Sentences with phrase «modern gelatin silver»

Not exact matches

Modern and Contemporary • Beuford Smith (American, born 1941), Woman in Doorway, Harlem, 1965, gelatin silver print, 7 1/2 x 9-9/16».

Modern and Contemporary • Carl van Vechten (American, 1880 - 1964), three silver gelatin photographs: Portrait of Prentiss Taylor, 1932, 6-15/16 x 5-5/16»; Portrait of Prentiss Taylor, 1933, 8 ⅞ x 6 ⅞»; Portrait of Prentiss Taylor, 1948, 9 ⅞ x 6-15/16».

Anonymous Interior of Modern Steel Subway Car used on the IND Division, Early 1950s 7 1/2 X 9 1/2 inches Gelatin silver print, printed c. 1950s

László Moholy - Nagy, Untitled (Self and Lucia), modern silver gelatin copy print of a lost photogram of 1926, made from a vintage glass copy negative (Hattula Moholy - Nagy).

Walker Evans, Sidewalk and Shopfront, New Orleans, 1935; gelatin silver print; collection of the Museum of Modern Art, New York, gift of Willard Van Dyke; © Walker Evans Archive, The Metropolitan Museum of Art, New York

Image: Cecil Beaton, The Narcissus of» 67: A Mod at the Waterhole of Reddish, 1968 modern silver gelatin print Courtesy of the Cecil Beaton Studio Archive at Sotheby ’s

Silver gelatin print 7 1/2 x 5 1/2 inches: image 10 x 8 inches: paper 15 1/2 x 13 1/2 inches: frame Edition of 100 Signed, Dated and Titled in pencil on verso «Cindy Sherman 1980/2001 Untitled (Under the WTC)» In an archival black wood frame Literature Peter Galassi and Cindy Sherman, Cindy Sherman: The Complete Untitled Film Stills, Museum of Modern Art, New York, 2003, a similar image reproduced page 41.

«Untitled Film Still # 56» (1980) gelatin silver print by Cindy Sherman collection of the Museum of Modern Art, New York

Henryk Ross (born Poland, 1910; died Israel, 1991) Henryk Ross photographing for identification cards, Jewish Administration, Department of Statistics, Lodz ghetto, 1940 Gelatin silver print Art Gallery of Ontario, Gift from Archive of Modern Conflict, 2007 © 2014 Art Gallery of Ontario

Gelatin silver print, The Museum of Modern Art, New York.

Leonard Freed's, gelatin silver, Kate Resting, from the Kate series, 2002 is an estate signed modern print from 2006.

Vintage and modern silver gelatin prints from his best - known series, Brooklyn Gang, East 100th Street, and Time of Change, are on view now through Black History Month into the spring.

Buckminster Fuller, Black Mountain College, 1948/1990, Nancy Newhall Gelatin silver print San Francisco Museum of Modern Art.

KLEIN, William Modern Dance Ceremony Illustrating «Notre - Dame des Fleurs» in the Small Streets of Tokyo's Business Section, 1961 30 X 40 cm Gelatin silver print

Garry Winogrand, New York, 1961, gelatin silver print, The Museum of Modern Art, New York, Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Lourdes Grobet, Ponzoña, Arena Coliseo, ca. 1983; gelatin silver print; 14 x 11 in.; San Francisco Museum of Modern Art, gift of Jane and Larry Reed; © Lourdes Grobet

London, 1954 Gelatin silver print The Museum of Modern Art Acquired through the generosity of Clarissa Alcock Bronfman and Richard E Salomon

Garry Winogrand, John F. Kennedy, Democratic National Convention, Los Angeles, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, New York, 1950, gelatin silver print, San Francisco Museum of Modern Art, Fractional and promised gift of Carla Emil and Rich Silverstein, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Evening in Kenwood, c 1934 Gelatin silver print The Museum of Modern Art Acquired through the generosity of David Dechman and Michel Mercure, and the Committee on Photography Fund All images © 2012 Bill Brandt Archive Limited

Garry Winogrand, Fort Worth, 1975, gelatin silver print, San Francisco Museum of Modern Art, Gift of Dr. Paul Getz, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Gelatin silver print, 11 1/4 x 8 1/2 inches (290 x 215 mm), titled and dated in Cyrillic on verso by Varvara Rodchenko, Rodchenko's wife, (thus a later, but not a modern print), also with the collection stamp of Professor Lubomir Linhart of Prague, a noted historian of photography and film (who published a book on Rodchenko in 1964).

Garry Winogrand, New York, 1968, gelatin silver print, San Francisco Museum of Modern Art, Gift of Dr. L. F. Peede, Jr., © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, New York World's Fair, 1964, gelatin silver print, San Francisco Museum of Modern Art, Gift of Dr. L. F. Peede, Jr., © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Bill Brandt photographs from top Jean Dubuffet, 1960 Gelatin silver print The Museum of Modern Art John Parkinson III Fund

Garry Winogrand, Albuquerque, 1957, gelatin silver print, The Museum of Modern Art, New York, Purchase, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Fort Worth, 1974, gelatin silver print, San Francisco Museum of Modern Art, Accessions Committee Fund: gift of Doris and Donald Fisher, and Marion E. Greene, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Democratic National Convention, Los Angeles, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, New York, c. 1969, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Richard Nixon Campaign Rally, New York, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Coney Island, New York, c. 1952, gelatin silver print, The Museum of Modern Art, New York, Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco; digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY

Garry Winogrand, Los Angeles, 1964, gelatin silver print, San Francisco Museum of Modern Art, Gift of Jeffrey Fraenkel, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Metropolitan Opera, New York, c. 1951, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

His use of materials is, to use the same word with a different meaning, impressively appropriate: the silver gelatin process gives the images, though contemporary, a faded archival aura, like old 19th century ethnographic photography, while evoking the shiny metallic surfaces of modern cars.

Iason will also offer works for sale, at various price points, including both classic silver gelatin and modern archival pigment prints.