Sentences with phrase «museum new address»

Not exact matches

Architects for the Chicago Children's Museum unveiled designs Thursday for a new building that they hope blends into the north end of Grant Park and addresses residents» complaints about traffic.

During a press event following a screening of her film «A Bigger Splash» in New York City's Museum of Modern Art, Swinton directly addressed the claims of whitewashing.

Talk: Visual AIDS Last Address Tribute Walk at Whitney Museum The sixth annual Last Address Tribute Walk, run by the arts and activism organization Visual AIDS, will center around a tour of West Village spaces that have significance within larger histories related to AIDS in New York.

ACAC commissioned the artists to develop their first exhibition addressing a Southern context and during the past several months they have visited Atlanta three times; Burns and Young engaged the Antioch Baptist Church North, New Horizon Baptist Church, Atlanta History Center, Hammonds House Museum, Margaret Mitchell House and Museum, Souls Grown Deep Foundation, The Wren's Nest, WonderRoot, and numerous antique stores, farmer's markets, and private homes.

TER.FER.EN.CE, The Farjam Foundation, Dubai, UAE NOW - ism: Abstraction Today, Pizzuti Collection, Columbus, OH Alter / Abolish / Address, as part of 5 × 5:2014, a project of the D.C. Commission on the Arts and Humanities, LAND (Los Angeles Nomadic Division), Washington, D.C. Four Decades of Drawings and Works on Paper, John Berggruen Gallery, New York, NY Tarīqah, Barjeel Art Foundation, Maraya Art Centre, Sharjah, United Arab Emirates Graphicstudio: Uncommon Practice at USF, Tampa Museum of Art, Tampa, FL BLACK / WHITE, curated by Brian Alfred and Shay Kun, LaMontagne Gallery, Boston, MA

The works presented at The New Museum were less narrative, addressing more formal and aesthetic concerns.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

Poetry parade for Site and Sight, Whitney Museum of American Art, September 26, 2015 This Poetry Parade responded to the inaugural exhibition America Is Hard to See, while also addressing the new building itself, its location and histories relating to the evolution of the Meatpacking District and the Whitney as an institution.

The benefit luncheon will take place at the Mandarin Oriental New York in Columbus Circle on April 26, and will feature a keynote address from the Museum of Modern Art's associate director, Kathy Halbreich, and MacArthur Grant - winning artist Teresita Fernández, who will present the award to Ms. de Cisneros.

The Jamaican artist is known for his compositions of neighborhood - found objects that address issues of consumer culture, poverty, and race — from his installation of disposed strollers at New Museum to his transformation of typical outdoor structures, like playgrounds, into playful objects in his newest installation Nari Ward: G.O.A.T., again.

Now, Cornell is piloting the second edition of Open Score, the New Museum's annual symposium addressing the state of art and technology.

Pasternak's response didn't directly address the concerns of Decolonize, so the group issued a new letter with 19 organizations calling for the museum to form a Decolonization Commission.

As part of the 2009 Creative Time - presented project It Is What It Is, British artist Jeremy Deller (born 1966) encouraged the public to address the conflict in Iraq by inviting a revolving cast of participants to take up residence in New York's New Museum and discuss the war, later setting up at the Hammer Museum in Los Angeles and the Museum of Contemporary Art in Chicago to record conversations and photograph each participant in the project.

Led by Artistic Director Trevor Schoonmaker, Chief Curator of the Nasher Museum of Art at Duke University, Prospect.4 brings together 73 artists from North America, Latin America, the Caribbean, Africa, Asia and the European powers that colonized New Orleans, addressing issues of identity, displacement and cultural hybridity within the context of the celebration of the city's Tricentennial.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

First and foremost, we must thus express deep gratitude to Neal Benezra, Helen and Charles Schwab Director at SFMOMA, and to Ruth Berson, deputy museum director of curatorial affairs, for embracing the idea behind Soundtracks and suggesting the exhibition's timing and scale as a way to address our new building.

After bringing one of her classes to State of Deception: The Power of Nazi Propaganda, a traveling exhibition from the United States Holocaust Memorial Museum (USHMM), Liberal Arts and Sciences faculty member Perri Chasin decided to create a new course that would address the power that media can have in changing public opinion.

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's current exhibition «Jim Shaw: The End is Here» in forty - five - to sixty - minute presentations taking place exclusively in the Museum's galleries.

Recommended reading Following her recent resignation as director of the Stedelijk Museum over conflict of interest accusations, Beatrix Ruf has directly addressed the allegations in an interview with the New York Times.

This site was the first address for The New Museum, where curator Marcia Tucker, at the invitation of Vera List, a lifetime trustee of The New School, was given space to mount her first exhibitions.

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's spring exhibition, «Raymond Pettibon: A Pen of All Work,» in forty - five - to sixty - minute presentations taking place in the Museum's galleries.

In 2016, he was the first Performance Fellow at the newly reopened San Francisco Museum of Modern Art, where he created works that address their new building designed by Craig Dykers of Snøhetta.

The Warehouse Gallery March 1 — May 12, 2012 In her first museum solo - show, the artist was asked to produce a new body of work that addresses the Warehouse Gallery's space (main gallery and the vault), and to experiment and venture out onto new terrains.

In her first museum solo - show, the artist was asked to produce a new body of work that addresses the Warehouse Gallery's space (main gallery and the vault), and to experiment and venture out onto new terrains.

The first publication to address the extensive holdings of contemporary art in the collection of The Museum of Modern Art, New York, Modern Contemporary covers an international spectrum of art in a variety of mediums, all made within the final two decades of the 20th century.

A new exhibition, on view April 9 — August 21, 2011, entitled Unsettled: Photography and Politics in Contemporary Art, in the Julien Levy Gallery in the Ruth and Raymond G. Perelman Building of the Philadelphia Museum of Art presents work by nine artists who used photography to address some of the most salient political and social issues of the late 1970s through the early 1990s, including feminism, racism, the AIDS crisis, and gay activism.

Besides, a new façade can not address the museum's awkward interior.

In conjunction with a daylong symposium exploring the conceptual and tangible difficulties of art in the public sphere, the University Museum of Contemporary Art will present a juried Exhibition of proposed public art projects that address issues of temporality, community, place, and practice on local, national, and global levels, which will highlight the contemporary trends and new ideas in the field of public art.

The anniversary online exhibition encourages new scholarship on the original show and hopes to foster a renewed appreciation of how the digitization of art historical resources offer distinctive frameworks to address complex political, social, and cultural issues related to art history and museum practices.

The Israel Museum, Jerusalem, continues its 50th Anniversary celebrations with a new exhibition addressing notions of individual and collective social identity within society.

The Whitney Museum of American Art has moved from Madison Avenue to a new address in the Meatpacking District of Manhattan.

Reddy is also in charge of the museum's community engagement initiatives which combine arts and culture with social development goals in nearby neighborhoods predominately comprised of new immigrants, including programs that address language access, healthcare, public space advocacy, and the mortgage crisis.

«The museum was a radical gesture to address the exclusion of black artists from the canonical presentation of art history,» Thelma Golden, director and chief curator of the Studio Museum in Harlem, told the New York museum was a radical gesture to address the exclusion of black artists from the canonical presentation of art history,» Thelma Golden, director and chief curator of the Studio Museum in Harlem, told the New York Museum in Harlem, told the New York Times.

The Harn Museum of Art will display photography, prints, sculpture and video by 30 international artists addressing the intersections of biology, technology and art in the new exhibition Art, Technology and the Natural World.

RELATED ARTS ACTIVITIES Co-Organizer, Onaman Collective (2014 — present) Project Creator / Lead Coordinator, Walking With Our Sisters Touring Exhibit (2012 on - going to 2020) Keynote Address, Indigenous Artists» Symposium: Activism & Education Through the Arts by Sâkêwêwak and the First Nations University of Canada Plains Red Gallery, Regina, SK (Feb 2016) Keynote Address, Education Through Reconciliation Through Education by First Nations, Métis, & Inuit Education Association of Ontario, Brampton, ON (May 2016) Collaboration with The House of Valentino, Milan, Italy (2015) Designer, 2015 Pan Am Parapan Am Game Medals Guest Lecturer, Shingwauk Ginoomagegamig, Algoma University, Sault Ste. Marie, ON (2014) Guest Lecturer, Museum of Contemporary Native Arts & Institute of American Indian Arts, Sante Fe, NM (2013) Lead Organizer, Community Art Collaborative Piece, Seventh Generation Midwives, Toronto, ON (2012) Jury Member, Ontario Arts Council, Aboriginal Arts Awards, Toronto, Ontario (2012) Jury Member, Ontario Arts Council, Visual Arts / Established Artist Program, Toronto, Ontario (2011) Guest Lecturer, Snelgrove Gallery, University of Saskatchewan, Arts Department, Saskatoon, Saskatchewan (2010) Guest Exhibit / Presenter, New Sun Symposium, Ottawa, Ontario (2010) Jury Member, Ontario Arts Council, Northern Arts Program, Toronto, Ontario (2009) Project Creator, Artistic Co-Director & Jury Member, Willisville Mountain Project, Willisville, Ontario (2008) Jury Member, Ontario Arts Council, Visual Arts Program, Toronto, Ontario (2008) Jury Member, Canada Council for the Arts, Aboriginal Peoples Collaborative Exchange Program, Ottawa, Ontario (2008) Jury Member, Ontario Arts Council, Chalmers Awards, Toronto, Ontario (2006)

In this series, lecturers with diverse backgrounds and affinities will address the New Museum's fall exhibition, «Pipilotti Rist: Pixel Forest,» in forty - five - to sixty - minute presentations taking place in the Museum's galleries.

New York — Nov. 21 — New Orleans Museum of Art today announced that it will participate in the UNCF's (the United Negro College Fund) and the Association of Art Museum Directors» (AAMD) nationwide program to address diversity in the art museum Museum of Art today announced that it will participate in the UNCF's (the United Negro College Fund) and the Association of Art Museum Directors» (AAMD) nationwide program to address diversity in the art museum Museum Directors» (AAMD) nationwide program to address diversity in the art museum museum field.

The ten articles for which Saltz won the prize, all published originally by New York magazine in 2017, display a diverse range of interests, though the selection reveals the critic's interest in art world controversies; it includes commentary on that year's contentious Whitney Biennial, a take on the auctioning of a painting purportedly by Leonardo da Vinci at Christie's, and a piece addressing the Balthus painting that thousands petitioned to have removed from the Metropolitan Museum of Art in New York.

The list, put together by Artistic Director Trevor Schoonmaker, (of the Nasher Museum in Durham North Carolina), includes 73 artists from North America, Latin America, the Caribbean, Africa, Asia and the European powers that colonized New Orleans, and will address themes of identity, displacement and cultural hybridity.

In this new series, lecturers with diverse backgrounds and affinities will address the New Museum's current exhibition (s), kicking off with «Chris Burden: Extreme Measures,» in forty - five to sixty minute presentations taking place exclusively in the Museum's gallerinew series, lecturers with diverse backgrounds and affinities will address the New Museum's current exhibition (s), kicking off with «Chris Burden: Extreme Measures,» in forty - five to sixty minute presentations taking place exclusively in the Museum's galleriNew Museum's current exhibition (s), kicking off with «Chris Burden: Extreme Measures,» in forty - five to sixty minute presentations taking place exclusively in the Museum's galleries.

He served as a guest judge for a competition in which the contestants had to address their memories of childhood using only the materials found in New York's Children's Museum of the Arts.

A few satellite shows, including «Another Part of the New World,» a group exhibition mostly of Spanish and Latin American artists at the Moscow Museum of Modern Art, explicitly addressed the dangers of absolute power and the loss of cultural memory.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»

Anne Doran: Between your first gallery talk piece — which you did in 1986 for the «Damaged Goods» show at the New Museum and for which you created the persona of museum docent Jane Castleton — and Down the River, you've created many works addressing the art museum as institMuseum and for which you created the persona of museum docent Jane Castleton — and Down the River, you've created many works addressing the art museum as institmuseum docent Jane Castleton — and Down the River, you've created many works addressing the art museum as institmuseum as institution.

(His current exhibition, at New York's Guggenheim Museum, addresses both the history and structure of Wright's building.)

A poetic celebration of firsts and lasts, the Whitney Museum toasted the opening of Jeff Koons's comprehensive retrospective — a long - awaited first for the artist — and the final show at the museums Madison Avenue address before moving to a new Renzo Piano - designed space in the Meatpacking district next spring.

19 May 2010 08 Aug 2010 Collecting the New: Recent Acquisitions to the IMMA Collection Collecting the New presents artworks recently acquired for IMMA's Collection and marks the first occasion that these works have been shown at the Museum as part of that Collection 26 Jan 2010 18 Apr 2010 What happens next is a secret This is an experimental exhibition which attempts to addresses the question of what happens when artworks become part of a collection and are subsequently shown in many different contexts.

The CAS is launching a major new scheme that aims to address the absence in regional museums and galleries across the UK of works by British artists who have established...

It includes works in several media, including four new video works commissioned by the ASU Art Museum, and is part of the «Contact Zones» exhibition series addressing «contemporary migration and its intricate uncertainties within border culture, destiny and contested histories.»

«Songs for Sabotage» at the New Museum February 13 — May 27 Questioning how individuals and collectives address the connection of image and culture, «Songs for Sabotage» features 26 artists across mediums.