Sentences with phrase «museum studies present»
The Smithsonian Latino Center and the Smithsonian Center for Education and Museum Studies present «The Sounds of American Sabor Family Celebration» Saturday, Sept. 17, from 11:30 a.m. to 5:30 p.m in the Ripley Center's International Gallery and Haupt Gardens, adjacent to the Smithsonian Castle on the National Mall, and in the Castle Commons.
http://museumpublicity.com/ Not exact matches
[18] Also within the museum is the Labour History Archive and Study Centre, which holds the collection of the Labour Party, with material ranging from 1900 to the present day.
In another study for which she will be presenting preliminary results at the CNS meeting, Dikker and colleagues measured brain synchrony in a museum installation.
Brandon Southall, SEA Inc. and University of California Santa Cruz, will be presenting «Marine Mammal Responses to Simulated Military Sonar: Southern California Behavioral Response Study» on Tuesday, March 12 at noon (4 pm GMT) at the Smithsonian's National Museum of Natural History.
At present, she is the Director School of Manga Studies, KSU as well as the Deputy Director of the KSU's International Manga Research Center which is located at the International Manga Museum in Kyoto, Japan.
As the only museum - related research facility in the world dedicated to the study of American Modernism (late nineteenth century — present), it sponsors research in the fields of art history, architectural history and design, literature, music and photography.
Her research specialties include American art and African American art, 19th century to the present, and museum studies.
Organized by the Art Institute of Chicago, «Martin Puryear: Multiple Dimensions» presents drawings and prints that have served as studies for his sculptures and is currently on view at the Smithsonian American Art Museum in Washington, D.C.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here
Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.
The SCAD Museum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American StMuseum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American Stmuseum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American Studies.
Whether or not a collection dedicated to the art of a particular country needs to serve as a historical museum is a moot point, but given that art history is now intimately linked to the study of social and political issues, presenting the old cocktail of countesses and Chippendale has a reduced impact.
Presented to the Museum in 2013 as a potential Clyfford Still work with an intriguing backstory, the painting is on long - term loan to the Museum for further research and study.
The exhibition, which originated at the Brant Foundation Art Study Center in Greenwich, Connecticut before traveling to the University of Michigan Museum of Art, will feature artworks from the mid-1970s to the present.
His work has been presented in numerous solo exhibitions in the United States and abroad, including at the Bonner Kunstverein, Bonn, Germany (2016); Museo d'Arte Contemporanea Roma, Rome (2015); the Zabludowicz Collection, London (2013); The Brant Foundation Art Study Center, Greenwich, Connecticut (2011); Centre d'Art Contemporain Genève, Geneva (2009); De Hallen Haarlem, Haarlem, The Netherlands (2009 - 2010); Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2008); and SculptureCenter, Long Island City, New York (2004).
Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.
Ward's work, presented for deFINE ART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forms.
«Two Case Studies: The Im Obersteg and Rudolf Staechelin Collections» is presented at Reina Sofía Museum (Museo Nacional Centro De Arte Reina Sofia) in Madrid from March 18 to September 14, 2015.
The mission of The Morgan Library & Museum is to preserve, build, study, present, and interpret a collection of extraordinary quality, in order to stimulate enjoyment, excite the imagination, advance learning, and nurture creativity.
The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the present day.
The Collection Teaching Gallery, where this material is presented, is a newly established teaching and viewing space in the Center for Curatorial Studies Bard Galleries created to foster diverse forms of engagement with a broader range of CCS Bard and Hessel Museum collection materials.
Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
The Center for Curatorial Studies and Hessel Museum of Art at Bard College The Center for Curatorial Studies at Bard College (CCS Bard) is an exhibition, education, and research center dedicated to the study of art and curatorial practices from the 1960s to the present day.
May 28 — August 1, 2010 Social Skin - the third in a biennial series of exhibitions collaboratively curated by VCUarts Museum Studies students - included an eclectic mix of artworks and objects that present, explore, and delight in the body as cultural artifact.
The Women's International Study Center (WISC) and form + concept gallery collaborated to present a lecture by Chad Alligood, curator at the Crystal Bridges Museum of American Art (yes, Alice Walton's museum in Bentonville, Arkansas, which has turned out to be quite a remarkable instituMuseum of American Art (yes, Alice Walton's museum in Bentonville, Arkansas, which has turned out to be quite a remarkable institumuseum in Bentonville, Arkansas, which has turned out to be quite a remarkable institution).
Recent exhibitions presented by the school include Drawing from the Archive: Analysis as Design (with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Drawing Ambience: Alvin Boyarsky and the Architectural Association (co ‑ organized by Museum of Art Rhode Island School of Design, Providence and the Mildred Lane Kemper Art Museum at Washington University in St. Louis, with additional support from the Graham Foundation for Advanced Studies in the Fine Arts), Paul Rudolph: Lower Manhattan Expressway (presented with The Drawing Center, New York), Lessons from Modernism (presented with the Institute for Sustainable Design, with generous support from the Stavros Niarchos Foundation), Massimo Scolari: The Representation of Architecture, 1967 - 2012 (organized by the Yale School of Architecture with additional support provided by the Graham Foundation for Advanced Studies in the Fine Arts, the Turner Foundation, and by Elise Jaffe + Jeffrey Brown), Bernhard Hoesli: Collages, Alternativas / Alternatives XIII Spanish Biennial of Architecture and Urbanism (co-presented with the Spanish Biennial of Architecture and Urbanism and presented in association with Archtober, Architecture and Design Month New York City, October 2016) and John Hejduk Works / Jan Palach Memorial (installation presented in conjunction with the New York City Department of Transportation's Arterventions Program).
First - Year Students at Bard's Center for Curatorial Studies Present «Re-Shuffle: Notions of an Itinerant Museum» at New York City's Art in General from February 24 through March 18
ANNANDALE - ON - HUDSON, NY — This spring, the Center for Curatorial Studies at Bard College (CCS Bard) presents CLAP in the Hessel Museum of Art.
ANNANDALE - ON - HUDSON, N.Y. — This summer, the Center for Curatorial Studies at Bard College (CCS Bard) presents Philippe Parreno, the fourth exhibition in a series of retrospectives of the French artist's work that have taken place at the Kunsthalle Zürich, the Centre Pompidou in Paris, and the Irish Museum of Modern Art in Dublin.
Re-Shuffle: Notions of an Itinerant Museum, a survey about the possibilities for the museums of today and the future, is presented by first - year graduate students at the Center for Curatorial Studies (CCS) at Bard College, and takes the form of a publication - as - exhibition to be held at Art in General's Gallery 4 at 79 Walker Street, New York City.
ANNANDALE - ON - HUDSON, NY, May, 2013 — This summer The Center for Curatorial Studies at Bard College (CCS Bard) presents the first U.S. museum exhibition of British artist, Helen Marten.
As well as the landmark painting Head VI, 1949 (Arts Council Collection, Southbank), they owned five portraits of Pius, including Pope II, 1951 (Kunsthalle Mannheim), Figure Sitting, 1955 (Stedelijk Museum voor Actuele Kunst, Ghent), Study for a Head, 1955, and Study for Portrait II, as well as the present work.
2014 Progress, The Foundling Museum, London, England Study from the Human Body, Stephen Friedman, Gallery, London, England Misled by Nature: Contemporary Art and the Baroque, The Museum of Contemporary Canadian Art, Toronto, Canada Ship to Shore, John Hansard Gallery, Southampton, UK Fabric as Material and Concept in Modern Art from Klimt to the Present, Staatsgalerie Stuttgart, Germany The Human Factor, Hayward Gallery, London, England Interchange Junctions, 5 Howick Place, London, England Summer Exhibition, Royal Academy of Arts, London, England Collection IX.
His work has been presented as part of exhibitions and programs at the 26th International Graphic Design Biennial Brno, Czech Republic; Okno Gallery, Russia; Art in Odd Places; Bronx River Art Center; Artspace, New Haven; Queens Museum; Parsons The New School for Design Aronson Gallery; The Graduate Institute for Design, Ethnography & Social Thought at the New School; and International Graduate Center for the Study of Culture at the University of Giessen, among others.
Mr. Stout is also active in various roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for Curatorial Studies Board of Governors.
The exhibition «Messages / Visual Platform» was curated by SUNY Buffalo State graduate students in the museum studies course, MST 622 «Researching and Presenting Museum Collections.&museum studies course, MST 622 «Researching and Presenting Museum Collections.&Museum Collections.»
The Stedelijk Museum Bureau Amsterdam presents Made in Commons on view November 30, 2013 — January 26, 2014, a collaborative project of KUNCI Cultural Studies Center in Yogyakarta, Indonesia, and Stedelijk Museum Bureau Amsterdam (SMBA).
On View June 24 — December 15, 2017 Hessel Museum of Art ANNANDALE - ON - HUDSON, NY May, 2017 — The Center for Curatorial Studies, Bard College (CCS Bard) is pleased to present the exhibition Picture Industry this June in the Hessel Museum... read more →
The Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies and Art in Contemporary Culture at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
ANNANDALE - ON - HUDSON, NY, January 20, 2012 — The Center for Curatorial Studies at Bard College (CCS Bard) is pleased to announce that the Audrey Irmas Award for Curatorial Excellence will be presented to Ann Goldstein, General Artistic Director of the Stedelijk Museum in Amsterdam, at a gala celebration and dinner on April 4, 2012 at Capitale in New York City.
Opening Reception March 27, 1 — 4PM ANNANDALE - ON - HUDSON, NY — This spring, the Center for Curatorial Studies at Bard College (CCS Bard) presents CLAP in the Hessel Museum of Art.
ANNANDALE - ON - HUDSON, NY, May 10, 2012 — On the occasion of its 20th anniversary year, the Center for Curatorial Studies at Bard College (CCS Bard) will present From 199A to 199B: Liam Gillick at the Hessel Museum of Art.
About the Center for Curatorial Studies and Hessel Museum of Art The Center for Curatorial Studies and Art in Contemporary Culture is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.
The show is divided into two parts, presenting her new work alongside other works that were featured in the Mori Museum at the beginning of this year, as well as a «Studio» section where you can see approximately 220 drawings, models, and preparatory studies for some of her best - known works.
FOR IMMEDIATE RELEASE The Center for Curatorial Studies at Bard College Presents: Amy Sillman: one lump or two First museum survey of New York - based painter Amy Sillman On View June 28 through September 21, 2014 in the Hessel Museum of... read museum survey of New York - based painter Amy Sillman On View June 28 through September 21, 2014 in the Hessel Museum of... read Museum of... read more →
ABOUT THE DORSKY MUSEUM Through its collections, exhibitions, and public programs, the Samuel Dorsky Museum of Art, located at SUNY New Paltz, supports and enriches the academic programs at the college, presents a broad range of world art for study and enjoyment, and serves as a center for Hudson Valley arts and cuMUSEUM Through its collections, exhibitions, and public programs, the Samuel Dorsky Museum of Art, located at SUNY New Paltz, supports and enriches the academic programs at the college, presents a broad range of world art for study and enjoyment, and serves as a center for Hudson Valley arts and cuMuseum of Art, located at SUNY New Paltz, supports and enriches the academic programs at the college, presents a broad range of world art for study and enjoyment, and serves as a center for Hudson Valley arts and culture.
2011 - Present Workshop Instructor, Classical Drawing, Ellensburg, WA, Taught Classical Figure Drawing, Golden Mean and Visual Gravity (Spring 2011), Sight - Sizing / Classical Alterier (Summer 2011), Portraiture and Halftones (Fall 2011), Composition Visual Gravity & Asymmetric Balance (Fall 2011) 2006 - Present Affiliate Faculty, Drawing and Painting Program, Central Washington University 2009 - Present Affiliate Faculty, Art History Program, Central Washington University 2006 - Present Workshop Instructor, Eight Week Professional Practices, Foundational Drawing and Figure Drawing Workshops, Gallery One, Ellensburg, WA 2008 - Present Private Instructor, Drawing, Painting and Professional Practices for post graduate students, Ellensburg, WA 2008 - 2009 One Year replacement, Art Education Program, Central Washington University 2004 - 2005 Affiliate Faculty Metropolitan State University, St. Paul, MN, Taught Independent Study art students, Curatorial responsibilities in art gallery and Gallery / Museum Course 2000 - 2002 Affiliate Faculty, College of Visual Arts, St. Paul, MN, Foundational Drawing Class and Senior Thesis Committee 1998 - 1999 Affiliate Faculty, University of Minnesota, Undergraduate Beginning Drawing and Beginning Painting 1996 - 1997 Teaching Graduate Fellow University of Minnesota, Sole responsibility for class organization, lectures, demonstrations, discussions, and grading for Beginning Drawing (Fall 1996, Fall 1997 and Winter 1997), Advanced Drawing (Spring 1997), and Color (Winter 1997.
At the end of the winter semester, each graduating MVS Studio student presents a body of work developed over the course of their study in the final exhibition hosted by the Art Museum.