Sentences with phrase «modern image of»

Google's Pixelbook is the modern image of...

In summary, regarding the artist's work from 1910 onwards, we can say that Lehmbruck rendered an early and considerable contribution to the modern image of man in 20th - century art with his «extrasensory tectonics» and «abstract expressiveness».

See a modern image of debt next.

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But he's more in the modern image of a soldier / theorist than the bombastic Pattonesque stereotype of yore.

Facebook COO Sheryl Sandberg and top editorial and marketing executives weigh in on why it's increasingly becoming good business to present strong, modern images of women in ad campaigns.

Modern images of the rings of Saturn have helped astronomers understand how unique the individual rings are.

And there is much about these modern images of love that can utterly misguide young people at every stage of their lives about what real love is and how it develops.

InBetween the Blinks Photography: specializes in vibrant, modern images of pets and their people.

This exhibition of new paintings combines iconography from Fifteenth through Eighteenth Century etchings and eerily modern images of anthropomorphic larvae, plants, and figures, reinforcing Immendorff's unique language in imagery.

Not exact matches

KUALA LUMPUR, Malaysia (AP)-- Malaysia's image as a striving, modern nation that upholds the rule of law has been undermined by an epic corruption scandal at state investment fund 1MDB.

«France's image will change, we have a young president, I'd say a connected president, a modern president, pro-business, pro-Europe,» Gerard Mestrallet, chairman of the utility firm Engie, told CNBC on Tuesday at the sidelines of the conference.

TCBY has attempted to rebrand itself since 2010 to keep up with the new image of froyo, trading in its full - service model and outdated décor for self - serve machines and brightly colored, modern decorations.

Problem # 1,000,000,000 something, is now we have those like the religious pharisees of both ancient and modern times trying to reinvent a God in their image or fit their agenda.

Levy, a professor of historical theology at Providence College, overturns the image of a placid medieval Church and shows instead that the crises of interpretive authority that we associate with the early modern period in fact have their roots in the turbulent controversies of the Middle Ages.

Montpellier was seductive in its invitation to lie back and let the culture wash over its visiting students» an image, perhaps of modern day Vanity Fair.

Thompson explores the Psalms, the Synoptic Gospels as well as John, the Wisdom literature, the current debate over the «astonishing exchange» in Christ, and the image of the child in Scripture and modern spirituality.

Dramatizing the trauma of expulsion from Paradise, Maine sometimes employs the cadences of the Old Testament («The sun rises and sets and does not change») and sometimes the concise, allusive conjunction of high and low that characterizes modern prose (as in the Babel image, or when Eve reflects on their vicissitudes «ever since their departure from the Garden to fight their way through this deathtrap called Creation»).

But doesn't the image of the Church as a «fortified city», taken from the Old Testament, conflict with the spirit of Lumen Gentium, the Vatican II dogmatic constitution on the Church, and Gaudium et Spes, the Pastoral Constitution the Church in the Modern World?

It is not simply that God has died — although he has for millions of people in the modern world; positive images of the future have also died.

Such an image calls to mind such modern servants of humanity as Gandhi, Martin Luther King, Jr., Sister Teresa, Kagawa, Dorothy Day, Jean Vanier.

If a new meaning of nature has pervaded modern history, an autonomous world existing in - itself, then so likewise man himself no longer appears as the image of a transcendent Creator.

If we are to speak theologically, must we not finally say that this image of God as Satan is either itself a satanic and all too modern form of deicide, or else a new and radical form of the Christian faith?

Others paint the contrast in images of modern luxury and wealth vs. modern misery and exploitation, emphasizing the causal connection between the two.

The particularity of the American regime is counterpoised by its foundation in universal human rights, the modern articulation of our equality as beings created in the image of God.

Or perhaps modern shepherd kneeling beside sheep with leg caught, Chevrolet in background, first - aid kit spread behind him, and binoculars temporarily laid beside first - aid kit, While there may be humorous elements about this image, it is an important reminder that the means of shepherding may change, and hopefully may improve, but that the tender and solicitous concern and the relevance of the shepherd's actions to the needs of the sheep remain constant.

But we need to note that the images and metaphors that were used in the modern revival of concern for pastoral care, with which I am in deep sympathy, have only recently become concerned about shepherding, and for a time were quite different in character.

If so, then human minds, created in the image and likeness of God, should be able to understand the world in which we find ourselves; much of the skepticism of modern society needs then to be rethought by Christians.

I had been interested in creating a modern - day reinterpretation of the Stations of the Cross — the traditional set of images depicting the journey of Christ from trial to crucifixion and burial — for the Easter edition of Premier Christianity magazine.

Finally, the language of worship needs to incorporate more modern images relevant to a large population of unchurched younger people who do not have world views like our own.

The conclusion reached is that the modern philosophical tradition was mistaken in postulating sensory images as objects of perception.

While we moderns might suggest that Bianco work on self - esteem issues, the images of an overcoat of charity and innerwear of lowliness of heart — the heart where the Holy Spirit also dwells — show how the will has to be changed thoroughly if we are to live in relationship with both neighbor and God.

cit., «Religion and Modern Thinking,» p. 100 f.; Images of Good and Evil, p. 82 f.; The Way of Man, p. 44 f.) He has, accordingly, real freedom — the freedom of a separate person to go the way of his own personality, to do good and to do evil.

«92 Grasping generates solution to immediate problem as well as universalization of the images» particularity.93 W. Berry notes with concern that «the most powerful and the most destructive change of modern times has been a change in language: the rise of the image, or metaphor, of the machine.

In Walt Whitman's image, the modern subject is a solitary spider on a promontory, throwing forth «filament, filament, filament, out of itself» in order to «explore the vacant, vast surrounding.»

The modern scientific worldview, for all its benefits, is an abstraction because its image of the world is made up only of objects.

In the final essay, «American Dionysus,» Patterson points out that the current image of African - American men, when decoded and examined, illuminates the entire landscape of modern American popular culture.

The point for us is not to be so sure that the dominant image of the world given to us by the science of the past, which is called the modern worldview, is a picture of the real world.

My first question is, what is the image of the modern mind to which Bultmann and Ogden would have a postliberal theology address itself?

The self - image of modern literature rested on an idea of progress that presumed the exchange of one style for another.

And despite its dream to the contrary, modern art is ultimately no more capable of dispensing with words than iconoclasm is of eliminating images.

For many Americans the words Islam and Muslims evoked disjointed images of violence, religious fanaticism, rejection of the modern world, mistreated women, and praying men bowing in the direction of Mecca.

The perplexity of this leader from the image — ridden West, standing in the presence of a mystery that still evaded him, is a true symbol of Israel's place in the ancient world: a place that might well be equally unique in the modern, save for our debt to Israel herself.

These visions of God in the heavenly court and God's assistant Wisdom challenge the modern technological and power - oriented images of creation.

Within the context of special revelation, Niebuhr turned to two distinctive biblical teachings about man, man as creature and image of God, and used these two doctrines to clarify and substantiate his original assumption about man's paradoxical environment of nature and spirit, and to refute the competing anthropologies of modern culture.

He compares the application to Jesus» message to a more modern example, Dr. Martin Luther King, Jr., and some people's tendency to use his name and image to champion their own pet causes, instead of seeing them for what they really are.

That is to say, expressionism had the power to communicate forcefully the images and the feeling of the artist; therefore, the great German expressionists, such as Emil Nolde, whose «Head of a Prophet» is one of the most powerful statements of the haunting and mysterious sense for Christ of modern art, evoke in us a response that is not the response of immediate and instant recognition.

But while the programs of the «Christ of culture» advocates are rich in the vocabulary of 19th century Christian evangelism, the images — and hence the real messages — resonate with The Technique, the gambits of modern television advertising.

The contemporary ecological crisis represents a failure of prevailing Western ideas and attitudes: a male oriented culture in which it is believed that reality exists only as human beings perceive it (Berkeley); whose structure is a hierarchy erected to support humanity at its apex (Aristotle, Aquinas, Descartes); to whom God has given exclusive dominance over all life forms and inorganic entities (Genesis 1 - 2); in which God has been transformed into humanity's image by modern secularism (Genesis inverted).

The image that Birch and Cobb are using for mechanism is of a simple machine — a household or factory machine but not, for example, a modern computer, which can take into account its environment in almost any desired degree of complexity.