«Glenn Ligon: Day of Absence,» Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CT 1997; brochure «Runaways,» MOSAIC:
Museum Study Center, Samuel P Harn Museum of Art, University of Florida, Gainesville, September 11 — December 14, 1997; brochure
Not exact matches
Mal Harrison, founder of the
Center for Erotic Intelligence and former advice columnist and resident sexologist for the
Museum of Sex,
studies human sexuality as a science and shares her findings with the world.
Smitsonian Institution Programs Summer Archeology Programs Connected with DC Universities [Program for Deaf Students] Drinking Water Quality Research
Center, Miami, FL [proposal for outreach to disabled students]
Museum of Science and Industry, IL Chicago Schools Cooperative
Museum Program, IL Recreational Faculties for the Handicapped at Rend Lake, IL SELPH Material Lawrence Hall King Report on Survey of the Special Educational Programs of Members of the Association of Science Technology Centers University of Kentucky Outdoor Education for Handicapped Project Directory of OOPS Programs Maryland Science
Center, Baltimore, MD [notes on interview] ABCD Collaboration Science Program Non-Mainstreamed
Museum of Fine Arts, Boston, MA Technical Education Research
Center Camp Happy Hollow, Mayrille, MI Squam Lakes Science
Center, NH Science Enrichment Program Opened to Handicapped Students NY League of Hard of Hearing, NY
Center of Science and Industry, OH Carnegie
Museum, Pittsburg, PA Pacoma Environmental Education
Center, PA Roanoke Valley Science
Museum, VA Fairfax County Public Schools, VA US Geological Survey Earth Science Program, WI ERIC - CRESS Info on Outdoor Ed - Science Programs National Council for Therapy and Rehabilitation through Horticulture Environments for the Able and Disabled Nature
Study - A Journal of Education and Interpretation OOPS Out of School Science Proposal and Drafts Original Newspaper Article, 1980 - 1981 OOPS Out of School Science Proposal and Drafts II, 1980 - 1981
While little to nothing is known about when the vast majority of butterfly and moth species fly, eat and mate, the
study provides a basic and much - needed framework by compiling existing data, said lead author Akito Kawahara, associate professor and curator at the
museum's McGuire
Center for Lepidoptera and Biodiversity at the University of Florida.
The value of this information is illustrated by the results of a
study published May 19 in the journal Geophysical Research Letters by Oster's group, working with colleagues from the Berkeley Geochronology
Center, the Smithsonian Institution National
Museum of Natural History and the University of Cambridge titled «Northeast Indian stalagmite records Pacific decadal climate change: Implications for moisture transport and drought in India.»
A research team led by Marc Lebeau of the European
Center for Upper Mesopotamian
Studies and Antoine Suleiman of the Directorate - General of Antiquities and
Museums (Syria) began to excavate Tell Beydar, a large mound — or «tell» — rising out of the flat steppes near the Khbr River.
In addition to Marcelino, Backman and Swain, other authors of the paper are Jesse B. Vega - Perkins, William K. Oestreich, Conrad Triebold, Emily DuBois and Margaret Siple, of Northwestern; Jillian Henss, of the Field
Museum; and Andrew Baird, of the ARC
Center of Excellence for Coral Reef
Studies, James Cook University, Australia.
The skull went first to the Carnegie
Museum of Natural History's PaleoLab in Pittsburgh, then made a brief trip to NASA's Marshall Space Flight
Center in Huntsville, Alabama, where scientists
studied it with the same CT - scan equipment used to examine the space shuttle.
A team of researchers from several academic institutions — including the Max Planck Institute for the Science of Human History, Yale University, University of Chicago, the American
Center for Mongolian
Studies, and the National
Museum of Mongolia — used a scientific dating technique known as radiocarbon dating to estimate the spread of domestic horse ritual at deer stones and khirigsuurs.
Officials at the university confirm that land adjacent to the
museum is being considered as a possible site being for a new graduate
studies center, needed to relieve overcrowding elsewhere.
Slated for the ax are the
Center for Materials Research and Education, which seeks to improve preservation and curation techniques for
museum artifacts, and the Conservation and Research
Center (CRC), a 1290 - hectare rural breeding and
study facility for threatened or endangered species, operated by the zoo.
«There are examples of lithospheric buckling on Earth involving both oceanic and continental plates, but this may be the first evidence of lithospheric buckling on Mercury,» said Thomas R. Watters, senior scientist at the
Center for Earth and Planetary
Studies at the Smithsonian's National Air and Space
Museum in Washington, D.C., and lead author of the new
study.
According to Stephanie Norby, director of the Smithsonian
Center for Education and
Museum Studies, the site reflects the work of nearly 1,000 curators, researchers, and scientists, and offers the opportunity to showcase some of the 142 million objects from the Institution's collection.
Web Site Links Schools and
Museums Education World chats with Stephanie Norby, director of the Smithsonian Center for Education and Museum Studies, about its new Web site and about the Center's efforts to foster partnerships between museums and s
Museums Education World chats with Stephanie Norby, director of the Smithsonian
Center for Education and
Museum Studies, about its new Web site and about the
Center's efforts to foster partnerships between
museums and s
museums and schools.
The Smithsonian
Center for Learning and Digital Access (SCLDA)(formerly the Smithsonian
Center for Education and
Museum Studies, and even more formerly the Smithsonian Office of Primary and Secondary Education) focuses on making the Smithsonian more accessible to teachers and their students.
Some examples are Los Angeles
Center for Enriched
Studies on the west side or Arroyo Seco
Museum Science Magnet School in Highland Park.
The state standardized test scores that are posted in an easily digestible format on the state's website don't break out magnets unless magnets are a standalone school, such as Los Angeles
Center for Enriched
Studies on the Westside or Arroyo Seco
Museum Science Magnet School in Highland Park.
ASCD has been working with the Environmental Education and Training Partnership, the National Environmental Education and Training Foundation, the Smithsonian
Center for Education and
Museum Studies, and the U.S. Environmental Protection Agency to prepare for the event.
At present, she is the Director School of Manga
Studies, KSU as well as the Deputy Director of the KSU's International Manga Research
Center which is located at the International Manga
Museum in Kyoto, Japan.
The hotel is near the Porsche
Museum, Stuttgart City
Center and the National
Museum of Natural
Study.
Narayan Khandekar, the director of the Straus
Center for Conservation and Technical
Studies at the Harvard Art
Museums, also works to curate the collection, which is now mostly used for scientific analysis.
For further reading, visit websites of the
Museum of Modern Art; the Pollock - Krasner House and
Study Center or Life magazine pictorial.
His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk
Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney
Museum of American Art, New York, 1987; San Francisco
Museum of Modern Art, San Francisco, 1987;
Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989;
Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens
Museum, Frederikssund, 2013; The Brant Foundation Art
Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art
Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan
Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art
Museum, Aspen, 2016.
The
Museum of American Folk Art will open a Henry Darger
Study Center in the autumn of 2001.
Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis
Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art
Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art
Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA
Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University
Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional
Studies Museum Yekaterinburg, Orenburg
Museum, Surgut
Museum, Chelyabinsk State Regional
Studies Museum, Izhevsk Municipal Exhibition
Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets
Museum and Exhibition
Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art
Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota
Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed
Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha,
Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives,
Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts
Museum, Santa Fe, NM
Exhibitions include A
Study in Midwestern Appropriation, The Hyde Park
Center, Chicago, IL, curated by Michelle Grabner; Decade: Contemporary Collection 2002 - 2012, Albright - Knox Art Gallery, Buffalo, NY; 2010, Whitney Biennial, curated by Francesco Bonami and Gary Carrion - Murayari, Whitney
Museum of American Art, NY (2010); and Gerhard Richter and the Disappearance of the Image in Contemporary Art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy (2010), among others.
His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago:
Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art
Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to
Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean
Museum, Oxford).
Two exhibitions opening on Saturday, June 24, at the conjoined
Center for Curatorial
Studies and Hessel
Museum at Bard College in Annandale - on - Hudson, N.Y., promise unfamiliar artists and revisionist viewpoints.
He attended the Whitney
Museum Study Program in 1972, received his MFA in 1975 from the Yale School of Art, and was a fellow at the
Center for Advanced Visual
Studies at MIT from -LSB-...]
As a survey about itinerancy and the possibilities of
museums today, first - year graduate students at the
Center for Curatorial
Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.
«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting
Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «
Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art
Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.
Keep scrolling to take see artworks that have been exhibited at New York
museums, galleries or the Pollock - Krasner House and
Study Center.
Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley
Museum for Modern Art, Oslo, The
Center for Curatorial
Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.
Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art
Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art
Museum, FL, the Institute of Contemporary Art, Boston, the Kempner
Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and
Museum, Philadelphia, the
Center for Curatorial
Studies, Bard College, NY, P.S. 1 Contemporary Art
Center, Long Island City, NY, the Whitney
Museum, NY, MASS MoCA, North Adams, Mass., the Worchester
Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the
Museum of Modern Art, NY, the San Francisco
Museum of Art, CA, the Hirschhorn
Museum and Sculpture Garden, Washington, DC, the Virginia
Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art
Museum, Bellevue, WA, and the
Museum of Contemporary Art, Los Angeles, among many others.
1996 Desert Cliché: Israel Now — Local Images, traveling exhibition, Bass
Museum of Art, Miami Beach, Florida; Grey Art Gallery &
Study Center of New York University, New York Nexus Contemporary Art
Center, Atlanta; Yerba Buena
Center for the Art, San Francisco
In addition to the thesis exhibitions, Amada Cruz, director of the
Center for Curatorial
Studies Museum, has curated an exhibition of works from the
Center's permanent collection.
2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish
Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim
Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New
Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing
Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture
Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery
Archives: The CCS Bard Archives contain the institutional archives for the
Center for Curatorial
Studies and the Hessel
Museum of Art, including full documentation of exhibition and programming history.
APPOINTMENT Isolde Brielmaier, executive director of arts, culture & community at Westfield World Trade
Center, professor of critical
studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University, and curator - at - large at the Tang
Museum, joins the New
Museum Board of Trustees.
Myra Greene's work has been featured in nationally exhibitions in galleries and
museums including The New York Public Library, Duke
Center for Documentary
Studies, Williams College
Museum of Art, Spelman College
Museum of Fine Art in Atlanta,
Museum of the African Diaspora in San Francisco, and Sculpture
Center in New York City.
This week new exhibition openings included «Julie Mehretu: Hoodnyx, Voodoo, and Stelae» at Marian Goodman Gallery in New York; «30 Americans» at the Tacoma Art
Museum in Washington State; and «Willie Cole: On Site» at The David Driskell
Center for the
Study of Visual Art and Culture of African American and the African Diaspora at the University of Maryland, College Park.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director
Center for Curatorial
Studies and Hessel
Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim
Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here
Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director,
Center for Curatorial
Studies and Hessel
Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim
Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director
Center for Curatorial
Studies and Hessel
Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim
Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.
Group exhibitions include: Space 1026 Gallery Show, The Institute for Contemporary Art, Philadelphia, Pennsylvania; Play's The Thing, The Whitney ISP Curatorial
Studies Exhibition, New York; The Sunshine Show, Alleged Galleries, New York; Fashion Takes Action, New York; God Bless America, Alleged Galleries, New York; Art In Bloom, The New Orleans
Museum of Art, New Orleans, Los Angeles; Elevated, The Lincoln
Center, New York (1996).
The SCAD
Museum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American St
Museum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the
museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American St
museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans
Center for African American
Studies.
Tags: California,
Center for Maine Contemporary Art, Cincinnati Art
Museum, Concept
Center for Visual
Studies, Don Voisine, Gregory Lind Gallery, Joel and Lila Harnett
Museum of Art, Maine, Maine College of Art, McKenzie Fine Art, Metaphor Contemporary Art, P.S. 1 Contemporary Art
Center, Peabody Essex
Museum, Portland School of Art, PP Projects, RMIT University, University of Richmond
Christiane Paul, Adjunct Curator of New Media Arts, Whitney
Museum of American Art and Associate Professor, School of Media
Studies, The New School [BIO] Doo Eun Choi, International Curator and Chief Curator, Art
Center Nabi, Seoul [BIO]
Located on the second floor of the Hammer
Museum, the Grunwald
Center study room is open by appointment to students, faculty, and members of the public.
Colen has exhibited at a number of institutions including Royal Academy, London, MoMA PS 1, New York, National
Museum of Art, Architecture, and Design, Oslo, New
Museum, New York, FLAG Art Foundation, New York, and Brant Foundation Art
Study Center, Greenwich, Connecticut, among others.