Sentences with phrase «museum curatorial intern»

Rachel Furnari, Smart Museum curatorial intern and University of Chicago PhD candidate in Art History, in consultation with Richard A. Born, Smart Museum Senior Curator.

Kimberly Mims, Smart Museum curatorial intern and PhD student at the University of Chicago, in consultation with Richard A. Born, Smart Museum Senior Curator.

Catherine Stuer (Assistant Professor of Art History, Denison University; Smart Museum Mellon Foundation Curatorial Intern [2011 — 12]; and and PhD» 12, Art History, University of Chicago) and Jie Shi (PhD candidate in Art History at the University of Chicago and Smart Museum Curatorial Intern) discuss why traditional East Asian paintings are often inscribed with words and stamped with seals

Kris Imants Ercums, University of Chicago advanced graduate student of Chinese art history and Smart Museum Curatorial Intern.

Not exact matches

The intern will work with materials of interest to the museum's curatorial and education departments; these resources may include art books, exhibition catalogues, auction catalogues, and artist books.

Previously, Zoë was a curatorial intern at the Museum of Fine Arts, Boston, the Metropolitan Museum of Art and the Cooper - Hewitt, Smithsonian Design Museum.

Deconstructing Louise Nevelson is co-curated by Erin Dziedzic, director of curatorial affairs at Kemper Museum, and Taylor Carr - Howard, Kemper Museum 2017 — 18 curatorial intern.

Museum Intern Emerson Krull ’19 is curatorial assistant for this exhibition, under the direction of Dan Mills, director.

Purpose: Supervised by the museum's curatorial team, the intern will be introduced to curatorial work, collection management, and other administrative museum operations.

Purpose: Supervised by the museum's curatorial team, interns will be introduced to curatorial research, collection management, and other administrative museum operations.

Hannah Klemm (Smart Museum Mellon Foundation Curatorial Intern [2013 — 14] and PhD candidate in Art History, University of Chicago) and Iva Olah (Smart Museum Mellon Foundation Curatorial Intern [2012 — 13] and PhD 2013, University of Chicago) discuss issues of value, provenance, and attribution

Jessica Moss, Smart Museum Assistant Curator of Contemporary Art, and Emily Capper, Andrew W. Mellon Foundation Curatorial Intern and PhD student at the University of Chicago

Deconstructing Robert Mangold is co-curated by Erin Dziedzic, director of curatorial affairs at the Kemper Museum, and Ameli Klein, Kemper Museum summer 2015 curatorial intern who is currently studying art history at Johannes Gutenberg University in Mainz, Germany.

While in college, he interned at the Andy Warhol Museum as a curatorial assistant.

Mia was the 2013 — 2015 Curatorial Fellow for Visual Arts at the Walker Art Center in Minneapolis and has interned and worked nationally, including at the Museum of Contemporary Art in Chicago, the Smithsonian's Hirshhorn Museum and Sculpture Garden, and the Contemporary Art Museum Houston.

She has interned at Boston's Museum of Fine Arts as a curatorial research assistant, is a nationally certified rehabilitation counselor (CRC), and has worked both in disability services offices and as a researcher and editor in art history in Vanderbilt's Special Collections and Archives and in their History of Art department.

She served as a curatorial intern to the Portland Art Museum and participated in two LA County Arts summer internships at performing arts organizations.

Iva Olah (University of Chicago PhD 2013), Mellon Foundation Curatorial Intern at the Smart Museum, in consultation with Anne Leonard, Smart Museum Curator and Associate Director of Academic Initiatives.

Thomas Silverstein, Art History Student, Curatorial Intern, University of Colorado Denver, Denver Art Museum, Denver

This symposium is conceived by Defne Ayas (Director, Witte de With) and Adam Kleinman (Chief Editor, WDWReview) and organized by Associate Curator Amira Gad with assistance from Renée Staal (Curatorial Intern), and is presented in collaboration with the Stedelijk Museum Amsterdam in the context of the Prijs voor de Jonge Kunstkritiek 2012 which is an initiative of de Appel Arts Centre (Amsterdam), the Mondriaan Fund and Witte de With Center for Contemporary Art.

She has worked as an education intern at the Guggenheim Museum, New York, and a curatorial intern at the Studio Museum in Harlem and the Metropolitan Museum in the Arts of Africa department.

Organized by Kemper Museum of Contemporary Art, Garry Winogrand: Modern Perspectives is co-curated by Erin Dziedzic, director of curatorial affairs at Kemper Museum, and Taylor Carr - Howard, Kemper Museum 2017 — 2018 curatorial intern.

Prior to the ICA, she was curatorial assistant at the Harvard Art Museums; Curatorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of Amecuratorial assistant at the Harvard Art Museums; Curatorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Intensive Coordinator at Independent Curators International in New York; Graduate Curatorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Intern at SculptureCenter, NY; and Curatorial Research Assistant at the Whitney Museum of AmeCuratorial Research Assistant at the Whitney Museum of American Art.

She also worked as a curatorial intern at the Solomon R. Guggenheim Museum where she contributed to the exhibition of Anicka Yi's 2016 Hugo Boss Prize and SculptureCenter where she adjudicated the 2016 InPractice exhibition.

She interned at the Met during high school («the idea that you could go and see things that were hundreds of years old, that they were preserved and collected — that was fascinating to me»), and went on to intern at the Studio Museum as a sophomore while studying at Smith College («interning here at the Studio Museum gave me a sense of my place in museums»), before taking a curatorial position there after school in 1987.

She was a curatorial intern at El Museo del Barrio, the Museum of Modern Art, and at the Whitney Museum of American Art.

Very special thanks to: all of the artists in Queens International 2016 for their dynamic participation in this exhibition, programs, and publication; Queens Museum staff members for their unending dedication and support in various aspects of this entire project; and brave curatorial interns, engaged members of Queens Teens, as well as the devoted staff members at Immigrant Movement International.

She has served as a curatorial intern at the Rose Art Museum and at the Corcoran Gallery of Art, Graduate Coordinator for the Stamp Gallery and mentor to the Contemporary Art Purchasing Program at the University of Maryland, and as Exhibitions Manager for Arlington Arts Center.