Sentences with phrase «museum at old school»

A fallen tree lies across stairs leading to the Cornell Art Museum at Old School Square in Delray Beach after Hurricane Irma Monday, September 11, 2017.

The Cornell Art Museum at Old School Square presents Flora, a group exhibition of contemporary artwork by 30 artists incorporating themes inspired by the goddess of springtime, fertility, and flowers.

Not exact matches

On Thursday at the American Museum of Natural History, Regeneron made the largest single commitment the Science Talent Search (STS), the nation's oldest and most prestigious high school science competition, has ever received.

The Old Sturbridge Village Educational Outreach Project, created in 2007, provides opportunities to visit the Village through a series of free and reduced admission programs at the museum for students attending schools that meet Title I eligibility requirements for public assistance.

After completing the intern program and graduating school, many interns have gone on to join the staff at Old Sturbridge Village and other respected museums.

Contractors were at Fred D. Wish Museum School on April 10 to begin removing old lockers from the sSchool on April 10 to begin removing old lockers from the schoolschool.

To commemorate Hood River County School District's 150th anniversary, her museum studies class is turning an old ticket office at the front of their auditorium into a museum.

The Preschool Program serves three to five year old children at five locations: the Thompson Building, the Gilliatte Building, Indianapolis Museum of Art, St. Anthony's Catholic School and the IPS / Butler University Laboratory School.

At the Science Leadership Academy, a public high school formed as a partnership between the School District of Philadelphia and the Franklin Institute (the oldest hands - on science museum in the United States), we have tried to answer that question by building an empowering, engaging academic life for students both inside and outside the classchool formed as a partnership between the School District of Philadelphia and the Franklin Institute (the oldest hands - on science museum in the United States), we have tried to answer that question by building an empowering, engaging academic life for students both inside and outside the clasSchool District of Philadelphia and the Franklin Institute (the oldest hands - on science museum in the United States), we have tried to answer that question by building an empowering, engaging academic life for students both inside and outside the classroom.

According to Hardie, game designers will often stop at Videogame History Museum displays like those shown at E3, and look at old design documents, trying to figure out what made these old school games work, and why people loved them so much.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Married at 21, she describes herself as one of the «oldest taken - care - of women in my neighborhood,» But she painted every day and also took classes with Lowell Collins, the former director of the Glassell School at the Museum of Fine Arts in Houston.

2014 Da Vinci: Shaping the Future, ArtScience Museum, Singapore Primal Architecture, IMMA, Dublin Light Show, Aukland Art Gallery, New Zealand Lexus Hybrid Art, Optika Pavilion, Moscow Victoria Miro at Schloss Sihlberg, Zu?rich Epicentre: Conversations and discussions between artists, Parra & Romero, Ibiza Summer Exhibition, Royal Academy, London MOFO, Museum of Old and New Art, Tasmania 2013 Grand Palais, Paris 2012 KW Institute for Contemporary Art, Berlin National Gallery, Riyadh, Saudi Arabia 2011 Museum of Art / Rhode Island School of Design, Providence, United States Museum of Old and New Art, Tasmania, Australia 2009 Third Moscow Biennale for Contemporary Art, Russia 2008 Musee d'Art Contemporain, Lyon, France Ecole National Superieure des Beaux - Arts de Paris, Paris 2007 Fine Art Society, London 2004 Saatchi Gallery, London

The Chrysler Museum Glass Studio, Norfolk • The Baron and Ellin Gordon Galleries at Old Dominion University, Norfolk • The Moses Myers House, Norfolk • The Selden Arcade, Norfolk • The Virginia Arts Festival, Norfolk • The Willoughby - Baylor House, Norfolk • The Visual Arts Center Galleries at Tidewater Community College, Portsmouth • The Suffolk Center for Cultural Arts, Suffolk • The Virginia Museum of Contemporary Art, Virginia Beach • Galleries, Schools, Community Groups Throughout the Seven Cities • Community Festivals and Mobile Glass Studio Appearances For exhibitions, programming and special events, visit chrysler.org or call 757-664-6200.

Her painting Lodge 441 / Old School for the New Museum Festival of Ideas can be seen at the Old St. Patrick Cathedral School at 233 Mott Street.

Ridgefield Guild of Artists Gallery, Ridgefield, CT Katonah Museum of Art, Katonah, NY Newark Open Doors, 33 Washington St. Newark, NJ BID Gallery 542, New Rochelle, NY The Gallery at the Old Church School, Demarest, NJ

2016 A major award from Wellcome Trust for a new work in 2018 2013 Le Jeu de Paume production award for the Toulouse Festival, France 2012 Sharjah Artist's Production Award 2010 Paul Hamlyn Awards for Artists 2010 Arts Council England, Grants for the Arts for a residency in Tasmania 2009 Winner of Film London & Channel 4's Jarman Award (cash prize and a broadcast commission for Channel 4's, 3 Minute Wonder strand) 2009 Arts Council Individual Artist Award 2007 Wingate Scholarship at British Academy / British School at Rome 2007 British Council Award for new work 2006 AHRC Research Leave Award 2006 Arts Council National Touring Award 2005 British Council Award 2005 Arts Council Individual Artist Award 2004 Triangle International Artists Workshop, Mauritius 2003 Arts Council and Triangle Trust funded residency in Paraguay 1999 Arte Viva, residency and exhibition, Senigallia, Italy 1998 Beach Life, Public Art Project, supported by Islington Council 1997 - 2001 Residency with Acme Studios, The Old Fire Station, London 1997 Residency at The Irish Museum of Modern Art 1995 First Base Studio Award (One year studio residency at ACAVA) 1995 Ray Finnis Award (Slade) 1993 Slade Prize (Pankerd Jones Memorial Prize)

View charges: [the public] 800 yen (640 yen) ※ Rate general more than 65 years old [university student] 500 yen (400 yen)[less than high school student] Free of charge ※ (in) advance sale and more than 20 groups rate ※ A certificate of the physically disabled, a nursing notebook, the mental patient health welfare notebook owner is no charge for admission ※ The booking ticket is sold at art museum the first floor reception desk, Takamatsu - shi government office consumers» cooperative, Yumetaun Takamatsu service counter, the Miyawaki Bookstore head office and the south head office until Saturday, October 21

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

But if you're looking for a throwback or something more low - key, hear from old school graffiti writers at Eric Firestone Gallery, or treat yourself to new and exciting film at the Museum of the Moving Image.

Grullón's works have been shown in numerous group exhibitions including at The 8th Floor, Franklin Furnace Archives, The Bronx Museum of the Arts, BRIC, School of Visual Arts, El Museo del Barrio, Jamaica Flux 10, Performa 11, Old Stone House, and Art in Odd Places.

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Included in the exhibition Playtime at the Peabody Essex Museum is a piece by Cory Arcangel where he manipulates the classic old - school Nintendo game Super Mario Bros..

She interned at the Met during high school («the idea that you could go and see things that were hundreds of years old, that they were preserved and collected — that was fascinating to me»), and went on to intern at the Studio Museum as a sophomore while studying at Smith College («interning here at the Studio Museum gave me a sense of my place in museums»), before taking a curatorial position there after school in 1987.

However, they are set apart from the rest because of the way they are able to turn the old school approaches of their respective museums (Drew works at The Met, Fei at the Jewish Museum), into social media accounts that speak to the digitally - driven lifestyle of today.

The shuttle stops are: W Hotel Poydras, 333 Poydras St. Old U.S. Mint, 400 Esplanade Ave. New Orleans African - American Museum (walking distance to New Orleans Jazz and Heritage Foundation), 1418 Gov. Nicholls St. Studio at Charles J. Colton School / Universal Furniture, 2300 St. Claude Ave. New Orleans Center for Creative Arts — Riverfront, 2800 Chartres St. L9 Center for the Arts, 539 Caffin Ave. Edgar Degas Foundation, 2401 Esplanade Ave. New Orleans Museum of Art, 1 Collins Diboll Circle, City Park Tulane University, outside Newcomb Gallery, Willow Street side of campus McKenna Museum of African American Art, 2003 Carondelet St. Contemporary Arts Center, 900 Camp St.

Long before Norton joined the New Museum, and before her sojourn at the Whitney, attending Columbia grad school, or working at Chelsea's Taxter & Spengemann Gallery, the now 32 - year - old curator spent her childhood visiting galleries and museums in New York.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch