Not exact matches
When I published a
piece earlier this year about the tense estrangement between conservative education reformers and the
movement's increasingly dominant social justice wing, it did not sit well with members of the latter group, including Rhames, who penned a response on Education Post
titled, «An Open Letter to White Conservative Education Reformers.»
The viewer is told what the «real Life» image is in the
title of the
piece, but through abstraction and reconstruction of that image, the viewer is then asked and challenged to explore the shapes, colors,
movements and forms, which the abstraction and reconstruction presents.
In Daphne and Apollo — a tight arrangement of solid red steel tubing wrapped around large
pieces of found steel from a scrapyard — one material seems to morph into another with an allusion of
movement similar to the Baroque sculpture of the same
title by Bernini.
Ettun will then return in March with her Moving Company to develop a video and a performance
piece titled «It's Not a Question of Anxiety» that deals with questions of
movement and stillness.
You most recently authored a publication
titled «Immigration programmes for low - skilled labour: alternatives to freedom of
movement»; what were the conclusions drawn from this
piece?