Sentences with phrase «museum publications design»

Studio magazine wins first prize in the 2015 AAM Museum Publications Design Competition in the Magazines / Scholarly Journals category.

The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College's «A teaching museum is...» won first prize in the 2016 American Alliance of Museums Publications Design Competition.

Not exact matches

Available online and in print, the publication is distributed free of charge in all major cities of Lithuania including cafes, design shops, museums, and libraries.

Artillery is in its tenth year of publication and we are proud to have such quality repeat advertisers including LACMA, Hammer Museum, Susanne Vielmetter, Roberts & Tilton, Otis College of Art and Design, Bonhams, Miami Basel, The Armory Show and The Standard Hotels.

He previously served for nine years as Director of Publications and Editor - in - Chief of the Smithsonian's Cooper - Hewitt, National Design Museum.

Publications have been exhibited at The Geffen Contemporary at MOCA, Los Angeles; Walker Art Center, Minneapolis; MoMA PS1, New York; Mixed Greens Gallery, New York; Thomas J. Watson Library at The Metropolitan Museum of Art; Desert Island, New York; Printed Matter, Inc., New York; The Whitney Museum of American Art, New York; Queens College, Belfast, Ireland; the Royal Academy of Art, Stockholm, Sweden; Otis College of Design, California; and the Zuckerman Museum of Art, Atlanta.

From 1991 - 2001, Hodge was director of exhibitions and publications at Harvard University's Graduate School of Design, where she also held the positions of adjunct curator of architecture at the Fogg Art Museum and assistant dean of arts programs at the Graduate School of Design.

Featuring their own handmade paper, typography and design, traditional and experimental prints and painting, innovative book structures, and collaborations with artists, poets, and writers, their publications can be found in major libraries, museums, and private collections.

She has held various positions and fellowships at the Philadelphia Museum of Art, Mildred Lane Kemper Art Museum, Metropolitan Museum of Art, and Amon Carter Museum of American Art and has contributed to several publications, including the forthcoming essay «New Rugs by American Artists: Modernism, Abstraction, and Rug Design at MoMA.»

Prior to joining the High Museum, Schleuning served as Curator at the Wolfsonian - Florida International University, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution, where she produced exhibitions, publications, and programs with a focus on highlighting the power and impact of art and design in daily life.

Additionally, a select chronology designed by Project Projects, featuring select highlights from the Museum's history, is presented within the exhibition, alongside a display of the entire collection of New Museum publications.

Her academic writing has been featured in several art publications, including From Craftivism to Craftwashing: The Politics of Craft in the Global Economy (edited by Anthea Black and Nicole Burisch, 2017), Modernidad y Vanguardia: Rutas de Intercambio entre España y Latinoamérica, 1920 - 1970 (Museo Nacional Centro de Arte Reina Sofía and Fundación Cisneros, 2015), and New Territories: Design, Craft, and Art from Latin America (Museum of Art and Design, New York, 2014).

He has collaborated with museums and institutions such as the Art Institute of Chicago, Bozar Brussels, Carnegie International 2018, Cooper Hewitt, Guggenheim, Harvard, Istanbul Design Biennial, M +, MoMA, Performa, The Renaissance Society at the University of Chicago, RISD Museum, SALT Istanbul, Whitney, and Yale University Art Gallery on significant identity, spatial, publication, and interactive projects.

This massive (644 - page) publication features 43 fully illustrated essays on the Museum's famous collection, and thereby provides an overview of over 150 years of international developments in the applied and visual arts, photography, and graphic and industrial design.

Distinguished by its relationship to the Rhode Island School of Design (RISD), the Museum educates and inspires artists, designers, students, scholars, and the general public through exhibitions, programs, and publications.

Her work is in the collections of the Museum of Contemporary Art, the United States Information Agency, Los Angeles County Museum of Art, and is archived in the library collections of the Museum of Modern Art and the Cooper - Hewitt Publication Design Collection of the Smithsonian.

This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey.

He has been recognized as a design leader nationally and internationally and has received many accolades and awards from publications and institutions such as Communication Arts, Print and How magazines, the Chicago Design Museum, Society of Typographic Arts and Under Considerdesign leader nationally and internationally and has received many accolades and awards from publications and institutions such as Communication Arts, Print and How magazines, the Chicago Design Museum, Society of Typographic Arts and Under ConsiderDesign Museum, Society of Typographic Arts and Under Consideration.

The museum currently has a number of major exhibitions ongoing, as well as new publications forthcoming on Shaker art and design.

This first museum survey spanned thirty years of illustration for publication with original works on paper (plus embroidery, photographs, design objects, textiles, books) and featured an installation by the artist of her studio furniture and colletions.

Edited by Phyllis Lambert Design and Construction of «Comparative Skin Models», 2001 «BOULEVARD» Literary Journal Saint Louis University «The Finisher,» 2000 «HARD AND SOFT» Encountering Architecture, 1997 «Inward speech / Shared stories» «THE MEMORY OF LOSS» Essay in exhibition catalogue, 1990 «PRESENCE AND PERCEPTION» Architectural Investigations; Essay in Catalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART and PDesign and Construction of «Comparative Skin Models», 2001 «BOULEVARD» Literary Journal Saint Louis University «The Finisher,» 2000 «HARD AND SOFT» Encountering Architecture, 1997 «Inward speech / Shared stories» «THE MEMORY OF LOSS» Essay in exhibition catalogue, 1990 «PRESENCE AND PERCEPTION» Architectural Investigations; Essay in Catalogue, 1989 GRANTS AND HONORS RHODE ISLAND SCHOOL OF DESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART and PDESIGN Finalist: Dean of Graduate Studies, 2009 THE GRAHAM FOUNDATION FOR ADVANCED STUDIES IN THE FINE ARTS Grant to support the publication of «Hunting Life; A Forever House», 2000 THE MUSEUM OF MODERN ART and P.S. 1.

She is the founder of Garage Museum for Contemporary Art in Moscow, designed by Rem Koolhaas, and editor - in - chief of Garage Magazine, a biannual art and fashion publication.

The publication, designed by Kimberly Varella of Content Object, Los Angeles, also features an introduction by the Museum's Director and Chief Curator, Thelma Golden; section introductions by Abbe Schriber; and an illustrated chronology by Jamillah James.

The innovative design of this hybrid print / digital publication gives readers the opportunity to experience all the works featured in the show alongside a checklist of the exhibition, artist's biographies, a bibliography and essays by curator Valerie Cassel Oliver, Romi Crawford of the Studio Museum of Harlem and writer, composer, musician and playwright Greg Tate.

The Publications Department of the Fine Arts Museums of San Francisco publishes books of scholarly distinction and beautiful design, offering titles based on the Museums» diverse collections, histories, and exhibitions.

This is certainly the case for the Stedelijk Museum, which has a time - honored tradition of research and (academic) publications; in 1957, the museum founded a library (which today ranks among one of Europe's most noted libraries of modern and contemporary art and design), and has since published countless extraordinary catalogues over the Museum, which has a time - honored tradition of research and (academic) publications; in 1957, the museum founded a library (which today ranks among one of Europe's most noted libraries of modern and contemporary art and design), and has since published countless extraordinary catalogues over the museum founded a library (which today ranks among one of Europe's most noted libraries of modern and contemporary art and design), and has since published countless extraordinary catalogues over the years.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

The Dallas Museum of Art has produced many beautifully designed, lavishly illustrated publications and brochures.

In due course, the ACC founded its own publication - the «American Craft» magazine - and developed the Museum of Art and Design (then called the Museum of Contemporary Crafts).

BOOKSHELF Published to coincide with the Studio Museum in Harlem exhibition, «Stephen Burks: Man Made» is a creatively designed publication documenting his dynamic practice.

«A Time Coloured Space» is organized by the Serralves Museum of Contemporary Art, and is accompanied by a publication written by Adam Thirwell in collaboration with Philippe Parreno and designed by Frith Studio, London.

Formerly, Orendorff worked as Curator of Public Programs for the Museum of Arts and Design in New York City and has organized exhibitions, programs, and publications for museums and galleries nationwide.

Distinguished by its relationship with the Rhode Island School of Design, the Museum educates and inspires artists, designers, students, scholars, and the general public through exhibitions, programs, and publications.

Previously, she was the director of publications and graphic design at the San Francisco Museum of Modern Art.

His work is part of the Getty's PST LA / LA triennial in Los Angeles and has been exhibited in Hamburger Kunsthalle, Hamburg, DE; Marfa Contemporary, Marfa, USA, Savannah College of Art and Design; Gemeentemuseum, Den Haag; Museum Voorlinden, AG Wassenaar, Nederland, Museo Universitario de Arte Contemporáneo MUAC, Mexico City; Caixa Forum, Madrid; MoMA PS1, New York; Kunstwerke, Berlin; San Diego Museum of Art; Museo de Arte Reina Sofia, Madrid; MAK, Vienna, Fundación / Colección JUMEX, Mexico City; Bass Museum of Art, Miami; Museu do Arte Moderna, Sao Paulo; The Moore Space, Miami; NICC, Antwerp, among others; and has been featured in international publications such as Cream 3, ed.

The exhibition features archival documents and select artworks to show previous exhibitions, programs and initiatives, as well as the entire collection of New Museum publications and a timeline designed by Project Projects featuring highlights from the Museum's history.

As a postdoctoral Mellon Curatorial Fellow at the Museum of Art, Rhode Island School of Design (2015 — 17), Salsbury curated Altered States: Etching in Late 19th - Century Paris, and was editor and principal author of the accompanying online publication.

A publication accompanies each exhibition at the museum, designed to be used by the general public and scholars alike.

Matthew Pillsbury (MFA 2004 Photography, Video and Related Media) Photographer; represented by Bonni Benrubi Gallery, NYC, Jackson Fine Art, Atlanta, and Douglas Udell Gallery, Vancouver; monograph Matthew Pillsbury: City Stages Photographs from 2002 to 2013 published by Aperture (2013); featured in New York Times Photographs published by Aperture and The New York Times; included in permanent collections of the Sir Elton John Photography Collection, Atlanta, The Museum of Modern Art, Whitney Museum of American Art, Guggenheim Museum, Brooklyn Art Museum, all NYC, Museum of Fine Art, Boston, San Francisco Museum of Modern Art, San Francisco, Minneapolis Institute of Arts, Minneapolis, Musée du Louvre, Paris, and the Tate Modern, London, among others; awarded gold and silver medals in Society of Publication Designers» 47th Annual Design Competition (2012); awarded the Prix HSBC pour la Photographie (2007); Photo District News magazine's Top 30 Photographers (2005); featured in The New York Times Magazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim fellowship.