Sentences with phrase «museum installations include»

Her major museum installations include Park Avenue Armory (2013); The Pulitzer Foundation for the Arts, St. Louis (2010); The Guggenheim Museum, New York (2009); Contemporary Art Museum, Kumamoto, Japan (2006); La Maison Rouge Fondation de Antoine Galbert, Paris, France (2005); Historiska Museet, Stockholm, Sweden (2004); MASS MoCA, North Adams, Massachusetts (2003); The Hirshhorn Museum and Sculpture Garden, Washington D.C. (2003, 1991); The Wanas Foundation, Knislinge, Sweden (2002); Akira Ikeda Gallery, Taura, Japan (2001); The Musee d'art Contemporain, Lyon, France (1997); The Stedelijk Van Abbemuseum, Eindhoven, The Netherlands (1996); The Art Institute of Chicago (1995); The Museum of Modern Art, New York (1994); The Tate Gallery, Liverpool (1994); Dia Center for the Arts, New York (1993); The Museum of Contemporary Art, Los Angeles (1988).

Historical museum installations include Porcelain, No Simple Matter: Arlene Shechet and the Arnhold Collection at The Frick Collection, NYC, May 2016 — April 2017; and From Here On Now at The Phillips Collection, Washington, D.C., Oct 2016 — May 2017.

Not exact matches

The High Bridge Festival included a public art installation, walking tours of the bridge, a «Bridge Making Workshop» presented by the Bronx Children's Museum, and live entertainment, including a performance by Jose Peña Suazo y La Banda Gorda.

The installation will include all 12 finalist photographs including the winning entry from professional photographer Jim Dunn, with his photograph depicting the construction of the Riverside Museum in Glasgow, near to where he lives.

Calle's work has been shown at international venues including the Musée d'Art Moderne de la Ville de Paris, MoMA (New York), the Guggenheim Museum (New York), The Tate Gallery (London), Crossing the Line Festival 2011, and recently a site - specific installation in Greenwood Cemetery (Brooklyn) for Creative Time.

The museum embraces multiple public displays that include a number of spectacular public art installations around the country in addition to the multiple theatres, galleries and performance venues at the Katara Cultural Village.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

New York's Museum of Modern Art opens its video game installation on Friday and will contain iconic games including SimCity2000, Tetris and Pac - Man

Carolee Schneemann, Up to and Including Her Limits, 1996 — 97, installation view at the New Museum, New York, 1996.

The exhibition which opened on Sunday at Shanghai's contemporary art museum features over 300 paintings, photographs, screen prints, drawings, 3 - D installations and sculptures including iconic works such -LSB-...]

Many of the artists represented in Painting in Space have collaborated with CCS Bard on major projects, including Tunga's first U.S. survey presented at CCS Bard in 1997; Olafur Eliasson's large - scale installation, The parliament of reality, permanently installed on the Bard campus; and Lawrence Weiner's floorscape, Bard Enter, installed on the entrance walkway to the Hessel Museum.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.

An accompanying solo exhibition at the Mönchehaus Museum presented an untitled installation made in 2015 that is comprised of seven parts: four wooden towers and three columns incorporating a range of materials including mirror foil, glass, plastic flowers, spray paint, plaster, acrylic, woven polypropylene, medication instructions, coloured tape, photographs, metal clips, magazine covers, and paper.

She has exhibited her video, digital prints, and installation in numerous exhibitions in the U.S. and abroad including the Reina Sofia Museum in Madrid, the Generali Foundation in Vienna, The National Gallery in Capetown, The India Habitat Center in New Delhi.

The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.

Through The Contemporary's Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Creek.

MoMA PS1 presents a series of solo project exhibitions by four international emerging artists, including the New York premiere of videos by both Edgardo Aragón and Ilja Karilampi, Caitlin Keogh's first solo museum exhibition, and the presentation of a new installation by Rey Akdogan.

Several special projects will be presented at the fair, including installations by Andy Colqui (presented by Blaffer Museum and represented by Fredric Snitzer Gallery); Edgar Orlaineta (represented by Steve Turner Contemporary); and Morgan Lehman's Paul Villinski (who presented his project, Emergency Response Studio — a solar - powered, mobile artist's studio repurposed from a salvaged FEMA - style trailer — at Ballroom Marfa in March 2009).

Site - specific installations include the Aldrich Museum of Contemporary Art, CT, Mass MoCA, MA, Nassauischer Kunstverein Wiesbaden, Germany, the Knoxville Museum of Art, TN, and White Columns, NY.

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney in Sydney, AUS; Scottsdale Museum of Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York, NY; Art in General, New York, NY; documenta14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S. / Mexico border near Douglas, AZ and Agua Prieta, SON.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Recent projects include conceptual collaboration with architect Jean Nouvel for the National Art Museum of China in Beijing and exhibitions and installations in Singapore, Hong Kong, Paris, Vienna, Rome, Lausanne, Zurich and Brussels, among other cities.

«NATE YOUNG: The Unseen Evidence of Things Substantiated» @ Fabric Workshop and Museum (FWM) Philadelphia Minneapolis - based conceptual artist Nate Young is presenting new work including an immersive video installation from which the exhibition takes it title.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Wilson's work has been the subject of numerous exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93).

This exhibition is part of the museum's The Artist Speaks series that includes a large video installation of the artist explaining the work in her own words.

Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).

Her movies and installations have been shown at art and film spaces internationally, including the Museum of Modern Art, New York; MuMOK, Vienna; the Hammer Museum, Los Angeles; Wavelengths at the Toronto International Film Festival; Forum Expanded at the Berlinale, and in the 2012 Whitney Biennial, among others.

Thursday, Sept. 11, 2014 @ 7 — 9 p.m. KEVIN BEASLEY in Conversation at Studio Museum in Harlem New York Artist - in - Residence Kevin Beasley, whose works include sculptural installations made with found materials, discusses the development of his practice and experience at the museum with Lumi Tan, associate curator at The KiMuseum in Harlem New York Artist - in - Residence Kevin Beasley, whose works include sculptural installations made with found materials, discusses the development of his practice and experience at the museum with Lumi Tan, associate curator at The Kimuseum with Lumi Tan, associate curator at The Kitchen.

This event has been organized in conjunction with The Barnes Foundation's exhibition Yinka Shonibare MBE: Magic Ladders.Nigerian - born, London - based Yinka Shonibare's first major Philadelphia exhibition since his artist residency at the Fabric Workshop and Museum in 2004 includes works of sculpture, photography, painting, and installation, with a focus on themes of education, enlightenment, and opportunity.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.

The Museum's collection also includes a large installation of art glass by Dale Chihuly, featured in the third floor galleries.

Her research interests include the intersection of archives and the contemporary arts; documentation and preservation issues for performance and installation - based works; and the increasing convergence of archives and museum collection management practices for contemporary art - related collections.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

The main museum building anchors a 30 - acre campus, which also includes the Cy Twombly Gallery, a site - specific Dan Flavin installation, and outdoor sculpture.

Her research interests include documentation practices and preservation issues for performance, technology, and installation - based works, and the increasing convergence of archives and museum collection management practices for contemporary art - related collections.

Employment opportunities offered to our recent BFA grads include working as an artist's assistant, starting their own design / build firm, art handling and preparing, development assistant at the Rothko Chapel, web design, display design and installation, curating exhibitions, assisting with commercial photo and film shoots, interning at the Contemporary Arts Museum, Houston, and teaching, just to name a few.

They include a 2008 installation on the rooftop of the Carnegie Museum of Art in Pittsburgh, PA, in which he spelled out the words «HELP US» in white stones, and Mithra, a three - story «ark» made from stacked shipping containers covered in the battered signage left around the city in the wake of the disaster, made for Prospect.1 New Orleans.

Credit: Alternatives Histories (installation view in Cupola House hall, Brooklyn Museum) including Picnic with Downy Woodpecker, 2013, canvas, stretcher, foam molding, acrylic paint, paper, glue, sand, gold foil, feathers, 46 x 32 1/2 x 5 in.

The pair will discuss the trajectory of Sala's art practice, his commitment to working with sound in relation to architecture and history, and his work for the exhibition «Anri Sala: Answer Me,» which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.

His first US retrospective «Juan Downey: The Invisible Architect» was held last year at MIT's List Visual Arts Center and the Bronx Museum of the Arts, and the Tamayo show presents many of the same works, including «Plato Now», «The Invisible Eye series», «Video Trans Americas», and many beautiful topographical drawings and installations.

Architect David Adjaye serves as the lead designer for the museum which will include an important collection of visual art — paintings, sculpture, works on paper, installations, photography, and digital media — by and about African Americans.

This welcome reappraisal continues apace this month with the opening of a quartet of mini shows at MoMA (April 14 — August 5) spotlighting different major series from the»60s and»70s — including his famous installation The Store (1961 — 64)-- to be followed at the Walker Art Museum this September with «Claes Oldenburg: The Sixties,» a battleship of a survey organized by Vienna's MUMOK museum (and coming complete with catalogue essays by famed art intellectuals like Benjamin BucMuseum this September with «Claes Oldenburg: The Sixties,» a battleship of a survey organized by Vienna's MUMOK museum (and coming complete with catalogue essays by famed art intellectuals like Benjamin Bucmuseum (and coming complete with catalogue essays by famed art intellectuals like Benjamin Buchloh).

The firm's installations have included an emergency shelter prototype with furniture system at the National Art Museum of China in 2009 and the Oxymoron Pavilion erected at the 2012 Shenzhen Hong Kong Bi-City Biennale for Architecture and Urbanism.

Recent projects include the eight - part permanent installation The Matter of Time at the Guggenheim Bilbao (2005) and a survey exhibition at The Museum of Modern Art, New York (2007) twenty years after his first survey show there in 1986.

Bandit, Craig Drennen's Working Artist Project exhibition at Museum of Contemporary Art of Georgia (December 2, 2017 — January 27, 2018), is an anti-Christmas, anti-materialism show that includes painting, video and installation.