Sentences with phrase «movies were vulgar»

Movies were vulgar before they were poetic.

However, this movie is vulgar, but it's not offensive to our nation, nor does it make references to 9 - 11, the only thing i can draw from it is that he was an ex-terrorist who wanted to style hair.

However, this movie is vulgar, but it's not offensive to our

Not exact matches

This is the blind spot that allows some of the same Christians who refuse to watch R - rated movies to suspend their judgment as Rush Limbaugh makes crass, vulgar, racist, misogynistic, and homophobic remarks on his radio show.

The language used in some of our «best «movies and some TV shows is very low - down and vulgar.

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless

This is typical bad movie, everything about it is bad, the plot ridiculously vulgar, full of holes and end meaningless horribly stereotyped characters, the abuse of the same song for several times, the glamorization of the dance scenes has no limits provalmente this is the most pointless films already made.

This is a surprisingly vulgar movie, what with the time period and genre, and really gives you a picture of what it was like to live in the 1960s, slightly exaggerated of course.

In that statement you're basically saying that the MPAA rating system is completely useless: we should all be able to take a quick glance at some random movie and go out and see it without understanding how vulgar or coarse it might be.

This clip is just as good as the other materials we've seen from the movie, and a bit more vulgar.

It's a sadistic 21st - century attitude adjustment for the sub-genre that Bond built, a gory, vulgar, hilarious frenzy of a movie.

This just doesn't have enough to hide from the more vulgar set - pieces, so when you finish the movie, they are all you are thinking about.

Most of the «comedy» in the movie is channeled through Donna's stand - up material and everyday musings, which are so gratuitously vulgar and childish that it boggles the mind how anyone could be even remotely attracted to her.

The film is stuffed with in - jokes, vulgar comedy, outrageous violence, and Deadpool speaking directly to the movie audience pulling us even further into Deadpool's twisted mind.

Director David Gordon Green leaves the indie world for this studio film and excels in making a very vulgar comedy full of stylish montages and exciting chases — while Rogen and co-writer Evan Goldberg (also co-writer of This Is the End) construct a movie with a stupidly simple enough premise to knock off a slew of action cliche parodies, but also allow for a lot of improvisation along the way.

That philosophy is found all over «Kick - Ass 2,» a high school dramedy masked as a hyper - violent and hyper - vulgar comic book movie.

This movie was hilarious and vulgar; everything you would expect from the great Seth Rogan.

This movie is really funny without resorting to ridiculous vulgar gags.

When a movie stars Seth Rogen and frat boys are involved, it should be expected that the humor is raunchy, gross, vulgar, and crude.

Other than that, «Bulletproof» is your standard vulgar, mindless, action - buddy flick, albeit with a love story at its center — something that might have marked the movie as a landmark among the kind of fictional relationships that date back to «Huckleberry Finn,» if it weren't trying so hard to deny its identity.

It's very hard to find a decent holiday movie these days, let alone a decent R - rated one that doesn't get caught up in a mean - spirited tone, but «The Night Before» manages to balance vulgar humor well with a heartfelt holiday message.

This also makes it less palatable for children, especially young children, as the vulgar language and moments of violence push the boundaries of what a PG rated movie is allowed to show (in fact, I think it definitely should have been PG - 13).

If someone pitched a movie to me in which Al Pacino plays an aging rock star trying to kick his coke habit and make amends with the family he left behind, I'd initially assume it'd be gritty, raw and vulgar based on its star's repertoire.

If I were pressed to describe the thematic intention of this seemingly random, vulgar comedy, it would be to make the opposite of the «inspirational teacher movie» like Stand and Deliver, Lean On Me, and Dangerous Minds, by setting the film, not in the inner city, but in the suburbs, and making the teacher a morally challenged person rather than one of great character.

While crude and vulgar, the movie is also a brilliant political and social satire and contains some darn good tunes as well.

At one point Rell makes a kitten calendar by dressing Keanu up to parody various Hollywood films, and there is more than enough jokes about pop culture, movies / music, race, rap, and drug stereotypes, sexual, vulgar and offensive material, and generally exaggerated dialogue.

The movie's self - awareness is may be the biggest hook for those of us with previous knowledge of the titular character (played by a fiery Ryan Reynolds), but for mass audiences, its clear appeal is its free pass to show us hard - R, bloody, vulgar stuff you almost never see in superhero movies.

It's tough to imagine there is any audience that will appreciate this vulgar comedy, which earns a hard R rating but otherwise plays like an even more immature version of the Austin Powers movies.

Whilst the film is never truly frightening, it's nice to see that it doesn't simply try to out - gross the rather sadistic horror movie trend of late, and saves the really vulgar stuff for the climax.

Its aesthetic influences, which range from David Lynch to Gaspar Noé, all but guaranteed the film's elevation from the slums of B - movie obscurity to some kind of vulgar - auteurist master class, where a surrealist action niche nobody asked for could suddenly be filled.

The shear vulgar - mindedness of «Ted 2» is off - putting but only briefly, until the movie wins over the audience with its fertility and inventiveness.

To say that this is not a movie to everyone's tastes is to understate the point; Swiss Army Man leans into its vulgar absurdity at every turn, beginning with a triumphant opening scene of Dano riding Radcliffe's corpse across the water like a speedboat — powered, of course, by his ass wind — and only getting more gonzo from there.