Sentences with phrase «movements in a symphony»

Movements in a symphony: Opening sonata / allegro, slow movement, minuet / scherzo with trip, allegro / rondo / sonata

Not exact matches

The duality or polarity in God's nature, when fully expounded, will be seen as the neoclassical theme that runs through every movement of the Hartshornian metaphysical symphony.

Moore's symphony of biology is in four discrete movements: «Understand nature», «The growth of evolutionary thought», «Classical genetics» and «The enigma of development».

«The Fits» — which credits a movement consultant as well as a pair of choreographers — is a small symphony of bodies in motion, and Holmer's way of capturing it is gratefully not that of music videos, which are usually designed to induce ogling, or even musicals, which dazzle by making the well - rehearsed look easy.

Frances Ha used its quick cuts like punchlines; Mistress America does plenty of that (it's quick, coming in under 90 minutes) but also stages a bravura, extended farce sequence in the Connecticut suburbs that turns its snappy dialogue into a symphony of wit and movement.

In fact, one of the earliest manifestations of this motif can be found in the fourth movement of Anton Bruckner's olympic eighth symphonIn fact, one of the earliest manifestations of this motif can be found in the fourth movement of Anton Bruckner's olympic eighth symphonin the fourth movement of Anton Bruckner's olympic eighth symphony.

In a brief interview the author comments on the book's structure: «There are little bits of connection between the five sections; but it's really going to be a bit like listening to a symphony in five movements or, if you like, an LP, an album, a CD in which the tracks are separate, but the whole thing adds up to more than the sum of its parts.&raquIn a brief interview the author comments on the book's structure: «There are little bits of connection between the five sections; but it's really going to be a bit like listening to a symphony in five movements or, if you like, an LP, an album, a CD in which the tracks are separate, but the whole thing adds up to more than the sum of its parts.&raquin five movements or, if you like, an LP, an album, a CD in which the tracks are separate, but the whole thing adds up to more than the sum of its parts.&raquin which the tracks are separate, but the whole thing adds up to more than the sum of its parts.»

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

This exhibition has been conceived as a process lasting six months, a symphony structured in three movements and an epilogue, each deriving from the study of a single key work that defines the whole movement: Echo VIII, a sculpture by Louise Bourgeois (First Movement); Fuji, an abstract painting by Gerhard Richter (Second Movement); and Silent Score, a performance by Pierre Huyghe (Third Movement).

Conceived as a process that would last six months, the exhibition has been structured as a symphony in three movements and an epilogue, each section deriving from the close study of a single key work.

The exhibition is conceived as a symphony in three movements plus an epilogue.

Using as a starting point key pieces from the collection by Louise Bourgeois, Gerhard Richter and Pierre Huyghe, A House of Leaves is conceived as a symphony and structured in three movements and an epilogue.

Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent» symphony; Sol LeWitt (b. 1928) the High Priest of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator of «Happenings» Allan Kaprow (b. 1927).

This is the third movement of SYMPHONY, a performance series initiated in September 2010 and continuing through June 2011.

Dance to the End of Love was made out of low resolution footage made mainly with mobile phones in Egypt, Yemen, Libya, Saudi - Arabia and Oman, and showing male bodybuilders, men driving cars and riding motorcycles, singing and dancing, but when included within this 4 - channel - video, this unique piece becomes a symphony in 5 movements about the loneliness of the oppressed, about hundreds of thousands crushed and forgotten in their home countries, who choose to use their computer screens as sites to live out their collective, heroic dreams.

The so called movement away from symphonies following the same sheet of music describing large bureaucratic military organizations may be replaced by the metaphor of improvisational jazz, but the players will need to work together and practice for long periods in order to understand and follow one another's cues, and replacing parts will be more difficult if there is no script to follow.

Much like the middle movements of a symphony, the middle of a well - written introduction gives the judge an overview of the arguments (themes) that the lawyer will develop later in the brief.