Her debut at the gallery centers on Structural Psychodramas # 2, an installation of small
Murano glass sculptures, as well as two of the artist's monumental disaster paintings and large - scale, provocative neon works, one of which reads «NO MORE MASTURBATION.»
The glass atrium lounge is stunning, peering over a water feature spiked with
Murano glass sculptures.
And
Murano glass sculptures, chandeliers and lattice work gracing mirrored walls add shimmering pizzaz here, there and everywhere throughout the ship's public areas.
Not exact matches
With works at the Philadelphia Museum of Art, Art Museum of Greater Lafayette,
Murano Collection, and private collections and galleries around the world, Silk's
glass sculpture enjoys a wide audience.
Featuring 50 works, «Maryland to
Murano» is the first exhibition to pair the beaded neckpieces and wall hangings Scott constructs in her Baltimore studio — her foundational work — with the blown
glass sculptures she has created over the past five years in
Murano, Italy.
JOYCE C. SCOTT «Maryland to
Murano» Neckpieces and
Sculptures by Joyce J. Scott Museum of Arts and Design, New York Sept. 30, 2014 to March 22, 2015 Joyce C. Scott's exquisitely rendered bead and
glass works are steeped in provocative narratives and sociopolitical commentary about racism and sexism.
Over one year in Venice, Byars devised this
sculpture made of 125
glass globes, each blown in a single breath by a
Murano craftsman.
Through
glass works designed and fabricated in
Murano and the Seattle area, as well as in paintings,
sculpture, prints, and video, Wilson challenges assumptions about history, culture, and display practices, offering alternative interpretations and encouraging viewers to reconsider how they think and what they know.
Bringing together Scott's neckpieces and blown
glass sculptures for the first time, Maryland to Murano: Neckpieces and Sculptures by Joyce J. Scott examines Scott's prolific career, defined by her ever - evolving techniques, continued exploration of provocative narratives, and commitment to
sculptures for the first time, Maryland to
Murano: Neckpieces and
Sculptures by Joyce J. Scott examines Scott's prolific career, defined by her ever - evolving techniques, continued exploration of provocative narratives, and commitment to
Sculptures by Joyce J. Scott examines Scott's prolific career, defined by her ever - evolving techniques, continued exploration of provocative narratives, and commitment to her craft.
Triny Prada combines light and water in her installation, comprised of
Murano glass and gold
sculpture, and a new series of paintings made with thread, gold powder, gauze, 22 carat gold leaf, and vinyl paint.
Maryland to
Murano: Neckpieces and
Sculptures by Joyce J. Scott @ Museum of Arts and Design Sept. 30, 2014 — March 15, 2015 Joyce J. Scott's exquisitely rendered bead and
glass works are steeped in provocative narratives and sociopolitical commentary about racism and sexism.
The exhibition will include
sculptures in white marble, silver, stainless steel, and
Murano glass, as well as several drawings.
Heart • Water • Ink features more than 70 artworks including paintings, freehand brushwork, Chinese ink hybrids, graffiti art, Chinese calligraphy, lacquer paintings, 3 - D video projections,
Murano glass, and large - scale dragon and horse
sculptures.
♦ Collectors from Kazakhstan bought a
Murano -
glass sculpture resembling an outsized necklace by French artist Jean - Michel Othoniel priced at 290,000 euros on the booth of Paris - and New York - based Galerie Perrotin.
His oversized
sculptures — made of
Murano glass — are magnificent installations that sometimes decorate whole house façades or public space.
out (2017) in the Pavilion of Traditions, composed of a series of
sculptures and
glass lamps made in workshops in
Murano, and