Sentences with phrase «museum exhibition catalogue»

Additional published works by Mr. Neuman include a museum exhibition catalogue essay for Lance Richbourg, Butler Institute Of American Art, Youngstown, Ohio; gallery exhibition catalogue essays for Daze and Victor Rodriguez; articles in «powerHouse» Magazine; an essay for the newspaper of MiArt, the Milan art fair; and a pictorial report for «artnet.com Magazine.»

In 2011, Bruce Weber wrote in the National Academy Museum exhibition catalogue Will Barnet at 100:

Not exact matches

The books, art catalogues for major exhibitions at the museum, pop out into a clean, fast virtual book reader.

Exhibition Catalogues @Large will be accompanied by two richly illustrated, full - color publications: a hardbound edition available at museum shops and bookstores worldwide and a softcover catalogue sold at Alcatraz Island.

When I reviewed the exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.

,» 303 Gallery, New York, NY, April 12 — June 14, 2003 2002 «Liz Larner: Untitled,» Museum of Contemporary Art, Chicago, Chicago IL, May 1 — September 8, 2002, on MCA plaza in conjunction with Art Chicago / Pier Walk, curated by Dave Hickey 2001 «Liz Larner,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, December 2, 2001 - April 7, 2002, catalogue 1999 «Liz Larner,» 303 Gallery, New York, NY, May 15 - June 12, 1999 1998 «Liz Larner,» Regen Projects, Los Angeles, CA, June 27 — August 1, 1998 «Liz Larner: I Thought I Saw a Pussycat,» MAK, Austrian Museum of Applied Arts, Vienna, Austria, June 3 — August 9, 1998; catalogue 1997 303 Gallery, New York, NY «Liz Larner,» Kunsthalle Basel, Basel, Switzerland, curated by Peter Pakesch, June 8 — August 24, 1997, catalogue 1994 303 Gallery, New York, NY 1993 Jennifer Flay Galerie, Paris, France 1992 Peter Pakesch, Vienna, Austria 1991 Stuart Regen Gallery, Los Angeles, CA 303 Gallery, New York, NY 1990 Galleri Nordanstad - Skarstedt, Stockholm, Sweden 303 Gallery, New York, NY 1989 Galerie Peter Pakesch, Vienna, Austria, December 12 — January 20, 1990 303 Gallery, New York, NY 1988 Margo Leavin Gallery, Los Angeles, CA Selected Group Exhibitions:

When it's a Photograph, curated by Soo Kim, Otis College of Design's Bolsky Gallery, Los Angeles, CA Busan Biennial, curated by Nancy A Barton and Michael Cohen, Busan Museum of Modern Art, Busan, Korea Mel's Hole, curated by Doug Harvey, Grand Central Art Center, Santa Ana, CA (exhibition catalogue)

complimentary copies of all Museum publications and exhibition catalogues published during the year.

David Rubin, Robert C. Morgan, and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue (San Antonio; Boston: San Antonio Museum of Art; MIT Press, 2010), 25, 45, 74.

The New Painting, Impressionism 1874 - 1886, exhibition catalogue, San Francisco, Fine Arts Museum of San Francisco with the National Gallery, Washington DC.

Since then, the Museum has published over forty catalogues on artists — Anthony Gormley, Mark Rothko, John Baldessari, and Louise Bourgeois, among others — and group exhibitions, including Futurologia / Russian Utopias, The New Décor, 100 Years of Performance, Personal Choice, and Performance in Russia 1910 — 2010.

Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).

Fast Forward: Painting from the 1980's, exhibition catalogue (New York: Whitney Museum of American Art, 2017).

The Spiritual in Art, Abstract Painting 1890 - 1980 Author (s): Maurice Tuchman, Judi Freeman Exhibition catalogue: Los Angeles County Museum of Art Publishing house: Abbeville Press Inc., U.S Description: Language: English ISBN - 10: 0789200562, ISBN - 13: 978 - 0789200563

This exhibition is made possible through support from the Mint Museum Auxiliary and awards from the Terra Foundation for American Art and The Dedalus Foundation, Inc., and is accompanied by a fully illustrated catalogue.

The exhibition is accompanied by a fully illustrated catalogue copublished by the New Museum and Phaidon Press Limited.

2006 «Introduction,» in Andrej Zielinski: Homecoming, exhibition catalogue (Overland Park, KS: The Nerman Museum of Contemporary Art, 2006).

ABOUT THE EXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conEXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conexhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that connect them.

To support the Georgia Museum of Art's exhibition, «Richard Hunt: Synthesis,» and an accompanying catalogue.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

In the foreword to the exhibition catalogue, Lowery Stokes Sims, then - director of The Studio Museum, explained the motivation for project:

From Caspar David Friedrich to Gerhard Richter, German Paintings from Dresden is the catalogue published on the occasion of the eponymous exhibitions at The J. Paul Getty Museum, Los Angeles in 2006

A lavishly illustrated catalogue of the exhibition, Picasso: Masterpieces From the Musée National Picasso, Paris, co-published with Flammarion / Skira is available through the Museum Store.

1998 Selections, Winter 1998, The Drawing Center, New York, NY catalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CACatalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CAcatalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino Ka?

(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibiMuseum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibimuseum exhibition.)

This fully illustrated catalogue, designed by Philipp Hubert and co-published by ArtAsiaPacific and Samuel Dorksy Museum of Art, State University of New York at New Paltz, includes texts by exhibition curator Rachel Perera Weingeist, curator and writer David Elliott and Tibetan cultural activist Jamyang Norbu.

Philipp Kaiser, Flashback: Revisiting the Art of the 80's, exhibition catalogue (Ostfildern - Ruit; Basel: Hatje Cantz; Kunstmuseum Basel, Museum für Gegenwartskunst, 2005).

-- Hilma af Klint, Joseph Beuys, Olafur Eliasson, Jussi Niva, Silja Rantanen Author (s): Tarja Djateu (editor), Carolus Enckell, Inka Laine, Inka, Tiina Penttilä, Hannele Savelainen, Suvi Sivulainen, Päivi Talasmaa, Inari Beach Exhibition catalogue: EMMA — Espoo Museum of Modern Art, Finland.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Keith Mayerson, ed., NeoItegrity: Comics Edition, exhibition catalogue, Museum of Comic and Cartoon Art (New York: MoCCA, 2010), 8 — 23, 289, 703.

The joint exhibitions will be accompanied by a significant three - volume catalogue with texts by Margit Rowell, a former curator at The Museum of Modern Art, Centre Georges Pompidou, Centro de arte Reina Sofia and the Solomon R. Guggenheim Museum, on Miró's Constellations, and art historian and author Mildred Glimcher on Calder's Constellations.

Geometry of the Absurd: Recent Paintings by Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA.

«It as been our passion and profession, my wife and I, to create an exhibition of American Abstraction in Europe since 1986,» Otto Hübner writes in the foreword for the catalogue accompanying the exhibition, «For years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack Tworkov.

10 + 10: Contemporary Soviet and American Painters, exhibition catalogue, Modern Art Museum of Fort Worth (New York: Harry N. Abrams, 1989).

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

2012 Roberto Paradise Josh Lilley Gallery, London, United Kingdom Pasiones Contemporaneas, Museo de Arte de Ponce, Ponce, Puerto Rico, curated by Maria de la Serna The Way In Popular Center, San Juan, Puerto Rico Curated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My Cones At?

Gerhard Richter: Bilder 1963 — 2007 is the catalogue published to coincide with the exhibition at the National Art Museum in Beijing in 2008

Passion for Art: 35th Anniversary of the Essl Museum Collection, exhibition catalogue (Vienna: Edition Sammlung Essl, 2007), 201.

New York Now, exhibition catalogue (Jerusalem: Israel Museum, 1987).

Louis Negre and Sean J. Rose, When the First Intoxication of Loud Success..., exhibition catalogue (Bordeaux, France: CAPC Museum of Contemporary Art, 2009), 27.

Housed within the museum, the Auerbach Art Library «s extensive holdings of scholarly monographs, exhibition catalogues, fine art periodicals, museum bulletins, and auction catalogues are ranked among the most comprehensive art historical collections in New England.

Robert Hobbs, Peter Halley: Present and Past, exhibition catalogue, Louisiana Art and Science Museum, Baton Rouge, LA.

2016 Lynn Boland, Paper in Profile: Mixografia and Taller de Gráfica Mexicana, exhibition catalogue (Athens, GA: Georgia Museum of Art, University of Georgia, 2016).

Pride of Place: The Making of Contemporary Art in New Orleans, exhibition catalogue (New Orleans: New Orleans Museum of Art, 2017), 51.

The Auerbach Art Library's extensive holdings of scholarly monographs, exhibition catalogues, fine art periodicals, museum bulletins, and auction catalogues are ranked among the most comprehensive art historical collections in New England.

2004 Dan Cameron, Liza Kirwin, Alan W. Moore, East Village USA, exhibition catalogue (New York: New Museum of Contemporary Art, 2004), 143.

Pace has mounted more than 700 exhibitions, including scholarly exhibitions that have subsequently travelled to museums, and published nearly 400 exhibition catalogues.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Blow by Blow Exhibition catalogue for Blow by Blow, a solo presentation of Arlene Shechet's work at the Tang Museum of Art in Saratoga Springs, NY, from Sept 26, 2009 - Jan 2, 2010.