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Movie Unafraid To Call Out Racist Bullshit — Sundance 2017
But it's still invigorating to see
a movie unafraid to make a bold statement, though few seem to have noticed.
Not exact matches
This little
movie's got a lot of heart, and it's a heart that's
unafraid to embrace life's littlest moments in all its forms.
In 1976's The Last Tycoon, her first
movie (and Elia Kazan's last), she is
unafraid of seeming to do very little.
Focusing on the first pregnant woman on Earth after two decades of global human infertility, it's a fiercely political and grim
movie, but also one
unafraid to be playful (the Pink Floyd homage, for example, or Michael Caine rocking out to Aphex Twin), miraculously remaining thrilling, funny and moving in equal measure throughout.
Both the Kingsman
movies and the comics are
unafraid to root themselves in the events of the real world — and no one is particularly safe from being mocked or blown up, no matter how famous they are.
Meyers is in her element when the
movie plays like classic narrative cinema,
unafraid to go for the corny sentiment that she does with more conviction than the attempts at zeitgeist comedy.
Stoller seems patently
unafraid of trying new things — and really weird stuff at that, there's a damn star wipe in this
movie for crying out loud — while Trost, a former confederate of Rob Zombie, pushes the visuals brilliantly.