Sentences with phrase «mountain college working»

Arts: Business Currently enrolled in Colorado Mountain College working on a BA in Business Administration

Not exact matches

This is the last week to catch an exhibition on the legacy of Black Mountain College (pictured above), with works from Robert Rauschenberg, Cy Twombly, Ruth Asawa, Willem de Kooning, and more.

Zhou, of the University of Maryland in College Park, pieced together the story while working in a fenced - in plot of wild campions at Mountain Lake Biological Station in southwestern Virginia.

Over one summer in College, I worked in CO as a Wrangler with 10 others and 111 horses taking «Dudes» on unmarked trails into the Rocky Mountain...

work at a university during the day And work at community college 4 nights a week Live in western nc mountains

While in college, Mrs. Buchanan spent her summers working for a non-profit called Mountain TOP located in Grundy County, Tennessee.

She also works at the Cheyenne Mountain Zoo and is enrolled in the Zoo Keeping program at Pike's Peak Community College.

A student of ceramics pioneer Peter Voulkos (who taught ceramics at Black Mountain College), Nagle participated in an important dialogue with other artists working in the medium, like...

Organized and curated by Jason Andrew, this historic exhibition includes important works by Jack Tworkov, who taught painting at Black Mountain College during the summer of 1952.

Jack Tworkov's work has been the subject of numerous one - person exhibitions, including the The Butler Institute of American Art, Youngstown, OH (2015); the Asheville Museum, NC (2015); Black Mountain College Museum and Art Center, Asheville, NC (2011); UBS Art Gallery, New York (2009); Boston College Museum, Chesnut Hill, MA (1994); Pennsylvania Academy of the Fine Arts, Philadelphia, PA (1987); Solomon R. Guggenheim Museum, New York (1982); Whitney Museum of American Art, New York (1971, 1964); and Poses Institute of Fine Arts, Brandeis University, Waltham, MA (1965).

Most recently, her work was featured in the critically acclaimed traveling 2015 - 2017 group exhibition Leap Before You Look: Black Mountain College 1933 - 1957, held at the Institute of Contemporary Art, Boston; Hammer Museum, Los Angeles; and Wexner Center for the Arts in Columbus, Ohio.

His involvement with performance began when he participated with choreographer Merce Cunningham in composer John Cage's Theatre Piece # 1 (originally an untitled work that is sometimes referred to as the first Happening) at Black Mountain College near Asheville, North Carolina, in 1952.

Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.

The works of Josef and Anni Albers have been featured both together and separately in exhibitions worldwide, most recently including A Beautiful Confluence: Anni and Josef Albers and the Latin American World, Mudec, Museo delle Culture, Milan, 2015 - 2016; and Leap Before You Look: Black Mountain College 1933 - 1957 at the Institute of Contemporary Art, Boston in 2015 (traveled to the Hammer Museum, Los Angeles and will be on view at the Wexner Center for the Arts, Columbus, Ohio, from September 17, 2016 — January 1, 2017).

One of the major focuses of the Collection is works of significance by artists associated with Black Mountain College (BMC), which was located 15 miles east of Asheville.

The inaugural show, featuring rarely seen works by Josef and Anni Albers, Ruth Asawa, and Ray Johnson, explored the influence of Black Mountain College, a unique experiment in arts education where these artists met in the late 1940s.

This includes letters and ephemera from Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stephan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.

Solo exhibition of Tworkov's work have been mounted by the Baltimore Museum of Art -LRB-» 48), the Walker Art Center -LRB-» 57), The Whitney Museum of American Art -LRB-» 64,» 71), the Toledo Museum of Art -LRB-» 71), The Solomon R. Guggenheim Museum -LRB-» 82), the Provincetown Art Association and Museum (2010), and most recently The Black Mountain College Museum + Arts Center (2011).

Tworkov's work is currently on view at Leap Before You Look: Black Mountain College 1933 — 1957, curated by Helen Molesworth at the Hammer Museum, Los Angeles, CA; and Postwar Era: A Recent History; Homages to Jack Tworkov and Claire Falkenstein, curated by Luca Massimo Barbero at the Peggy Guggenheim Collection, Venice, Italy.

She co-curated the major exhibition Leap Before You Look: Black Mountain College 1933 - 1957 with Helen Molesworth and has organized exhibitions of the work of artists Rokni and Ramin Haerizadeh and Ethan Murrow at the ICA / Boston.

Xanti Schawinsky: The Album is based on the albums Schawinsky conceived during his tenure in the Bauhaus theater department, working documents which provide clues to his later work at Black Mountain College and beyond.

Unlike Smith, too, he never actually worked as an auto welder, and he came to New York City via the artier community of Black Mountain College — like Robert Creeley, Merce Cunningham, Robert Rauschenberg, Cy Twombly, and Dorothea Rockburne.

Experiment C aims to build on this program by bringing college - age youth from partners Otis College of Art and Design and the Copper Mountain College Art Program to work with these interns on creative prcollege - age youth from partners Otis College of Art and Design and the Copper Mountain College Art Program to work with these interns on creative prCollege of Art and Design and the Copper Mountain College Art Program to work with these interns on creative prCollege Art Program to work with these interns on creative projects.

An artist, poet, theoretician, and professor of arts and design at the Bauhaus, Dessau and Berlin; Black Mountain College, Asheville, North Carolina; and Yale University, New Haven, Albers worked across the mediums of painting, printmaking, murals, and architecture.

Born in Denver CO, he studied illustration at Rocky Mountain College of Art and Design and graphic design at Community College of Denver before moving to Philadelphia, where he lived and worked for eight years before exhibiting and traveling nationwide.

With a rectilinear box placed within a larger rectilinear box, it's reminiscent of Josef Albers's square - within - square paintings — Rauschenberg studied with Albers at Black Mountain College — but the work comes across as self - consciously arty, or a one - liner.

1 «At Black Mountain College everyone was always rebelling, both in their lives and in their work, and it struck me at the time that it was only Cy and I who were not rebelling against the history of art.

Asheville, NC — The Asheville Art Museum presents Jack Tworkov: Beyond Black Mountain College / Selected Works 1952 - 1982, March 27 - June 14, 2015.

Born in Canada, Dorothea Rockburne attended the famously experimental Black Mountain College before moving to New York; At Black Mountain she discovered and studied mathematics, which has informed her work throughout her career.

Some works, such as Ronald Robertson's Studies Building at Black Mountain College, were created while the artist attended the College.

After completing the White Paintings in early fall 1951 at Black Mountain College near Asheville, North Carolina, Rauschenberg immediately tried to secure an exhibition at Betty Parsons Gallery, New York, where he had shown a different body of work the previous spring.

There is going to be a very exciting exhibition organized by the ICA Boston about the importance of Black Mountain College and Emerson Woelffer's work will be featured prominently in that show, which will also travel to the Hammer museum in Los Angeles in 2016.

Untitled [glossy black painting](ca. 1951) is part of a body of work known as the Black paintings that Robert Rauschenberg began in 1951, while he was a student at Black Mountain College in North Carolina, and developed intermittently over the next two years.

He worked the next year alongside John Cage and Merce Cunningham at Black Mountain College, where his students included Robert Rauschenberg and Dorothea Rockburne.

The exhibit features lesser - known work by Meatyard — not just his macabre, blurred images of children in lonely landscapes — and a host of his lesser - known contemporaries such as Guy Mendes, Charles Traub, Cranston Ritchie, Robert C. May and poets Ronald Johnson and Jonathan Williams (who are associated with Black Mountain College).

This exhibition, the third in a series of works on the theme of «Points of View» by members of Blue Mountain Gallery in New York City, includes works selected specifically for the Manhattanville College exhibition.

Before arriving at these radically new works in 1958, Noland worked through many influences, including exposure to the European geometric abstraction of Josef Albers and Ilya Bolotowsky, his teachers at the progressive Black Mountain College in North Carolina.

In recent years Will has exhibited in both formal art settings and in more DIY type locations around the world including: the original site of the Black Mountain College; a parking lot in St. Petersburg, Russia; ARoS Museum in Aarus, Denmark; SMK Friday event at the Statens Museet før Kunst in Copenhagen, Denmark; Flux Factory NYC; Philadelphia Water Works Museum; The Museum of Soviet Arcade Machines in St. Petersburg, Russia; The Dome of Visions in Copenhagen, Denmark; A parking garage in Baltimore for Artscape; Museum of the Moving Image in NYC, and Little Berlin in Philadelphia.

Recent works include «Concertos No. 4» (National Museum of Modern Art, Tokyo, 2012), performed with ball - speakers kicked around by blind athletes in a completely darkened space, and «Vesna's Fall» (Judson Church, Black Mountain College, 2014), a decidedly modernist dance piece made in collaboration with Lindsey Drury.

This exhibition revisits Tworkov's affiliation with Black Mountain College and includes a significant survey of the artist's career including important works spanning three decades from 1952 — 1982.

Asawa began her now iconic looped - wire works in the late 1940s while still a student at Black Mountain College.

Beginning in 1950, she attended the legendary Black Mountain College in Asheville, North Carolina, where classes with Merce Cunningham, John Cage, and, perhaps most significantly, the mathematician Max Dehn, had a seminal influence on her work.

Structured chronologically, the exhibition consists of works on paper from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three works from 2008 filled almost to bursting with blood - red spirals of acrylic paint.

Beginning with her earliest works — drawings and paintings created in the 1940s while studying at Black Mountain College — this beautifully illustrated volume traces Asawa's trajectory as a pioneering modernist sculptor who is recognized nationally for her wire sculpture, public commissions, and activism in education and the arts.

Black Mountain College Museum and Arts Center (aka Black Mountain College Museum + Arts Center -LRB--RRB- $ 25,000 Asheville, NC Art Works — Presenting & Multidisciplinary Works To support a multidisciplinary exhibition about visual artist Jacob Lawrence.

Anchored in the idea that artist and audience can work together to create a work of art, an idea advanced earlier by artists of nearby and renowned Black Mountain College, the exhibition at Longwood will provide an important record of the workshops, their inter-connectedness, and their regional and national significance.

Black Mountain College started outputting exceptional individuals, a direct result of a system that sought a balance between academic work, arts and manual labor within an informal class structure.

Now open in the heart of downtown, AC Hotel Spartanburg showcases a selection of TJC works created by artists associated with the experimental arts enclave of Black Mountain College.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Reflecting on her life as a designer, she chose motifs for the prints based on her work from particular years: two from the 1920s, when Albers was at the Bauhaus and met her life - long partner and later husband Josef; two from the 1940s, when the couple taught at the experimental Black Mountain College in North Carolina after having fled Nazi Germany; three from the late 1950s to the early «70s, after they resettled in Orange, Connecticut and Josef served as Yale University's Chair of the Department of Design; and two from the early 1980s, after Josef's death.