Sentences with phrase «moving between painting»

Crowner's artistic practice is a multi-disciplinary one, moving between painting, sculpture, literature, and textiles.

Moving between painting, sculpture, photography, print - making, installation and performance, he refused to accept conventional boundaries in art and in life, his quest for innovation fired by his boundless curiosity, enthusiasm for collaboration and passion for travel.

«Over the past thirty years, Shaw has become one of the United States» most influential and visionary artists, moving between painting, sculpture, and drawing, with works that build connections between his own psyche and America's larger political, social, and spiritual histories.

Moving between painting, sculpture, photography, print - making, technology, stage design and performance, he refused to accept conventional boundaries in art and in life.

Radiant Fields presents us with an artist who is capable of moving between painting languages — abstract Expressionism, geometric Abstraction, neo-geo — without being beholden to any of them.

I would like my Iconography to move between painting and painting.

Although you are painting, your artworks create a strange feeling, since your iconography moves between painting, fairy tale and comics.

I find it impressive how she moves between painting, ceramics, furniture, books etc..

Morgan moves between painting and drawing, using form, line, repetition and systems to create multi-faceted abstractions.

Not exact matches

Between painting, steam cleaning carpets, and moving boxes, I was completely spent.

At the heart of why «Loving Vincent» stops short of satisfying is in the strange middle ground between still painting and moving image.

Switching on its Lane Keeping Assist System (LKAS), I feel the steering wheel move under my hands as the car actively keeps between the painted lines.

- Helen Simonson, author of Major Pettigrew's Last Stand «With a deft, sure touch, Ann Leary moves easily and confidently between comedy and pathos, painting a rich portrait of a wealthy, eccentric Connecticut family whose conflicts and loyalties are far more complex than they first appear.

In this beautiful first novel set in South Africa, Lisa Fugard paints a haunting portrait of a family careering toward disaster, moving with extraordinary agility between intimate and revelatory domestic scenes and the fiercely challenging land.

This involves moving the reader seamlessly through content (sometimes between sections of the material that are not connected) in a way that paints a picture in their mind, conveying your point through associative thinking.

Characters can switch between human and squid form and playing as a squid enables you to move quicker and hide from your opponents in the paint.

The vast difference between the quality of the characters and the backgrounds is at times jarring, making it far more apparent that they are moving across what is essentially a painting.

She can also draw on calligraphy to move between color and works on paper in black and white, as if taking stock of her own strengths — and as a reminder of how painting and drawing can still feed one another.

From physical labor to headwork, to being in touch with oneself and back again... communication and idea exchange, intellect, emotion and conversation... breaking barriers, committing oneself, being involved... from being a man to being a woman, and moving in between... from being a child, to growing knowledgeable and returning to simplicity... from being free to being restricted, to being sovereign... from breaking out of restrictions in art to breaking out of restrictions in society... from being to art and it's all the same... being, artists, male, female, sculpture, painting, performance, all conjoined in a great motion.

In the paintings nearest to monochrome, the truest «blue paintings,» the surfaces open with time, seeming to breathe as they move between presence and evasion.

Moving fluidly between figurative and abstract gestures, Mathieu's paintings — which are priced between $ 15,000 and $ 20,000 — are at once personal and political.

Sobel moves freely between abstraction and figures, with a chronology that one may never know for sure — sometimes in the same patch of paint.

Moving seamlessly between painting, drawing and collage, DeFeo introduced photography into her oeuvre in 1970.

Painted threads move between or across a wall in such a way that their visibility is subject to the viewers» position.

In the studio, Dine moves between building up layers of gritty paint and blasting them away with power sanders and other tools.

Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30 oil paintings for a summer exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.

There are spin paintings with and without human skulls at their centre, and spot paintings that move between the vibrant and the purely ambient.

Known for his carefully constructed paintings that move effortlessly between abstraction and figuration, the imagined and the real, this new body of work sees de Balincourt moving...

This exhibition will include her early paintings of the 1950s, her «painting constructions» with moving parts of the 1970s, and later crossovers between painting, performance, and film.

William T. Wiley is primarily known for mystical watercolors that whimsically move between references to pop culture, literature, and art history, though he has worked in a variety of media, including drawing, painting, sculpture, film, and performance.

Sen's work moves with ease, and spontaneously, between genres — drawing, painting, sculpture, collage, performance, installation, video, (not to mention that she is also a poet) and it is our loss that her name is not better known in the West.

Moving seamlessly between painting, photography, drawing, sculpture, and film, Carter's work manifests something invisible, an oscillation between absence and presence.

In the 1980s, he left the region to study traditional painting and calligraphy at the Shandong University of Art and Design and in the mid-1990s moved to Berlin, where he was asked to curate a show to promote cultural exchange between the two countries and then teach at the Berlin University of the Arts.

Throughout my career I've moved between — painting my face and body in preparation for live performance — to 2 - dimensionally rendering myself in private with a mirror, a paper, a canvas, or a camera on a tripod.

Known for his carefully constructed paintings that move effortlessly between abstraction and figuration, the imagined and the real, this new body of work sees de Balincourt moving away from direct references to current social, political or popular culture, and instead depicting a world in which indications of specific place or time are absent.

Moving in and out, up and down, between dark and light, the painting recreates the dizzying feeling of the circuitous roads and soaring peaks.

Often working in series, her painting continued to move between recognisable and imagined forms, revealing her sensitivity to colour and shape extracted from the environments in which she found herself.

Charlie Roberts works with a variety of techniques and ideas, moving unobtrusively between painting, sculpture, drawing and music.

He moved seamlessly between the mediums of painting, drawing, printmaking, photography, sculpture, installation and performance, and often wove these methods together, blurring the lines between conventional artistic categories and developing a practice that defies simplifications and categorizations.

This was a monumental painting that incorporated many of the themes she would continue to explore during her career and which brilliantly integrated painterly figuration and mathematical abstraction, something Bartlett has continued to do throughout her career, moving back and forth effortlessly between the two.

In a decisive move away from the experimental monochromatic series of white, black, and red paintings he created between 1951 and 1953, Rauschenberg began Collection by covering three panels with red, yellow, and blue fabric and layering them with innumerable collaged, drawn, painted, and sculpted elements.

Moving away from the traditional divide between abstraction and figuration, Stingel's approach reveals his fundamental questioning of the institution of painting today — authenticity, hierarchy, individuality, and meaning.

Like few other artists she moves freely between painting, sculpture and installations, between art and design, and between East and West.

Ultimately the passages in Saunders» work — passages from photography into painting and back again; passages between narrative and abstraction; and passages from mediated source imagery into an embodied presentness — travel across all the work, whether moving or still.

Throughout his career, Bannard moved between the poles of Expressionism and Color Field Painting, resulting in a body of art that has constantly evolved as the artist forthrightly faced the situations that his art presented, reacting to them with rigor and intuition.

Playing the role of alchemist, each artist in Between Spaces will recast familiar materials and objects such as wood, paint, mirrors, moving blankets, Plexi - glass, Venetian blinds, and metal grating to make the ordinary strange.

Between 1973 and 1984 he taught painting and drawing at the Maryland Institute College of Art in Baltimore and also briefly taught at the New York Academy of Art before moving to Israel in 1984.

Having moved from New York where he spent 13 years, to Vienna 4 years ago; having had a son and becoming a father, Butler has gone from working within a totally new environment, to producing paintings which are a uniquely personal expression, made at a time of ideal balance between his private and studio lives.

Hoffmann makes big oil paintings and tiny ones, moving between geometric abstraction, landscape painting, and still - life compositions.

For example, the Mass MoCA installation in the shape of an eye or the spray painted sites between downtown's 30th Street Station and North Philadelphia's Amtrak Station, including abandoned buildings and landscapes that can be seen from the moving train.