Sentences with phrase «modern over the artist»

Not exact matches

This collection consists of over a hundred pieces by various artists, including Modern Masters such as Braque, Cezanne, Matisse, Picasso, and Seurat, but also friends and acquaintances of Keynes such as Spencer Gore, Duncan Grant, and William Roberts.

eBooks In Leonardo da Vinci: Anatomy, an interactive book for the iPad, readers can learn about the artist's medical explorations, pore over his lavish and precise anatomical sketches, and compare them with modern models of the body.

The film for which the late director, perhaps the greatest of all modern artists, won the Palme d'Or at Cannes, it attracted strongly divided critical responses and has emerged as one of his most definitive works, an immensely contemplative work on suicide and the human condition that takes place, as with many of Kiarostami's works, mostly over a series of car rides.

Hotel now offers mix of traditional architecture and modern design, contemporary video art and over 1,400 works by local artists...

He has been imitated, revered, and homaged endlessly over the years (check out the title sequence for the Spielberg movie Catch me if You Can for an idea) and it's not hyperbole to say that he's one of the most influential artists of the modern era.

Famed for painting over iconic and medical packaging, from McDonald's to Dior, Australian artist Ben Frost's work forces us to look at our modern capitalist society, and our attitudes towards branding, advertisements and blasé approach to medications.

In her series In Control, New York City - based artist Katrina Majkut rejects the stereotypical domestic functionality of embroidery, and empowers women by incorporating real modern, physical needs — taking into account the current debate over women's reproductive rights.

At Spotlight, discover single - artist presentations by under - recognised modern masters like Maryn Varbanov (Bank), Liliane Lijn (espaivisor) and «John Dogg» - a pseudonym Richard Prince used in the 1980s (Venus over Manhattan).

For over a century the Whitechapel Gallery has premiered world - class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

Taken by fellow artists, these portraits were created over a span of more than seventy years and capture artistic figures that define the modern and contemporary art world.

For over a century the Whitechapel Gallery has premiered world class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

For over a century the Whitechapel Gallery has premiered world - class artists from modern masters to contemporaries.

Untitled III carries over the shift in texture from opaque to virtually transparent tonality in the greys and blues in particular, as if the artist had absorbed the style of Sumi - e brush painting, as for example in the lithograph owned by the Museum of Modern Art, Wah Kee Spare Ribs, 1970, a medium with which de Kooning was preoccupied in the early years of the decade.

This conversation is with Karen Halverson, an artist that has been photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library at Yale University among others.

For over a century the Whitechapel Gallery has premiered world - class artist from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

CHICAGO — Opening, Friday, June 7, the Ukrainian Institute of Modern Art presents a solo exhibition of over two decades of recent painting and sculpture by gallery artist Thomas H. Kapsalis.

The 2018 edition will see over 95 international contemporary and modern galleries from 30 countries come together to represent over 1,200 artists including CONTEXT, a platform for a selection of new and established contemporary galleries to present emerging, mid-career and cutting - edge talent.

Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

This year's fair will showcase over 70 international and national galleries, featuring works by more than 400 modern and contemporary artists.

In 2010, Abramović had her first major U.S. retrospective and simultaneously performed for over 700 hours in The Artist is Present at Museum of Modern Art, New York.

Iniva has published over 50 titles, including exhibition catalogues, artists» monographs and anthologies of new critical writing, which promote diverse perspectives on modern and contemporary art and advance critical debate internationally.

The height of the movement came in 1965 when the Museum of Modern Art showcased over one hundred and twenty Op Artists in their exhibition The Responsive Eye.

«America Is Hard to See» (until 27 September) presents more than 600 works by 400 artists, not as a comprehensive survey of modern and contemporary American art, but as a series of investigations — curated essays, if you will — over 23 thematic «chapters».

This is the first in a series of projects that will see her work simultaneously at Modern Art Oxford with another solo exhibition, Invisible Strategies (21 January — 30 April) and her participation to The Place is Here at Nottingham Contemporary (4 February — 30 April), a major exhibition bringing together around 100 works by over 30 artists and collectives exploring the pivotal 1980s decade for British culture and politics.

Curated by Peter Galassi, former Chief Curator of Photography at The Museum of Modern Art, New York, «In the Studio: Photographs,» includes over 150 photographs by 40 artists &

- For over a century the Whitechapel Gallery has premiered world - class artists from modern masters to contemporaries.

Michael Auping, the Modern Art Museum of Fort Worth's Chief Curator from 1993 to 2017, shares insights gained over 40 years of interacting with some of the most important artists of our time.

Organized by Malba — Fundación Costantini and curated by Philip Larratt - Smith (Deputy Chief Curator, Malba, Buenos Aires) and Frances Morris (curator of Kusama's retrospective at Tate Modern, London) in collaboration with the artist's studio, the exhibition offers an in - depth survey of the work of the most prominent living Japanese artist through over 100 carefully chosen works from 1950 to 2013, including paintings, works on paper, sculptures, videos, slideshows, and installation works.

Her work reveals a deep awareness, both intellectual and sensory, of how the body has been represented over time and across cultures — from antique and Hindu sculpture, to Renaissance drawing and painting, to the work of modern artists such as Henri Matisse, Willem de Kooning, and Pablo Picasso.

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

- For over a century the Whitechapel Gallery has premiered world class artists from modern masters such as Pablo Picasso, Jackson Pollock, Mark Rothko and Frida Kahlo to contemporaries such as Sophie Calle, Lucian Freud, Gilbert & George and Mark Wallinger.

From the early days of volunteer participation and direction, most notably by artist and teacher Sallie Gillespie in the 1930s and 1940s and association president Sam Cantey III and board chairman Robert Windfohr in the early 1950s, the professional staff of the Modern Art Museum of Fort Worth had grown to over twenty employees by 1988.

Set in Duke of York square and split over the 3 floors, Saatchi Gallery is a spacious, modern exhibition space showcasing art and sculpture from young, contemporary artists.

FACES NOW: European Portrait Photography since 1990 brings together some of the best examples of modern portrait photography from over 30 of the top artists working today including Thomas Struth, Juergen Teller, and Tina Barney.

And no wonder — over his two - decade career he had played almost every role in the art industry, from artist (Camberwell College of Arts, class of 1988) to writer (of the YBA memoir Lucky Kunst) to curator (at Tate Modern) to, most recently, dealer (Hauser & Wirth).

Some of the exhibitors are La Cometa from Bogotá, an important space for development of art in Colombia and a reference for exhibits in Latin America; Mark Hachem from Paris, an innovative modern platform for contemporary art presenting work for artists from all over the world; and Durban Segnini from Miami, focusing on contemporary Latin American Art.

For the first time in Australia and to commemorate the 20th anniversary of the artist's death, the Art Gallery of New South Wales in Sydney will host a retrospective exhibition of over 50 paintings by the great British modern master as well as some source material from the artist's studio at 7 Reece Mews now relocated at the Dublin City Gallery, The Hugh Lane.

This autumn, Ai Weiwei, China's most outspoken artist, will take over Tate Modern's Turbine Hall.

At that time, and largely due to the foresight of Gallery benefactor A. Conger Goodyear - who donated more than two hundred and fifty works over the course of nearly four decades and who, in 1929, went on to become the first board president of The Museum of Modern Art in New York - the institution began to acquire significant works by innovative artists.

Ai Weiwei, the Chinese artist who will soon take over Tate Modern's Turbine Hall, on why he wants to tell people that it's OK to speak out

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

In collaboration with the Irish Museum of Modern Art, Dublin City Gallery The Hugh Lane, «Changing States» also exhibits items from Francis Bacon's notoriously «chaotic» studio - 7 Reece Mews, London — the artist's principle home and workspace for over 30 years, until his death in 1992.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris,artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

For over a decade as both an artist and a witness, he chose to depict the immediacy of modern culture by rendering the live performances of contemporary musicians through charcoal.

One of today's most internationally active contemporary artists, Chung has participated in over 100 exhibitions and biennials on five continents, including: Insecurities: Tracing Displacement and Shelter, Museum of Modern Art, New York, USA; IMPERMANENCIA.

The 2018 edition will see over 85 international contemporary and modern galleries from 30 countries come together to represent over 1,200 artist.

Tate Modern's Joan Jonas retrospective spans over 50 years of the artist's career and includes six days of live performances.

Over the course of the next hundred years the collection continued to grow, especially in the 1950s when a substantial collection of prints by modern British artists was acquired.

Comprising over 290 works gathered from public and private collections around the world, this inclusive retrospective, which will be seen in its entirety only at the Museum of Modern Art, will occupy the Museum's entire sixth floor — the first time that entire level has been devoted to the work of a living artist.