Sentences with phrase «museum studies courses»

According to Art History Professor Reva Wolf, who has written extensively on Andy Warhol and art and popular culture, the concept for the exhibition was developed by students in the 2009 Andy Warhol Photographic Legacy Program and Museum Studies courses led by both Wolf and Brian Wallace, curator of The Dorsky Museum.

The exhibition «Messages / Visual Platform» was curated by SUNY Buffalo State graduate students in the museum studies course, MST 622 «Researching and Presenting Museum Collections.»

Not exact matches

A team of paleontologists of the Museum für Naturkunde Berlin, the State University of New York at Oswego and Brown University shows in a new study of fossil amphibians that the extraordinary regenerative capacities of modern salamanders are likely an ancient feature of four - legged vertebrates that was subsequently lost in the course of evolution.

«You have the contributions of amateur researchers like «Gogga» Brown, who was largely ignored in his 19th century heyday, the evidence from footprints, which some paleontologists disbelieved because they conflicted with the skeletal evidence, and of course the importance of well - curated museum collections that provide scientists today an opportunity to study specimens collected 140 years ago.»

I have a 4 year degree (BA) in Anthropology / Sociology, one year of grad history courses and a 2 year Graduate Museum Studies Certificate from Tufts University.

This fall, Lewis will teach a course titled Vision & Justice at Harvard, where she is a member of the art history and African - American studies departments, and she will organize a companion exhibition to her Aperture issue at the Harvard Art Museums.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Ellen C. Raimond, Ph.D., Assistant Curator of Academic Initiatives, speaks with Duke students from the course Beyond Andy Warhol: Art and Music in NYC as they tour the museum's study storage area.

The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts.

Richenburg's work as a painter followed training in his teens at the Boston Museum of Fine Arts, art history studies at George Washington University (without graduating), courses at the Corcoran School of Art in Washington, D.C. and at the Art Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traps.

Independent Study courses can be completed at the Art Museum in a variety of subject areas: projects can range from programming development to archival research and beyond.

Undergraduate and Graduate Students interested in an internship or special studies course at the Art Museum must consult with their respective faculty on eligibility criteria as well as with Art Museum staff concerning available positions.

2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.

Graduate students within the MVS Curatorial Studies Program also have the opportunity to participate in courses and internships with the Art Museum staff, including Barbara Fischer, the Art Museum's Executive Director / Chief Curator, who is cross-appointed as Associate Professor Teaching Stream within MVS Curatorial Studies.

COURSES ON MUSEUM STUDIES For details of courses on Museum Studies or aspects of curating and curatorship, see: Best Art SCOURSES ON MUSEUM STUDIES For details of courses on Museum Studies or aspects of curating and curatorship, see: Best Art ScMUSEUM STUDIES For details of courses on Museum Studies or aspects of curating and curatorship, see: Best Art SSTUDIES For details of courses on Museum Studies or aspects of curating and curatorship, see: Best Art Scourses on Museum Studies or aspects of curating and curatorship, see: Best Art ScMuseum Studies or aspects of curating and curatorship, see: Best Art SStudies or aspects of curating and curatorship, see: Best Art Schools.

At the end of the winter semester, each graduating MVS Studio student presents a body of work developed over the course of their study in the final exhibition hosted by the Art Museum.

2008 Sonja Weber — Woven Impressions, artThiess Gallery, Munich The Wave — Spell of the movement, Palatinate Museum, Heidelberg Sky Far, Theological Seminary of the study VELKD, Pullach PURE WATER — Artes element motif of Contemporary Art, Kunstverein Villa Streccius, Landau Of course, LV 1871, Munich Art in Flow — Mariette Haas Gallery, Ingolstadt

Following the completion of a Diploma in Art and Design at the Ekurhuleni East College, Benoni and a printmaking course at the Artist Proof Studio, Johannesburg, Ncaphayi obtained a Certificate in Advanced Studies from the School of the Museum of Fine Arts, Boston.

She has taught courses in curatorial and museum studies, senior studio thesis, drawing, 2 - D design, surveys in Western, Japanese, Chinese, and South Asian art history and popular visual culture.

The Global Experience Project will benefit further from a new graduate studies course, Inside Museological Practices, developed by OCAD University and the Royal Ontario Museum.

His perspective changed as a Harvard freshman where, in a course on primitive art, he studied African masks in the ethnological museum, and then saw recently made films and heard audio recordings of rites in which similar masks were used.

When I studied art history at Tufts, I took many studio courses at the Museum School, but we were steered toward the Continuing Education offerings.

Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.

«Independent Curators International (ICI), New York, and Instituto Inhotim, Minas Gerais, Brazil, are now accepting applications from curators working internationally to participate in a short - course training program.Organized from April 22 — 29, 2012, the Curatorial Intensive will employ Instituto Inhotim as a case study to explore how curatorial practices negotiate issues of commissioning and adaptation of site - specific works; interpretation and recreation of lost and unrealized projects; and concepts of the expanded museum and exhibition, such as curating through collection building; the spatial expansion of the institution; and new forms of outreach and audience development.

The Phillips also produces award - winning education programs for K — 12 teachers and students, as well as for adults The museum's Center for the Study of Modern Art explores new ways of thinking about art and the nature of creativity, through artist visits and lectures, and provides a forum for scholars through courses, post-doctoral fellowships, and internships.

March 3, 2014 6:00 p.m. Smith Auditorium, Sills Hall» «Science is Fiction»: A Selection of Films by Jean Painleve» Discussion and Film Screening Speakers include: Sarah Childress, Visiting Assistant Professor of Film Studies; Janet Gannon, laboratory instructor of biology at Bowdoin College; Marko Melendy, Animal Care Supervisor, Coastal Studies Center at Bowdoin College; Andrea Rosen, Curatorial Assistant, Bowdoin College Museum of Art; and students in the Spring 2014 course «The Reality Effect: Documentary Film.»

Film screening and discussion: «Science is Fiction»: A Selection of Films by Jean Painleve Speakers include: Sarah Childress, Visiting Assistant Professor of Film Studies; Janet Gannon, laboratory instructor of biology at Bowdoin College; Marko Melendy, Animal Care Supervisor, Coastal Studies Center at Bowdoin College; Andrea Rosen, Curatorial Assistant, Bowdoin College Museum of Art; and students in the Spring 2014 course The Reality Effect: Documentary Film.

Alternatively, a variety of in - service courses are run by regional federations of museums, specialist groups and private training providers, or you could take on postgraduate study.