Sentences with phrase «museum develops exhibitions»

The Tang Teaching Museum develops exhibitions and programming dedicated to interdisciplinary thinking and presents the works of influential and emerging contemporary artists.

Not exact matches

While my HF for Newark has proposed that we introduce a new tax break for museums that develop exhibitions and take those exhibitions on tour.

The exhibition was developed through a partnership between the National Museum of Natural History (NMNH) and the National Human Genome Research Institute (NHGRI).

Cultural sphere in Long Beach is perfectly developed — here you can find ethnical museums and exhibitions and the absolutely unique Museum of Latin America Art.

Japanese American National Museum Develops Lesson Plans for Instructions to All Persons Exhibition...

The Museum develops lessons plans and other curriculum materials using primary sources and other content from our traveling and special exhibitions.

LOS ANGELES, April 24, 2017 — The Japanese American National Museum has developed a series of lesson plans for teachers to complement its Instructions to All Persons: Reflections on Executive Order 9066 exhibition and enhance student learning of the 75th anniversary of President Franklin Roosevelt's signing of the order that led to the tragic and unlawful incarceration of 120,000 individuals of Japanese ancestry during World War II.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Exhibition support allows the museum to originate and present exhibitions of the highest caliber and develop creative, enriching programs and excellent publications to accompany them.

From 1995 to 2006, Cameron was Senior Curator at the New Museum, where he developed numerous group exhibitions including East Village USA and Living Inside the Grid, as well as retrospectives of Carolee Schneemann, Eugenio Dittborn, William Kentridge, Martin Wong, Paul McCarthy, Cildo Meireles, Carroll Dunham, Faith Ringgold, Marcel Odenbach Jose Antonio Hernandez - Diez, and David Wojnarowicz amongst others.

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

Please note that the Museum does not develop its exhibition programming from unsolicited submissions.

Following the Alberses» move to New Haven, Anni Albers shifted her focus primarily to her workshop, spending the 1950s creating mass - reproducible fabrics (including a commission from Walter Gropius for Harvard University), writing, and developing her «pictorial weavings,» culminating in the exhibition Anni Albers: Pictorial Weavings at the MIT New Gallery, Cambridge, Massachusetts, in 1959 (traveled to Carnegie Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gallery, New Haven; and Contemporary Arts Museum, Houston).

The first major exhibition of Morandi's later work in America since the acclaimed 2008 retrospective at the Metropolitan Museum of Art, New York, the show will focus primarily on the period during which he developed and refined his investigations of serial, reductive, and permutational forms and compositions — aspects that had a profound influence on twentieth - century and contemporary art and painting.

Throughout the crowdfunding campaign and leading up to the exhibition's opening, visitors following the DMA's social media platforms and subscribers to the Museum's email can follow the process of developing the exhibition from beginning to end, with exclusive insights from DMA staff, spanning nearly every department at the DMA.

Focused solo exhibitions of work by Edward and Nancy Kienholz, Senga Nengudi, and Hélio Oiticica respectively bring to light significant periods of each artist's work, providing renewed understandings of their practices and underscoring the museum's commitment to developing new scholarship in post-war and contemporary art.

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

SJMA hosted four collaborative exhibitions with the Whitney Museum of American Art — and as Willem de Kooning is a major presence in the Whitney collection as an immigrant from Europe who developed his craft in New York it is easy to understand SJMA as an ideal location for Il Lee's survey.

This acclaimed exhibition was initially developed for the Lithuanian Pavilion of the 51st Venice Biennale in 2005 and is a project of Lithuanian Art Museum, Vilnius.

Taking The Painting Ball (48 Abstract, 42 Landscapes, 23 Still Lives, 11 Portraits, 2 Religious, 1 Nude) as a point of departure, this exhibition is Saban's first solo museum survey to consider the artist's expansive scope of work developed over the past ten years.

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) collects, preserves, researches, and exhibits twenty - first century art from Africa and its Diaspora; hosts international exhibitions; develops supporting educational and enrichment programmes;...

SCAD Museum of Art presents «Chroma,» an exhibition by deFINE ART honoree Carlos Cruz - Diez, known for his groundbreaking color theory philosophies developed and refined over seven decades.

The newly established role will see Joo collaborating with all of the museum's various departments in order to curate contemporary exhibitions, acquire new works and develop public initiatives.

Kirszenbaum, currently the guest curator for contemporary art at the Belvedere Museum / 21er Haus in Vienna (Austria) is developing a larger exhibition project between LACE in Los Angeles and Palais de Tokyo in Paris.

Skills will be developed during a series of open workshops on weekends and through a special children's exhibition map, which is part of the city - wide program Family Trip: Take the Whole Family to a Museum!

Accomplished Curator Brings a History of Developing Successful Exhibitions and Programs That Expand Knowledge, Inspire the Public, and Diversify Museum Audiences

It is designed and developed in close collaboration, and over several years, by major European art institutions: Astrup Fearnley Museet in Oslo, Beyeler Foundation in Basel, LVHMs Foundation for Contemporary Art in Paris, and by the curator Hans Ulrich Obrist.The project «L'Europe des artistes» will result in a major exhibition bringing together artists from all over Europe, which will be presented from the year 2014 in the institutions that initiated it before travelling to other museums in Europe and the world.

The MATRIX program has served as a leading model for contemporary exhibition practices, inspiring museums across the country to develop project series of their own, under different names, that spotlight leading contemporary artists.

The Museum encourages all people to develop and increase their understanding and appreciation for modern and contemporary artwork via a variety of exhibitions offered in its two gallery spaces, as well as educational programs, artist talks, lectures, and symposia.

Herzberg was the Museum of Contemporary Hispanic Art curator for «The Decade Show» in 1990, a seminal exhibition focused on identity politics in art which developed over the previous decade.

Printed in Germany is the second volume in an ambitious series of books developed by Williams in conjunction with his first major museum survey, The Production Line of Happiness, a critically acclaimed exhibition co-organized for 2014 - 2015 by The Art Institute of Chicago with The Museum of Modern Art, New York and Whitechapel Gallery, Lmuseum survey, The Production Line of Happiness, a critically acclaimed exhibition co-organized for 2014 - 2015 by The Art Institute of Chicago with The Museum of Modern Art, New York and Whitechapel Gallery, LMuseum of Modern Art, New York and Whitechapel Gallery, London.

We hope you enjoy learning more about the Museum's founder, the magnificent works of art he acquired, and the fascinating exhibitions developed by the Museum's curators through these media options.

Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.

Our curatorial team develops traveling exhibitions that are available to rent for display at museums around the world.

Training may include: research on exhibitions and collections; developing interpretive materials for exhibitions; organizing museum educational resources; compiling archives for past museum shows and programs and leading tours of exhibitions.

Message to Our Folks, Johnson's first major solo museum exhibition, examines how this work has developed over the first fourteen years of his career.

The Community Partnership Gallery at the Queens Museum provides opportunities for our cultural and other nonprofit organizational partners to develop and mount short - term exhibitions based on their programs and our collaborative projects.

From 1997 — 2013, she was the Executive Director and Chief Curator of the Museum of Contemporary Art, North Miami where she developed an internationally renowned exhibition program and guided the museum's education prMuseum of Contemporary Art, North Miami where she developed an internationally renowned exhibition program and guided the museum's education prmuseum's education program.

Bircken's consistency to work through and continuously develop formal problems can be traced throughout her past solo exhibitions at the Stedelijk Museum CS in Amsterdam and at the Ursula Blickle Stiftung in Kraichtal (both in 2008).

The pioneering work with ballpoint pens that Il Lee has developed over the past three decades has been critically acclaimed and widely recognized with important exhibitions of his works at major museums and cultural institutions worldwide.

It was there that he found a thriving alternative art community developing outside of the gallery and museum system, with events and exhibitions taking place in the downtown streets, subways and nightclubs.

The exhibition will be one in a continuing series of solo exhibitions at the Mori Art Museum featuring mid-career artists from Asia, while showcasing contemporary art from rapidly developing nations and regions such as China, Africa, India and the Middle East.

Richard Parrish draws from his experience as an architect to develop his landscape - based works in kiln - formed glass for Aerial Perspectives, a traveling exhibition previously mounted at The Rockwell Museum in Corning, New York; the Bullseye Resource Center New York in Mamaroneck; and the Bullseye Resource Center Bay Area in Emeryville, California.

For this retrospective exhibition, which includes selected works from the last twenty years, Christian Philipp Müller is developing a new project centred on the museum in St. Alban - Tal with all its historic layerings and sediments.»

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary -LSB-...]

The exhibition was developed in collaboration with architect Darío Nuñez - Ameni of Atelier DNA (formerly of Acconci Stuido), guest curated by Amy Rosenblum Martín (Guggenheim Museum) and organized by Museum Director and Chief Curator, Lauren Kelley.

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary Art, MOCA (Los Angeles), The Jack S. Blanton Museum of Art (Austin), Chateau de Tours (Tours, France), Bienal de Mercosul (Porto Alegre, Brasil), among others.

Since earning his MFA at MECA, Aaron has developed a robust resume that includes solo exhibitions at DeCordova Sculpture Park and Museum and the University of Maine Museum of Art.

The SCAD Museum of Art features emerging and established voices in the contemporary art world through commissioned artworks and rotating exhibitions; develops rich connections between university curriculum and exhibitions, programming and the museum's collection; engages local communities with special initiatives of an international scope and serves as a resource for SCAD students and alumni during their academic careers and bMuseum of Art features emerging and established voices in the contemporary art world through commissioned artworks and rotating exhibitions; develops rich connections between university curriculum and exhibitions, programming and the museum's collection; engages local communities with special initiatives of an international scope and serves as a resource for SCAD students and alumni during their academic careers and bmuseum's collection; engages local communities with special initiatives of an international scope and serves as a resource for SCAD students and alumni during their academic careers and beyond.

For Inside the Invisible (2001) commissioned by The Leprosy Museum in Bergen, she examined the twin dilemmas of identity and belonging, which developed out of the questions asked in the solo exhibitions Plan B at Tate St Ives and Zanzibar at Oriel Mostyn in 2000: how can you tell the difference between safety and danger.