Sentences with phrase «modern gallery says»
A Russian artist who claims to have defaced a Mark Rothko mural in the Tate Modern gallery says he has engaged in a piece of art and improved the value of the multimillion - pound work.
https://www.theguardian.com/ Not exact matches
I think it's a very very good venue for modern galleries,» he said.
«In the East Building, it wasn't easy telling a chronological story,» says Harry Cooper, Curator of Modern Art, of the old, more disconnected gallery spaces.
Nicholas Hlobo, a South African visual artist who has been given prominent shows at the Tate Modern, the Institute of Contemporary Art / Boston, and other institutions, has joined Lehmann Maupin, a representative at the gallery said.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»
«The Swedish Embassy in Tokyo has a beautiful modern gallery where the exhibition will be on display,» Vershbow says.
Shock of the News promises to shape our understanding of modern artists» responses to the newspaper,» said Earl A. Powell III, director, National Gallery of Art, Washington.
Dealers said sales were strong at FIAC, the main attraction of a modern and contemporary art week in Paris, which followed a buying spree in London at auctions, galleries and the Frieze Art Fair.
«It was an idea that I have been thinking about for years, as it is one of the more interesting and unique contributions Louise has made to modern sculpture,» says gallery co-founder John Cheim.
2016 The Color Line: African American Artists and the Civil Rights in the United States, Musee du Quai Branly, Paris, France Expansive Visions: GW Collections Past, Present, Future, George Washington University Museum and The Textile Museum, Washington, DC 2017 Soul of a Nation: Art in the Age of Black Power, Tate Modern, London, England The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY The Last Ten Years: In Focus; Selections from the David C. Driskell Center Collections, David C. Driskell Center Gallery, University of Maryland, College Park, MD 2018 Hopes Springing High: Gifts of Art by African American Artists, Crocker Art Museum, Sacramento, CA Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX Histórias Afro - Atlânticas, Museu de Arte de São Paulo (MASP) and Instituto Tomie Ohtake, São Paulo, Brazil
«We are grateful to Kara Walker and to Victoria Miro Gallery for making this epic work available to the High and for the tremendous outpouring of support from the community to make this acquisition possible,» said Michael Rooks, the High's Wieland Family curator of modern and contemporary art.
«We know that Santiago Rusiñol, the leader of the Catalan modernisme movement, painted this site, and we believe other younger Catalan painters would have painted this site too,» said Kenneth Brummel, assistant curator of modern art at the Art Gallery of Ontario.
Elisa Uematsu, Taka Ishii Gallery (Tokyo, main) said: «New York is a city full of opportunities to explore the arts, but with the growing range of art on view this week and the addition of more modern art galleries at Frieze New York, this year's fair gave visitors an exceptional range of art to discover.
The Metropolitan police said: «Officers from the obscene publications unit met with staff at Tate Modern... The officers have specialist experience in this field and are keen to work with gallery management to ensure that they do not inadvertently break the law or cause any offence to their visitors.»
«We have an on - going commitment to mounting key historical exhibitions,» says Per Skarstedt, «and I'm delighted to open this new gallery space in Chelsea with an exhibition of incredible works by these quintessential modern masters.»
«Modern art has a continuing presence in the Hamptons art scene with the Parrish recently presenting a solo show of John Graham; through the art exhibited from their collection in their permanent galleries and to the current show on Photorealism,» Lehr said.
«Nora Abrams is a major young scholar who promises to raise curatorial practice and discourse around contemporary art to a new level,» said Harry Cooper, Curator of Modern & Contemporary Art, at the National Gallery of Art.
«This is the premiere of the series,» Ruff says, as later this year he will have solo exhibitions debuting new works in Toronto at the Art Gallery of Ontario, and in Japan at the The National Museum of Modern Art in Tokyo and the 21st Century Museum of Contemporary Art in Kanazawa.
Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!
Grey Art Gallery Director Lynn Gumpert says, «In the early 60s, when Abby Weed Grey set out to collect non-Western modern art, she was intent on meeting, as she later wrote, artists who were «breaking with the past to cope with the present,» and whose «works best mark the advance from tradition to a contemporary view.»
«Hepworth is certainly one of the most important figures in modern British sculpture; but, more than just a modernist, she vigorously pursued a mystical, spirit - conjuring approach to art making throughout her career,» said Marc Glimcher, Pace Gallery President and CEO.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
«I thought it was a really interesting engagement with a lot of issues around nature, the environment, landscape traditions, Romanticism, melancholia — some of Pierre's big subjects,» says Lynne Cooke, who organized a 2002 show of Huyghe's work at the Dia Art Foundation in New York and is now senior curator for special projects in modern art at the National Gallery of Art in Washington, D.C.
Glenn Lowry, director of the Museum of Modern Art in New York, says he looks daily at audience studies to get a «fine - grained sense of what someone who has just been in the galleries thought — or felt.»
Nick Simunovic says his gallery's goal «is to bring museum - quality programming to Hong Kong at a time when Western modern and contemporary art is not widely available in the city».
That said, a number of postmodernist galleries - including the Tate Modern, the Pompidou Centre, the Guggenheim New York and MoMA - also own substantial collections of late - 20th century art and still manage to host outstanding temporary exhibits.
Gallery owner David Zwirner said that the rediscovery of Asawa's work has been thrilling, and that he'd been told by Museum of Modern Art curators that they'd recently acquired some of her work, and that a major show may be announced soon.
Chris Dercon, the gallery's director, said: «We are delighted that so many people came to see and discuss the Damien Hirst exhibition at Tate Modern.
Oh, there are catalogues, Samadi says, such as the one for the landmark 1965 exhibition «Washington Color Painters» at the Washington Gallery of Modern Art (which put Davis on the map, along with Morris Louis, Kenneth Noland, Howard Mehring, Tom Downing, Donald McCarten and Paul Reed), but no definitive, overarching text on the genre.
Randall Griffey, an associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major paintings.
«She's really determined to paint the abstract image,» gallery owner Lawrence Markey said of Frecon, whose work is represented in several prominent collections, including the Museum of Modern Art, the National Gallery of Art and the Whitney Museum of Americgallery owner Lawrence Markey said of Frecon, whose work is represented in several prominent collections, including the Museum of Modern Art, the National Gallery of Art and the Whitney Museum of AmericGallery of Art and the Whitney Museum of American Art.
«I would rank this with major gifts of modern art that have transformed other institutions,» says National Gallery of Art director Earl A. Powell.
«Fashions were changing just around that time with the rise of Pop and Op and Minimalism,» said Harry Cooper, the curator and head of modern art at the National Gallery in Washington, D.C., who worked on Mr. Soulages's catalogue raisonné when he was a graduate student at Harvard, in the 1990s.
Put a sign outside a gallery saying Modern Art This Way and everyone would have queued in the opposite direction.
Sharon Hayes» selected solo exhibitions include Public Appearances, Tanya Leighton Gallery, Berlin, Germany (2013); There's so much I want to say to you, The Whitney Museum of American Art, New York, NY (2012); Habla, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain (2012); Elevator Music 20: Sharon Hayes, The Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY (2012); 9 Scripts from a Nation at War (collaboration), Museum of Modern Art, New York, NY (2012); focus: Sharon Hayes, The Art Institute of Chicago, Chicago, IL (2011); In the near future, Vancouver Contemporary Art Gallery, Vancouver, British Columbia, Canada (2011), and others.
The two new galleries will house modern art from the permanent collection, including a possible Rothko room, said Deborah Ziska, a spokeswoman for the National Gallery.
«This year, the Collectors Committee's selection brings the Gallery three important works of modern sculpture,» said Earl A. Powell III, director, National Gallery of Art.
He was on the cover of Modern Painters, said to «paint like a cowboy,» and has brought his crude, tactile and refreshingly uninhibited works to shows at Half Gallery, ltd Los Angeles, Chicago's Shane Campbell gallery, and now the LA Printed Matter Art BooGallery, ltd Los Angeles, Chicago's Shane Campbell gallery, and now the LA Printed Matter Art Boogallery, and now the LA Printed Matter Art Book Fair.
Catherine Borowski says «Skip Gallery's latest installation with YBA artist Gavin Turk is an exciting collaboration that takes an ironic look at the old adage that «modern art is a load of rubbish».
With the addition of the Fishers» holdings, rich in work by Anselm Kiefer, Agnes Martin and Richard Serra, among others, it should become «the second most important modern museum in America,» just behind the Museum of Modern Art,» said Arne Glimcher, founder of the Pace Gallery in New York, and also «in the Top 10 among modern museums in the world.&modern museum in America,» just behind the Museum of Modern Art,» said Arne Glimcher, founder of the Pace Gallery in New York, and also «in the Top 10 among modern museums in the world.&Modern Art,» said Arne Glimcher, founder of the Pace Gallery in New York, and also «in the Top 10 among modern museums in the world.&modern museums in the world.»
«The Tate Modern was born out of the Tate Gallery, so it has a history of over 100 years,» he said.
Chris Dercon, the director of Tate Modern, who will leave next summer for a job in Berlin, said the new gallery was a milestone in terms of museum architecture, just as the original Tate Modern was when it opened in 2000.
«He came a minute too late,» said David Zwirner, the gallery's owner who sold the work within the first hour of the preview of the world's largest modern - and contemporary - art fair in the Swiss city.
Tate Modern retained its position as the most - visited gallery of modern and contemporary work in the world and Serota said its # 215m extension would open to the public, as scheduled, inModern retained its position as the most - visited gallery of modern and contemporary work in the world and Serota said its # 215m extension would open to the public, as scheduled, inmodern and contemporary work in the world and Serota said its # 215m extension would open to the public, as scheduled, in 2016.
The Modern plans to hold its Close retrospective in the contemporary - art galleries on the third floor, the same space where the Mondrian retrospective closed yesterday, said Kirk Varnedoe, the Modern's chief curator of painting and sculpture.
In 1938, after a brief affair with Samuel Beckett, she opened the Guggenheim Jeune gallery in Cork Street, London - the name being a crude imitation of the Parisian Bernheim Jeune Gallery - specializing in modern art, that is to say surrealism and various forms of geometric abstrgallery in Cork Street, London - the name being a crude imitation of the Parisian Bernheim Jeune Gallery - specializing in modern art, that is to say surrealism and various forms of geometric abstrGallery - specializing in modern art, that is to say surrealism and various forms of geometric abstraction.
Examples from this period include: Family Excursions (c. 1919, Narodni Gallery, Prague); The Small Fistule That Says Tic Tac (1920, The Museum of Modern Art, New York); and Birds, Fish - Snake and Scarecrow (c. 1921, Staatsgalerie Moderner Kunst, Munich).
Otto - Knapp's work has also been included in many group exhibitions: Watercolour, Tate Britain, London (2011); The Artist's Institute, New York (2011); I must say that at first it was difficult work, Kunstall, Oslo (2010); Strange and Close, Van Abbe Museum, Eindhoven, 2009; and the 9th International Istanbul Biennial, 2005.Otto - Knapp's recent solo exhibitions include Seascapes, Overduin and Kite, Los Angeles (2013); A light in the moon, Berkeley Art Museum, Berkeley (2011); Voyage Out, greengrassi, London (2011); Many many women, Kunstverein Munich (2010); Present Time Exercise, Modern Art Oxford (2009); Standing anywhere in the space in a relaxed position, Walter Phillips Gallery, Banff (2009); Love in a void (with Jutta Koether), Academy of Fine Arts, Vienna (2006); 50 ft Queenie, Tate Britain, London (2005); and Orange View, Kunstverein Dusseldorf (2003).
Bruce Grenville, Senior Curator of the Vancouver Art Gallery, said: «The MashUp exhibition and publication trace a distinct path through the history of modern and contemporary art and visual culture, in response to a considerable void in the scholarship on this important subject.