Sentences with phrase «museum studies graduate»

This exhibition, curated by Syracuse University Museum Studies graduate student Josh Brilliant, features work by participants in Light Work's Artist - in - Residence program.

Students enrolled in the Museum Studies Graduate Program will explore concepts of folk art using selections from The Frost Art Museum's Permanent collection in this annual exhibition that gives students an opportunity to curate an exhibition from beginning to installation, applying their skills.

Students enrolled in the Museum Studies Graduate Certificate Program will use Pre-Columbian selections from the Frost Art Museum Permanent Collection in this annual project that gives them an opportunity to curate an exhibition from beginning to installation, applying their newly - learned skills.

Grachos earned a Bachelor of Arts in Art History from the University of Toronto and a Certificate for Museum Studies from the Museum Studies Graduate Program, John F. Kennedy University, San Francisco.

Not exact matches

Born and raised in Michigan, Jennifer graduated from Michigan State University with a Bachelor's Degree in Art History and Museum Studies.

Acrotholus was identified by a team comprising of palaeontologists Evans, of the Royal Ontario Museum; and Ryan, of The Cleveland Museum of Natural History; as well as Ryan Schott, Caleb Brown, and Derek Larson, all graduate students at the University of Toronto who studied under Evans.

Officials at the university confirm that land adjacent to the museum is being considered as a possible site being for a new graduate studies center, needed to relieve overcrowding elsewhere.

She attended graduate school in education at the University of California Long Beach, and in museum studies at the University of Kansas.

This seemed like a natural career choice, given the museum work she had done as a VISTA volunteer and during her graduate studies at the University of Vermont.

I have a 4 year degree (BA) in Anthropology / Sociology, one year of grad history courses and a 2 year Graduate Museum Studies Certificate from Tufts University.

Upper Level Undergraduate / Graduate Student majoring in Studio Arts, Museum Studies, Exhibition Design, Library Sciences, or any other related field.

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

Following her RISD Graduate Studies» Artslink Residency and her internship in the Photography Department at the Museum of Modern Art, New York, curator and photographer Viera Levitt moved to Rhode Island in 2006 from Slovakia where she had been the director of the Jan Koniarek Gallery.

After graduating from Smith College with a BA in Art History and African - American Studies, in 1987 she became a curator at the Studio Museum.

And you're likely to run into other art - world heavy hitters on campus, as Bard continues to enrich its larger program, appointing former New Museum curator Lauren Cornell as director of its Curatorial Studies graduate program and chief curator of its Hessel Museum of Art this year.

In 1962 she graduated from the University of Wisconsin with a degree in English, later studying art at the Brooklyn Museum Art School and Chelsea Art School, London.

He studied at the National Graduate Photography Seminar, Tisch School of the Arts, New York University in 1991 and at the Whitney Museum of American Art, Independent Study Programme, New York in 1992.

Stockholder was Director of Graduate Studies in Sculpture at Yale University for twelve years and has received awards from the National Endowment for the Arts, the New York Foundation for the Arts, the John Solomon Guggenheim Foundation and the Smithsonian American Art Museum.

2005 - 2001 Fellowship, Whitney Museum of American Art Independent Study Program, New York 2005/6 Workspace Grant for Emerging Artists, Center for Book Arts, New York, USA 2005 Workspace Program Residency, Lower Manhattan Cultural Council, New York, USA 2004 Fellowship, Milton Avery Graduate School of the Arts, New York, USA 2001/02/03 Rhodes Family Award for Exceptional Achievement in Photography, New York, USA 2001

Anderson Ranch Art Center, Snowmass Village, Colorado Art Center School of Design, Pasadena California Institute of the Arts, Valencia Claremont Graduate School Los Angeles County Museum of Art The Museum of Contemporary Art, Los Angeles Otis College of Art and Design, Los Angeles Rancho Santiago College San Bernardino Valley College Santa Barbara Museum of Art Santa Monica Museum of Art University of California, Los Angeles University of California, Santa Barbara, College of Creative Studies Whitecliffe College of Art and Design, Auckland, New Zealand

Duke University undergraduate and graduate students can gain important work experience at the Nasher Museum in many ways: internships for academic credit, paid summer internships and museum study grants, work at the museum, or graduate assistantMuseum in many ways: internships for academic credit, paid summer internships and museum study grants, work at the museum, or graduate assistantmuseum study grants, work at the museum, or graduate assistantmuseum, or graduate assistantships.

SOLO EXHIBITIONS: Ceres Gallery, Ney York City NY Van Bovenkamp Gallery, New York City NY Lucien Labaudt Gallery, San Francisco CA Hollis Gallery, San Francisco CA Prism Gallery, San Francisco CA Ebert Gallery, San Francisco CA Pacific Design Center, Los Angeles CA Bingham Gallery, San Jose CA Bingham Gallery, Salt Lake City UT Voshan Gallery, Palo Alto CA Palm Springs Gallery, Palm Springs CA University of Oregon Art Museum, Eugene OR University of Montana Art Museum, Missoula MT Fresno Art Center, Fresno CA Atelier Gallery, Santa Cruz CA Romana Milutin - Fabris Gallery, Dubrovnik, Croatia Sesame Gallery, Dubrovnik, Croatia Studio Art 57, Dubrovnik, Croatia GROUP EXHIBITIONS: Elaine Benson Gallery, Bridgehampton, Long Island NY San Francisco Bay Area Painters, Palo Alto Cultural Center, Palo Alto CA Survivors, Henry Gallery, University of Washington, Seattle WA Artists of Oregon Annual, Portland Art Museum, Portland OR Artists of Oregon Invitational, Portland Art Museum, Portland OR Greenville Art Museum, Greenville, North Carolina San Jose Art League, San Jose CA Yerba Buena Art Center, San Francisco CA Voshan Gallery, Palo Alto CA Ebert Gallery, San Francisco CA Ceres Gallery, New York, NY Triton Museum, Santa Clara CA BIRTHPLACE: Boston, Massachusetts EDUCATION: Massachusetts School of Art, Boston, Bachelor of Art Degree, 1952 San Francisco Art Institute, Master of Art Degree, 1961; Graduate Study with Diebenkorn, Oliveira, Bischoff and Hedrick University of Oregon, Eugene, Master of Fine Arts (required to teach in Oregon) TEACHING EXPERIENCE: California State University, Fresno CA Fresno City College, Fresno CA Umpqua College, Roseburg, Oregon

He studied at the California Institute of the Arts, graduating in 1982, and continued his education in the Whitney Museum Independent Studies Program in New York.

She studied Art History at Tufts University and the School of the Museum of Fine Arts, Boston and is pursuing graduate work at Hunter College at the City University of New York.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

A 1978 graduate of the Radcliffe Graduate Seminars Program in Landscape and Environmental Design she has studied at MASSART and the Museum School in addition to studio classes painting with artists in Boston and Cgraduate of the Radcliffe Graduate Seminars Program in Landscape and Environmental Design she has studied at MASSART and the Museum School in addition to studio classes painting with artists in Boston and CGraduate Seminars Program in Landscape and Environmental Design she has studied at MASSART and the Museum School in addition to studio classes painting with artists in Boston and Cape Cod.

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Each year, graduates are accepted into prestigious residencies at Skowhegan, the Marie Sharpe Walsh Foundation, the Elizabeth Foundation, Henry Street Settlement, the Terra Foundation, Yaddo, Smack Mellon, MacDowell Colony, the Bronx Museum's Artist in the Marketplace program and the Whitney Independent Study Program.

Selected clients Academy of American Poets * Aggregate * Bard College Center for Curatorial Studies Bard Graduate Center * Bklyner Carnegie Museum of Art Center for Architecture New York Commercial Type * Common Field * Container Artist Residency 01 * Cooper Robertson * David Zwirner Diller Scofidio + Renfro Dorothea Dix Park * Everlane Eyebeam Field Operations Freshkills Park Frieze Foundation FRONT International * FXFOWLE * George Kaiser Family Foundation Grey Room * Guggenheim Museum Bilbao ICA Boston James Cohan Jewish Museum New York Kadist Art Foundation * Knoll, Inc..

Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.

Demetri graduated from San Francisco State University with an M.A. in Museum Studies with a dual emphasis on Education and Curatorial Practice.

Every year, the Hammer Museum offers a unique opportunity for UCLA graduate students to curate an exhibition from the Grunwald Collection of Graphic Arts housed in the Grunwald Study Center.

Curated by first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum.

Most recently, Anna was an editor of aCCeSsions online journal of curatorial studies, graduate fellow at the Walker Arts Center, curatorial fellow for the Live Arts Bard Biennial We're Watching (Fisher Center for Performing Arts), and curator of the exhibition and performance Whispers in the Grass: The Living Theatre and The Brig (Hessel Museum of Art).

Beck graduated with a BFA from New York University, Tisch School of the Arts Film and TV Department in 1983, and the Independent Study Program of the Whitney Museum of American Art a decade later.

Re-Shuffle: Notions of an Itinerant Museum, a survey about the possibilities for the museums of today and the future, is presented by first - year graduate students at the Center for Curatorial Studies (CCS) at Bard College, and takes the form of a publication - as - exhibition to be held at Art in General's Gallery 4 at 79 Walker Street, New York City.

The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts.

She graduated from Brandeis University, studied graphic design at Massachusetts College of Art and Design, and then painting at The School of the Museum of Fine Arts.

Defining Structures: History of Exhibitions Tuesday, April 1, 6:30 pm A conversation exploring exhibition history through curatorial practice, featuring Jens Hoffmann, Deputy Director, Exhibitions and Public Programs and curator Germano Celant, moderated by Bruce Altshuler, Director, Program in Museum Studies, Graduate School of Arts and Science, New York University.

His work has been presented as part of exhibitions and programs at the 26th International Graphic Design Biennial Brno, Czech Republic; Okno Gallery, Russia; Art in Odd Places; Bronx River Art Center; Artspace, New Haven; Queens Museum; Parsons The New School for Design Aronson Gallery; The Graduate Institute for Design, Ethnography & Social Thought at the New School; and International Graduate Center for the Study of Culture at the University of Giessen, among others.

Erin Donnelly is completing graduate work in Museum Studies, New York University.

Curatorial work at major art museums, as well as teaching art history at a college or university level both usually require further graduate study in art history.

The exhibition «Messages / Visual Platform» was curated by SUNY Buffalo State graduate students in the museum studies course, MST 622 «Researching and Presenting Museum Collections.&museum studies course, MST 622 «Researching and Presenting Museum Collections.&Museum Collections.»

A graduate of both the Whitney Museum Independent Study Program and the Milton Avery Graduate School at Bard College, Orit Raff operates somewhere between Pop and Minimalism with stark photographs of household graduate of both the Whitney Museum Independent Study Program and the Milton Avery Graduate School at Bard College, Orit Raff operates somewhere between Pop and Minimalism with stark photographs of household Graduate School at Bard College, Orit Raff operates somewhere between Pop and Minimalism with stark photographs of household objects.

This year's jurors are gallerist Lori Brookstein of Lori Bookstein Fine Art in New York City; museum director and chief curator Christina Mossaides Strassfield of Guild Hall Museum in East Hampton, N.Y.; and art professor and university department director Seung Lee of Long Island University's C.W. Post campus's Fine Arts and Graduate Stmuseum director and chief curator Christina Mossaides Strassfield of Guild Hall Museum in East Hampton, N.Y.; and art professor and university department director Seung Lee of Long Island University's C.W. Post campus's Fine Arts and Graduate StMuseum in East Hampton, N.Y.; and art professor and university department director Seung Lee of Long Island University's C.W. Post campus's Fine Arts and Graduate Studies.

Ashley Bickerton (b. 1959, Barbados, West Indies) graduated from the California Institute of the Arts in 1982 and continued his education in the Independent Studies Program (ISP) at the Whitney Museum of American Art, New York.

Richenburg's work as a painter followed training in his teens at the Boston Museum of Fine Arts, art history studies at George Washington University (without graduating), courses at the Corcoran School of Art in Washington, D.C. and at the Art Students» League in New York, and service in World War II as a combat engineer dealing with explosives, mines and booby traps.