«We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence,» Virginia Woolf writes in The Waves, 1931, her famously elusive novel in which
multiple narrative voices intertwine to form a collective consciousness.
Multiple narrative voices bring these characters to life, allowing players to switch perspectives, and even make different choices based on what side of the arguments they fall on.
When I picked up Fingersmith by Waters and began reading, I was immediately reminded of Collins with his intricate plots,
multiple narrative voices, and mind - bending plot twists.
Not exact matches
I provide just one
voice that is as unique and different as the
multiple voices,
narratives, and identities of other black males throughout our society.
Presentations at the NCTE Conference were about
narrative as a way of fostering student engagement and motivation,
narrative as a way to understand other people's cultures or environments,
narrative as a way to create student
voice,
narrative as a spur to innovative thinking,
narrative as a way to learn any academic discipline,
narrative as a form of persuasion,
narrative as a way to create personal meaning and new knowledge,
narrative as an impetus for social change,
narrative as a way to inspire creativity,
narrative as the beginning of inquiry,
narrative as an expression of imagination,
narrative as a reflection on one's own process of learning, and
narrative as the basis of collaboration among those with
multiple perspectives.
- rebeccak Did you find the
multiple -
voice narrative effective?
The enhanced e-book can display
multiple narratives or
voices, each speaking to a different audience.
Lexicon juxtaposes quotidian manifestations of language — including fragments of vintage signage, scrolling LED texts, neon signs, printed posters, cartoon and diary - like
narratives — to create a kind of visual «chorus,» a polyphony of
voices, in which language becomes more elastic and open to
multiple readings and interpretations.
The 12th Gwangju Biennale's Imagined Borders is a guiding concept that responds to the current times of change and uncertainty by recognizing the limits of grand
narratives, singular authorship and the necessity to return to the complexities of
multiple voices and perspectives.
In fact, it gives
voice to
multiple narratives because the evolution and experimentation in the art of this period is especially fluid.
The Mist of a Pessimist borrows from rounds and sounds to structure the work: catchphrases as
narrative hooks, contestants as characters, a colour palette setting the scene, and The Host, assistants and an omniscient
voice - over offering
multiple voices.