maupin, a representative at the gallery said.

The hotel is also located in a district full of commercial galleries if you need that ultimate souvenir, and your room key gives you free access to the nearby Astrup Fearnley Museum of Modern Art too.

While Moore's pieces are perhaps best viewed in situ at Perry Green, Hepworth's outdoor pieces were given new life within the gallery setting at Tate Britain's «Sculpture for a Modern World» in 2015, which included a life - size reconstruction of one of her modern architectural structures in which she showed herModern World» in 2015, which included a life - size reconstruction of one of her modern architectural structures in which she showed hermodern architectural structures in which she showed her work.

Loie Hollowell will be giving a gallery talk on Georgia O'Keefe: Living Modern, as part of a series engaging contemporary perspectives on moderModern, as part of a series engaging contemporary perspectives on modernmodern art.

The Art Institute of Chicago, Illinois Amon Carter Museum, Fort Worth, Texas Akron Art Museum, Akron, Ohio Avampato Discovery Museum, Clay Center for the Arts and Sciences, Charleston, West Virginia Berkeley Art Museum, Berkeley, California Berman Collection, Los Angeles, California Boise Art Museum, Boise, Idaho Cincinnati Museum of Art, Cincinnati, Ohio Cleveland Museum of Art, Cleveland, Ohio Columbus Museum of Art, Columbus, Ohio David Winton Bell Gallery, Brown University, Providence, Rhode Island George Eastman House, Rochester, New York Guggenheim Museum, New York, New York Harn Museum of Art, University of Florida, Gainesville, Florida Heiting Collection, Los Angeles, California Joy of Giving Something, Inc., New York JPMorgan Chase Art Collection, New York, New York Katonah Museum of Art, Katonah, New York Kemper Museum of Art, Kansas City, Missouri LaSalle Bank, Chicago, Illinois Los Angeles County Museum of Art, Los Angeles, California Madison Art Center, Madison, Wisconsin Margulies Photography Collection, Miami, Florida Mellon Financial Corp., Pittsburgh, Pennsylvania Metropolitan Bank and Trust, Cleveland, Ohio Microsoft Art Collection, Redmond, Washington Museum of Contemporary Photography, Chicago Museum of Fine Arts, Boston, Massachusetts Museum of Fine Arts, Houston, Texas National Museum of Film, Photography and TV, Bradford, England Nevada Museum of Art, Reno, Nevada New Orleans Museum of Art, New Orleans, Louisiana The New York Public Library, New York, New York Nelson - Atkins Museum of Art, Kansas City, Missouri North Carolina Museum of Art, Raleigh, North Carolina Norton Museum of Art, West Palm Beach, Florida Oakland Museum of California, Oakland, California Pier 24, Pilara Foundation, San Francisco, California The Progressive Corporation, Mayfield Village, Ohio Samuel P. Harn Museum of Art, Florida San Francisco Museum of Modern Art, San Francisco, California West Collection, SEI Investments, Oaks, Pennsylvania Sierra Great Basin Collection, Reno, Nevada The Toledo Art Museum, Toledo, Ohio Whitney Museum of American Art, New York, New York

Michael Rosenfeld Gallery For its Frieze Masters presentation, Michael Rosenfeld Gallery gave a nod to «Soul of a Nation,» currently on view at the Tate Modern.

Notable group exhibitions include: All watched over by machines of loving grace, Palais de Tokyo, Paris (2017); Generosity, The Art of Giving, National Gallery in Prague (2016); Hugo Boss Asia Art, Rockbund Museum, Shanghai (2013); The Ungovernables, New Museum, New York (2012); Print / Out, MoMA, New York (2012); No Soul For Sale, Tate Modern, London (2010).

From Cardiff Castle and Kensington Palace to the V&A and Tate Modern - the National Art Pass gives free entry to over 240 museums, galleries and historic houses across the UK as well as 50 % off entry to major exhibitions.

Harry Cooper, the National Gallery's curator of modern and contemporary art, gives a tour of the exhibition, which includes 126 paintings, drawings, prints, and sculpture.

But while the show made a triumphal final stop at the Tate Modern (it was the British institution's first solo show dedicated to an African artist), and a handful of international galleries have shown the artist, who is now 85 years old, over the past few years (London's Vigo Gallery has given him two solo shows since 2014), El - Salahi has remained largely under - recognized in the U.S., perhaps until now.

All the elegantly conceived typography that gave Guggenheim Jeune a quintessential Modern identity was the the design prowess of Wyn Henderson, her gallery assistant and registrar, who was a typographer by profession.

The illumination, the layering of blacks, and the patterns remind me of some of the best prints (usually grey on grey) of Jasper Johns or the untitled back - lit sculpture made in 1966 by Bruce Nauman, given to the Museum of Modern Art by Joseph Helman (who was connected to this space when it was known as the Blum Helman Gallery).

Elisa Uematsu, Taka Ishii Gallery (Tokyo, main) said: «New York is a city full of opportunities to explore the arts, but with the growing range of art on view this week and the addition of more modern art galleries at Frieze New York, this year's fair gave visitors an exceptional range of art to discover.

The Hayward Gallery's ambitious exhibition «The Painting of Modern Life», the first curated by its recently appointed director, Ralph Rugoff, gave us an account of how painters have made use of photography since that pivotal moment in the early 1960s when the canvas confronted the photograph in all its brute, beautiful ubiquity.

Be-Muse, Museo Hendrik Christian Andersen, Rome, Italy Enwezor, Okwui, Tricking the Mind: the work of Yinka Shonibare, in Authentic / Eccentric Conceptualism in African Art, 49th Venice Biennale, Italy Yinka Shonibare, The Andy Warhol Museum, Pittsburgh, PA, USA Vantage Point, Irish Museum of Modern Art, Dublin, Ireland Bo01 City of Tomorrow, European Housing Expo, Malmo, Sweden The Short Century, Museum Villa Stuck, München, Germany Camouflage, Centre of Contemporary Art of Southern Africa, Johannesburg Give and Take, Serpentine Gallery, London Bamgboyé, O. A.

Monochrome Art that uses a single colour gives the National Gallery a way of linking Renaissance and modern artists from Albrecht Dürer to Gerhard Richter, Chuck Close, Bridget Riley and Olafur Eliasson.

As editors of the Chadwick Family Papers, Blachly and Shaw have exhibited work and given lectures related to their findings at the Winkleman Gallery, New York, NY; Southern Exposure, San Francisco, CA; Museum of Art and Design, New York, NY; The Tate Modern, London, England; and the Queens Museum of Art, Flushing, NY.

2002 Extension, Magasin 3, Stockholm Konsthalle, Stockholm, Sweden Attitude 2002, Contemporary Art Museum, Kumamoto, Japan (catalogue) Documenta 11, Kassel, Germany (catalogue) Spoleto Festival, Charleston, WV, USA 2001 Authentic / Ex-centric: Conceptualism in Contemporary African Art, 49th Venice Biennale, Fondazione Levi, Venice, Italy Unpacking Europe, Boijmans Van Beuningen Museum, Rotterdam, Netherlands; toured (catalogue) The Short Century, Museum Villa Stuck, Munich; toured (catalogue) Art through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo, Norway Give and Take, Serpentine Gallery and Victoria & Albert Museum, London Secret Victorians, Fabric Workshop, Philadelphia, PA, USA Vantage Point, Irish Museum of Modern Art, Dublin, Ireland Sense of Wonder, Herzliya Museum of Art, Israel

Elizabeth Price will give the inaugural artist talk in the Contemporary Art Society's new home at 59 Central Street in London on 17 January, when she will discuss her work, including the Contemporary Art Society's recent acquisition of her important piece USER GROUP DISCO (2009) for the Scottish National Gallery of Modern Art in Edinburgh.

In addition, given the gallery's concentration on the photographic medium, the works selected largely employ the modern visual syntax of the «close - up,» a formula derived from the burgeoning photographic vision developing in art at this period, evidenced in both Strand and Stieglitz's influence on the work of the painters.

Acquisitions of net art by the Tate Modern, the Guggenheim, and other institutions have given institutional validation to the genre, but complicated curatorial debates rage over what exactly it includes: Can it be shown on a computer in a gallery?

Their performances have included spilling oil like substances, installing a 16.5 m wind turbine blade in the Tate Modern Turbine Hall, occupying the gallery overnight in a durational performance transcribing texts in charcoal onto the gallery floor, and giving permanent climate tattoos live.

Jessica Bardsley, the Agnes Mongan Curatorial Fellow in the Division of Modern and Contemporary Art, will give this gallery talk related to the exhibition A.K. Burns: Survivor's Remorse, on view May 19, 2018 — August 12, 2018.

Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

Beddington now shares the space with former Tate Gallery curator Robert Upstone who has been given a private collection of modern works by the leading exponents of the Camden Town Group, Robert Bevan, Charles Ginner, Harold Gilman and William Ratcliffe, to sell.

GROUP EXHIBITIONS 2016 Icons, Plataforma 91, São Paulo, Brazil 2016 Shift, Stretch, Expand: Everyday Transformations, Museum of Contemporary Art, Santa Barbara, California 2015 POP, Halcyon Gallery, London 2015 The British Are Coming, Long - Sharp Gallery, Indianapolis, Indiana 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 Heroes and Villains, Halcyon Gallery, London 2014 Lost Angels, Mead Carney Fine Art, London 2014 POP - FICTION, 212 Gallery, London 2014 Giant, Collectors Contemporary, Singapore 2014 The Shock of the New, Mead Carney Fine Art, Porto Montenegro 2014 Marilyn, Tagliatella Gallery, Paris 2014 Kunst, Vertes Modern, Zurich 2014 Grafix 14, Vertes Modern, Zurich 2013 Rethinking the American Dream, Long - Sharp Gallery, Indianapolis, Indiana 2013 Works on Paper, The Cat Street Gallery, Hong Kong 2013 David Bowie, Art Gallery of Ontario, Toronto 2013 Icons and Irony, Long - Sharp Gallery, Indianapolis, Indiana 2013 Rock, Tagliatella Gallery, Paris 2013 The Art of Elysium, Los Angeles, California 2012 The Rolling Stones: 50 Years of Rocking the Art World: a Celebration of The Rolling Stones, The Broome Street Gallery and Symbolic London, New York 2012 The Image is One Thing, Collectors Contemporary, Singapore 2012 Summer Exhibition, Scream Gallery, London 2012 Marilyn: 50 Years, Guy Hepner, Los Angeles 2012 Marilyn, Tagliatella Gallery, Paris 2011 POP and Contemporary American Art, Tagliatella Gallery, Paris 2011 New York, Tagliatella Gallery, Paris 2011 Arts for a Better World, Tagliatella Gallery, Miami 2011 It's A Wonderful Life, Collectors Contemporary, Singapore 2011 Pop Pop, Collectors Contemporary, Singapore 2011 Scream Now, Scream Gallery, London 2011 Hueless, Mallick Williams Gallery, New York 2011 Works on Paper, Whisper Fine Art, London 2011 Heaven Gala, Art of Elysium, Los Angeles, California 2011 Printer Proofs, Bertrand Delacroix Gallerym New York 2010 Diamonds Are Forever, Scream Gallery, London 2010 The Art of Giving, The Saatchi Gallery London 2009 Christmas Show, Scream Gallery, London 2009 Urban Legends, Collectors Contemporary, Singapore 2009 Pop, Liberty, The Sims Reed Gallery at Liberty of London 2009 Works on Paper, Sims Reed Gallery, New York 2008 Ink, Sims Reed Gallery, Miami 2008 ICONS, 108 Fine Art, Harrogate, Yorkshire 2007 Pop!

Still, nine galleries at Tate Modern given over to just five years» output confer special status on an artist.

2001 Authentic / Ex-centric: Conceptualism in Contemporary African Art, 49th Venice Biennale, Fondazione Levi, Venice, Italy 2001 Unpacking Europe, Boijmans Van Beuningen Museum, Rotterdam, Netherlands; toured (catalogue) 2001 The Short Century, Museum Villa Stuck, Munich; toured (catalogue) 2001 Art through the Eye of the Needle, Henie Onstad Kunstsenter, Oslo, Norway 2001 Give and Take, Serpentine Gallery and Victoria & Albert Museum, London, England 2001 Secret Victorians, Fabric Workshop, Philadelphia, PA, USA 2001 Vantage Point, Irish Museum of Modern Art, Dublin, Ireland 2001 Sense of Wonder, Herzliya Museum of Art, Israel

She is a contributor to Aperture, Art in America, Artforum.com, Spike Art Quarterly, and Parkett, and has given talks and presentations at the Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University.

Other notable one - person exhibitions were given at Art of This Century Gallery (1944); the Milwaukee Art Institute (1945); Addison Gallery of American Art (1948); the Whitney Museum of American Art and The Museum of Modern Art (1957); the XXX Venice Biennale (1960); and the Santa Barbara Museum of Art (1963).

, and has given talks and presentations at the Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University.

The Tate galleries have been given a private collection of modern art that includes works by David Hockney, Lucian Freud and Jacob Epstein.

Martin was represented by Pace Gallery from 1975 and was recently given a retrospective at Tate Modern in 2015.

In 1961 the Museum of Modern Art (MOMA) gave him a major retrospective; and in the fall of 1963 the prestigious Marlborough Gallery took him on.

Chelsea, Upper East Side and Downtown galleries will showcase American realism, art for a ballet production, geometric abstraction, figurative abstraction, and film and photography dealing with identity across two cultures, giving New Yorkers a wide range of work from modern and contemporary artists to choose from.

«These photographs were given not just to the Museum of Fine Arts, Houston, but also to the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; the San Francisco Museum of Modern Art; and the New Orleans Museum of Art,» said Yasufumi Nakamori, MFAH assistant curator of photography.

Unveiling his vision for the first time, Eshun conceded that the institute's historic role as the place in Britain where fresh developments in modern American and European art could be witnessed - it was the first British gallery to show a Jackson Pollock - was no longer relevant, given the proliferation of galleries and museums such as Tate Mmodern American and European art could be witnessed - it was the first British gallery to show a Jackson Pollock - was no longer relevant, given the proliferation of galleries and museums such as Tate ModernModern.

The third Art15 will give an overview of current contemporary practice as well as Modern artworks from established and emerging galleries across Europe, the Middle East, Asia, Africa and America.

However, in 1964 Still gave a group of 31 paintings to the Albright - Knox Art Gallery in Buffalo, and in 1976 he made a similar presentation of 28 works to the San Francisco Museum of Modern Art.

Tate Modern's exhibition marks the largest show of her work ever seen in the U.K. and the first time the museum's galleries have been given over entirely to a single artist.

1996 New Paintings, Seomi Gallery, Seoul, South Korea The Mediated Object: Selections from the Eli Broad Collections Harvard University, Fogg Art Museum, Cambridge, USA From Bauhaus to Pop: Masterworks Given by Philip Johnson, Museum of Modern Art, New York, USA Moving Structures, Lehmann Maupin Gallery, New York, USA Views from Abroad: European Perspectives on American Art II, Witney Museum of American Art, New York, USA

Activists have occupied Tate Modern's Turbine Hall with the aim of giving an all - night performance criticising BP's sponsorship of the gallery.

In June of 1941, Beaumont Newhall of the Museum of Modern Art (MoMA) and Alfred Stieglitz «discovered» him, and he was given an exhibit with Ben Rose at the A.D. Gallery in September.