Sentences with phrase «moore gallery artists»

Not exact matches

In 1957 he joined the St Ives - based Penwith Society of Artists; he exhibited regularly, and with great success, in commercial and public galleries from 1959; was selected in 1963 for the fourth John Moores exhibition; and was the subject of several films.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

The Center supports the creation and presentation of new works, sponsors visiting artist residencies, and offers courses, scholarships, lectures, and symposia, all in a creativealliance with the School of Art, Creative Writing Program, Moores School of Music, School of Theatre and Dance, and Blaffer Gallery.

SELECTED GROUP EXHIBITIONS 2014 Akris collaboration, 30 Old Bond Street, London 2011 Gallery Artists, Halcyon Gallery, London 2011 Seeking New Landscapes, Halcyon Gallery, London 2010 Junoesque, Hackney Wicked Art Festival, London 2010 Geometry is Never Wrong, Wieden + Kennedy, London 2010 New Year Show, Blackheath Gallery, London 2009 Medical Foundation Art Auction, Sumarria Lunn, London 2009 Open Studio, Hackney Wicked Art Festival, London 2009 In a Word, Sumarria Lunn, London 2009 Travelling Light, Wilson Williams Gallery, London 2009 Mink Schmink, Wilson Williams Gallery, London 2008 Open Studio, Hackney Wicked Art Festival, London 2008 Aureole, installation in St George's Church, Stockport 2008 Shoplifters, Conway Hall, University of the Arts London 2008 New Work, Serco, London 2007 Christmas Show, My Life in Art, London 2007 New Work, Neo, ExCel Centre, London 2007 Gallery Artists, Rowley Gallery, London 2006 Beneath, Surface Gallery, Nottingham 2006 ReNew: A Collaboration, Liverpool John Moores University, Liverpool 2006 Prelude, Spitalfields Market, London 2006 Twisted • Cognitive • Sublime, Wine Gallery, London 2006 What is Domestic?

In 2017, Parlour was the recipient of the Sunny Dupree Family Award for a Woman Artist at the Summer Exhibition, Royal Academy of Arts, London; and in 2016, was a Prizewinner at the John Moores Painting Prize, Walker Gallery, Liverpool.

The Walker Art Gallery has announced the winner of the prestigious John Moores Painting Prize 2016 is artist Michael Simpson with his painting Squint (19).

The Walker Art Gallery has revealed the names of the five artists shortlisted for the prestigious John Moores Painting Prize 2016.

Selected recent group exhibitions include: The Hallucinated World, Haus am Lutzowplatz, Berlin, 2014; Fleursdumal, Lamb & Lion Gallery & Charlie Smith Gallery, London, 2014; The Viewing Room, All Visual Arts gallery, London, 2013; Metamorphosis, All Visual Arts gallery, London, 2012; Everywhere & Nowhere, The Reydan Weiss Collection, Villa Jauss, Bavaria; EU - 27 Artists 27 Countries, Museum Tongerlohuys, Netherlands; A Piece of Paper, Madder 139 Gallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKGallery & Charlie Smith Gallery, London, 2014; The Viewing Room, All Visual Arts gallery, London, 2013; Metamorphosis, All Visual Arts gallery, London, 2012; Everywhere & Nowhere, The Reydan Weiss Collection, Villa Jauss, Bavaria; EU - 27 Artists 27 Countries, Museum Tongerlohuys, Netherlands; A Piece of Paper, Madder 139 Gallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKGallery, London, 2014; The Viewing Room, All Visual Arts gallery, London, 2013; Metamorphosis, All Visual Arts gallery, London, 2012; Everywhere & Nowhere, The Reydan Weiss Collection, Villa Jauss, Bavaria; EU - 27 Artists 27 Countries, Museum Tongerlohuys, Netherlands; A Piece of Paper, Madder 139 Gallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKgallery, London, 2013; Metamorphosis, All Visual Arts gallery, London, 2012; Everywhere & Nowhere, The Reydan Weiss Collection, Villa Jauss, Bavaria; EU - 27 Artists 27 Countries, Museum Tongerlohuys, Netherlands; A Piece of Paper, Madder 139 Gallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKgallery, London, 2012; Everywhere & Nowhere, The Reydan Weiss Collection, Villa Jauss, Bavaria; EU - 27 Artists 27 Countries, Museum Tongerlohuys, Netherlands; A Piece of Paper, Madder 139 Gallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKGallery, London, 2011; Memories of the Future, La Maison Rouge, Paris, France, 2011; John Moores, Walker Gallery, Liverpool, UKGallery, Liverpool, UK, 2010.

The Walker Art Gallery in Liverpool has announced the 60 artists whose paintings will feature in the John Moores Painting Prize 2018 exhibition, marking 60 years of the UK's longest - established painting prize.

The Walker Art Gallery in Liverpool has announced the 60 artists whose paintings will feature in the John Moores Painting Prize 2018 exhibition, marking...