The second exhibition is mounted in a London commercial gallery (his third solo exhibition with Lisson Gallery) for this Mr Ai has created
a monumental new installation of bicycles as part of an ongoing series, «Forever», as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.
For his third, self - titled new solo exhibition with London's esteemed Lisson Gallery (running concurrently with major shows in Berlin & Brooklyn), Chinese dissident artist Ai Weiwei has created
a monumental new installation of bicycles as part of his ongoing «Forever» series, as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.
Not exact matches
Teresita Fernández's seventh solo exhibition with Lehmann Maupin, coinciding with her
monumental sculptural
installation Fata Morgana, showcases her
newest sculptural works — intimate interior landscapes in concrete, cast bronze, and highly - detailed glazed ceramic.
Fernández's seventh solo exhibition with Lehmann Maupin, coinciding with her
monumental sculptural
installation Fata Morgana, currently installed in Madison Square Park in
New York, showcases her
newest sculptural works — intimate interior landscapes in concrete, cast bronze, and highly - detailed glazed ceramic.
Adriana Varejão fills the Lower Gallery with a
monumental wall based
installation, Macau Wall, while the Upper Gallery houses
new individual floor and wall based work.
Under the
new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a
monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an
installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.
Included in the show is a
new group of four
monumental paintings, entitled Four Seasons (Between Spring and Summer), 2015 (
installation view, pictured).
This
monumental installation was acquired by the museum in 2015 following its debut presentation at David Zwirner in
New York the same year.
Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific
installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the
New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a
monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an
installation of water, light, and music; and HABEAS CORPUS, a performance and
installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.
The exhibition presents Plensa's
installation and
monumental sculpture in a
new configuration, where the source material for the work appears alongside the finished sculptures.
The program included Frieze
New York's first - ever long - term
installation on Randall's Island: Adam Pendleton's
monumental Black Dada Flag (Black Lives Matter)(2015 - 18) on view through November 1.
They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in
New York, an
installation of his
monumental sculpture, Welcome Parade, in front of
New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in
New York.
As an art educator and artist, Smith frequently involves student artwork in her
monumental public
installations, created for the
New York Metro, Los Angeles Metro Transit Authority, and the Chicago Transit Authority, among others.3
Jupiter Artland, 1 August — 27 September 2015 As part of the extensive programme at Jupiter Artland this summer,
New York - based artist Tara Donovan will be filling three unique gallery spaces with her
monumental sculptural
installations.
Art announces a
new sculptural
installation for fall 2013 by renowned Italian artist Giuseppe Penone, consisting of three
monumental, 30 - foot tall bronze trees.
P.S. 1 Contemporary Art Center presents That Was Then... This Is Now, an exhibition featuring spectacular pieces including Leo Villareal's
new LED Flag installed in the P.S. 1 elevator; Apolitico, an expansive outdoor flag
installation by Wilfredo Prieto; Cannone Semovente, a
monumental sculpture by the late Italian artist Pino Pascali; and Lawrence Weiner's Milk and Honey, which evokes a sensuous and ephemeral dream.
Presented as a series of room - size
installations — site - specific wall paintings, painted environments,
monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major
new work to be completed in 2012.
Flavin also created a
monumental installation for the reopening of the Solomon R. Guggenheim Museum,
New York, in 1992.
The Institute of Fine Arts (IFA) at
New York University continues its ongoing Great Hall Exhibition Series with the
installation of Charles Simonds's
monumental sculpture Mental Earth (2002) in the Great Hall Gallery.
Known for his massive
installations built from industrial materials that take the menace implicit in Minimalism and throttle it into overdrive, the Polish Mirosław Bałka is well known on the European museum and biennial circuit — his 2009 work in Tate Modern's Turbine Hall, which resembled a
monumental cattle car (with a ramp leading visitors into its pitch - black interior), stunned audiences — but he has only shown rarely in
New York.
ODETTA is pleased to present their first show of the
new year with a
monumental sculptural
installation by Thomas Lendavi.
With a retrospective at the Foundation Beyler, a monographic show at the Acquavella Gallery, and an
installation of his
monumental sculpture, Welcome Parade, in front of
New York's Seagram Building, global interest in Dubuffet has never been stronger.
Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific
installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the
monumental interior of the Armory's drill hall; the U.S. premiere of the
new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating
new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.
At Victoria Miro he will present a series of
new paintings and an
installation created specifically for the exhibition, whilst at Iniva he will present his
monumental installation Nations.
The current exhibition at Locks Gallery is a unique survey reuniting works featuring the house motif, spanning from the 1977
installation 131 Greene Street / Patmos — a twenty - foot long sequence of enameled - steel tiles — to a
monumental 2007 - 8 diptych of seaside shacks in Amagansett,
New York.
The
new paintings also recall his recent
monumental mechanised
installations, such as My Red Homeland (2003), Svayambh and Shooting into the Corner (both 2009).
Organized in collaboration with London's Tate Britain and the Metropolitan Museum of
New York, the exhibition celebrates the artist's 80th birthday, retracing his entire career through more than 160 works (paintings, photographs, engravings, video
installations, drawings and printed works), including his most iconic paintings — swimming pools, double portraits and
monumental landscapes — and some of his most recent creations.
For Jia Aili's first solo exhibition in Europe at Rivington Place, he presents
monumental new paintings, and an
installation specially created for the window overlooking Rivington Street.
Over the summer, Colombian artist Oscar Murillo, known for his
monumental installations of black flags at the Venice Bienniale in 2015 (and more recently incorporated into this year's Sharjah Biennial), came to Ras al - Amud to take this ongoing body of work, «The Institute of Reconciliation,» in a
new direction.
Guests enjoyed cocktails with artist Orly Genger as her
new sculptural commission for The Contemporary Austin, Current, a
monumental outdoor
installation of woven rope that cascades down the outdoor amphitheater of Laguna Gloria, was unveiled.
Famous modern
installation artists include: Joseph Beuys (1921 - 86) the war - scarred ex-Professor of
Monumental Sculpture at the Dusseldorf Academy, whose lard and felt
installations, extensive use of found objects, bold lectures on art and creativity and career long dedication earned him a retrospective at the Guggenheim Museum in
New York; Italian Arte Povera artists Mario Merz (1925 - 2003), Michelangelo Pistoletto (b. 1933), Jannis Kounellis (b. 1936), and Gilberto Zorio (b. 1944); the German multi-media artist Rebecca Horn (b. 1944), noted for her performance films, her kinetic
installations, and her Guggenheim retrospective which toured Europe in 1994; Judy Chicago (b. 1939), noted for her
installation of feminist art - The Dinner Party (1979, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum,
New York); Bruce Nauman (b. 1941), noted for his neon light sculpture and video
installations; and the Frenchman Christian Boltanski (b. 1944), famous for his
installations of photographs, sometimes with lights.
Focusing on three types of works — namely her
monumental wall paintings, colorful pixel
installations and interactive drawing machines — SHORT BIG DRAMA presents a selection of existing works together with specially commissioned
new pieces.
The
new monumental installation «One Mind In A Million Heads» (O.M.I.A.M.H.) by Konrad Smoleński made in collaboration with choreographer Noa Shadur is the central piece of the presentation.
The Rose Art Museum at Brandeis University presents two
new site - specific
installations by Sarah Sze: Timekeeper, a
monumental work created for the Rose's Foster Gallery, and Blue Wall Moulting, a mural sited on the outward - facing wall of the Foster Stair.
Eleven contemporary artists comment on the environment, scale and pace of Beijing, Shanghai, Mumbai, Delhi and Seoul, in nearly 20
new monumental sculptures and
installations, including works created on - site during the exhibition.
The artist has created a
new monumental installation for the Smithsonian's «Perspectives» contemporary art series
With contemporary art a need has arisen for a
new type of exhibition space that have room to show the bigger and more technically demanding art formats: large art
installations of light, sound and motion, sculptural landscapes, performance and
monumental video art on multiple screens.
The largest space was dominated by a
monumental structure resembling an explosion by Italian artist Roberto Cuoghi, whose sound
installation is currently on view at the
New Museum.
Audiences at all three exhibitions were able to see and experience an unprecedented range of his work — from a retrospective in Los Angeles, to work from the extensive permanent collection and commissions in Houston, to a
monumental site - specific
installation in
New York.
Caribbean Pirates CP, marks the latest iteration of the White Snow series, while the Caribbean Pirates series features a
monumental assemblage
installation and
new resin block sculptures.
As visitors exit this work, they will be met by two
new monumental film
installations facing one another across the main gallery space, two subtle variations of Boltanski's recent series Animitas.
In 2012, he created a
monumental outdoor
installation, Monte - Meuble, l'Ultime Déménagement, in Nantes, France, and in 2013, The Barbican, Europe's largest arts and conference venue, commissioned Erlich to create a
new installation in the Dalston district of London, England.
It will feature De St. Croix's
new site - specific
installation, High Rise, a
monumental / miniature sculpture referencing both the beauty and devastation upon the Florida Everglades, including issues of encroachment, climate change and the myriad of ways human behavior effects and modifies the natural landscape.
The High Line is currently reviewing proposals by 12 artists for two
monumental installations that will be presented atop a
new plinth in the elevated park.
A
monumental sculptural
installation by Nancy Rubins and a large group exhibition titled Denial Is A River explore our collective iconography as it has been built up by the mass market throughout the last decade through physical and intellectual deconstruction, while suggesting
new meanings with wit and cynicism.
Denver, Colo. — Spurred by the enthusiastic response of the Denver community, and building on its commitment to expand its collection with
new works, the Denver Art Museum (DAM) will acquire six site - specific
installations from its
monumental exhibition Embrace!.
Recently, she completed an
installation of
monumental glass windows that feature her botanical imagery for the
new San Francisco General Hospital.
From the extensive Group of Seven collection to the dramatic
new African art gallery; from David Altmejd's
monumental installation The Index to Peter Paul Rubens» masterpiece The Massacre of The Innocents, a highlight of the celebrated Thomson Collection, there is truly something for everyone at the AGO.
Other projects include a large - scale outdoor
installation for Aires Libres Festival, Montreal (2014) and his first
monumental drywall - based architectural
installation for his solo exhibition at ISE Cultural Foundation,
New York (2014).
In celebration of its 30th anniversary, the Musée d'Art Moderne et Contemporain de Saint - Étienne presents Kapoor's
monumental installation alongside a number of
new works shown for the first time in France