Sentences with phrase «museum of modern literature»

Here is a full set of photos, plans and elevations of David Chipperfield's Museum of Modern Literature at Marbach am Neckar in Germany, which won the RIBA Stirling Prize 2007 at a ceremony in London on Saturday (and which you heard about first on Dezeen, of course).

Not exact matches

Amistad Research Center, Tulane University, New Orleans, LA The Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bennett College for Women Collection, Greensboro, NC Cleveland Museum of Art, Cleveland, OH Corcoran Gallery of Art, Washington, DC de Young Museum, San Francisco, CA Fisk University Gallery, Nashville, TN Hampton University Museum, Hampton, VA Howard University, Gallery of Art, Howard University, Washington, DC Milwaukee Art Museum, Milwaukee, WI LeMoyne - Owen College, Memphis, TN The Metropolitan Museum of Art, New York, NY Museum of Art, Rhode Island School of Design, Providence, RI Museum of Fine Arts, Boston, MA Museum of Modern Art, New York, NY Museum of Nebraska Art, Kearney, NE National Portrait Gallery, Smithsonian Institution, Washington, DC North Carolina Museum of Art, Raleigh, NC Philadelphia Museum of Art, Philadelphia, PA Savannah College of Art and Design, Lawrence, KS Schomburg Center for Research in Black Culture, New York, NY Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska, Lincoln, NE Spencer Museum of Art, The University of Kansas, Savannah, GA The Yale Collection of American Literature, The Beinecke Rare Book and Manuscript Library, New Haven, CT

2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic of Indifference — Sonoma Valley Museum of Art, Sonoma Nuances of Printmaking - Koehnline Museum of Art, Des Plaines (IL) The sight of music - Mississippi Museum of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum of New York, New York City, NY Blood on Paper - the Art of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as Field - American Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!

2015 Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Tchotchke: The Mass - Produced Sentimental Object in Contemporary Art, Gund Gallery, Kenyon College, Gambier, OH Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Letters and Shadows: African American Art and Literature Since the Harlem Renaissance, Bowdoin College Museum of Art, Brunswick, ME America Is Hard to See, Whitney Museum of American Art, New York, NY I Like It Like This: S 2 x Drake, Sotheby's Contemporary Art Gallery, New York, NY Collector's Legacy: Selections from the Lloyd and Sandra Baccus Collection, David C. Driskell Center, College Park, MD Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL Take an Object, Museum of Modern Art, New York, NY A Constellation, The Studio Museum in Harlem, New York, NY

Silver gelatin print 7 1/2 x 5 1/2 inches: image 10 x 8 inches: paper 15 1/2 x 13 1/2 inches: frame Edition of 100 Signed, Dated and Titled in pencil on verso «Cindy Sherman 1980/2001 Untitled (Under the WTC)» In an archival black wood frame Literature Peter Galassi and Cindy Sherman, Cindy Sherman: The Complete Untitled Film Stills, Museum of Modern Art, New York, 2003, a similar image reproduced page 41.

Hinman first received critical attention in the ground breaking exhibition «Seven New Artists» at the Sidney Janis Gallery in May, 1964 Literature: Pop Impressions Europe / USA, page 52, Museum of Modern Art, 1999, 1st Edition, published by MOMA.

Sjón, James McBride and Daniel Kehlmann was interviewed by Kasper Bech Dyg at the Louisiana Literature festival at the Louisiana Museum of Modern Art, August 2014.

Patti Smith was interviewed by Christian Lund at the Louisiana Literature festival at the Louisiana Museum of Modern Art in August 2012.

James Thrall Soby, heir to a Connecticut tobacco fortune and art critic for The Sunday Review of Literature, curating, first for the Wadsworth Atheneum and later for the Museum of Modern Art, exhibitions of works by Balthus, de Chirico, and Gris, all then scarcely known in America.

T03191 Oil on canvas, 914 x 911 mm (36 x 35 7/8 in) Inscribed by the artist in pencil on back «CHANCE, ORDER, CHANGE 12 (RED, GREEN, BLUE, MAUVE) 1980 Kenneth Martin» on upper stretcher Purchased from the Waddington Galleries, London (Grant - in Aid) 1980 Exhibited: Kenneth Martin: Late Paintings, Serpentine Gallery, London, June - August 1985 (not in catalogue) Forty Years of Modern Art, Tate Gallery, London, February - April 1986 (no number, reproduced in colour) Kenneth und Mary Martin, Josef Albers Museum, Bottrop, March - April 1989 (60) Literature: Tate Gallery Acquisitions 1980 - 2, London 1984, p.176 - 7, reproduced The series of Chance, Order, Change compositions to which Chance, Order, Change 12 (Four Colours) 1980 and the closely related Chance, Order, Change 6 (Black) 1978 - 9 (Tate T03190) belong was begun by Kenneth Martin in 1976 and continued until his death in 1984.

American, 1928 - 2011 Fire and Ice, 1983 Signed Frankenthaler and dated 83 (lr) Oil and acrylic on paper 31 x 42 inches (78.74 x 106.68 cm) Exhibited: The Solomon R. Guggenheim Museum, New York; The Edmonton Art Gallery, Edmonton, Alberta; Art Gallery of Ontario, Toronto, Ontario; Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts; The Baltimore Museum of Art, Baltimore, Maryland; San Francisco Museum of Modern Art, San Francisco, California; Museum of Fine Arts, Houston, Texas Literature: Wilkin, Karen, Frankenthaler - Works on Paper 1949 - 1984, George Brazilier International Exhibitions Foundation, 1984, p. 115, color illus.

In April 1914, reunited in Berlin with Freyburg and his cousin, the sculptor Arnold Rönnebeck, both of whom he had met during his first European trip in 1912 − 1913, Hartley resumed his enthusiastic embrace of the «movement and energy» of the fast - growing modern metropolis [5][5] Hartley to Stieglitz, May 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, «Changes of Heart: Marsden Hartley's Ideas and Art,» in Marsden Hartley: American Modern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art Museumodern metropolis [5][5] Hartley to Stieglitz, May 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, «Changes of Heart: Marsden Hartley's Ideas and Art,» in Marsden Hartley: American Modern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art MuseuModern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art Museum, ed.

Hartley to Stieglitz, May 1913, Yale Collection of American Literature, quoted in Patricia McDonnell, «Changes of Heart: Marsden Hartley's Ideas and Art,» in Marsden Hartley: American Modern; Selections from the Ione and Hudson Walker Collection, Frederick R. Weisman Art Museum, ed.

In an exceptionally informative catalog essay for the present exhibition (organized by Corey Keller, a curator at the San Francisco Museum of Modern Art, where it opened last November), the art historian Julia Bryan - Wilson surveys the critical and art historical literature that has proliferated around Woodman's oeuvre.

1996, Haus der Kunst, Munich, Nov. 1996 - Jan. 1997 (5, reproduced in colour p. 87) Masterpieces of British Art from the Tate Gallery, Metropolitan Museum, Tokyo, Jan. - March 1998, Hyogo Prefectural Museum of Modern Art, Kobe, April - June 1998 (92, reproduced in colour p. 152) Literature: Michael Ayrton, «Art», Spectator, vol.174, no. 6094, 13 April 1945, p. 335 Raymond Mortimer, «At the Lefevre», New Statesman and Nation, vol.29, no. 738, 14 April 1945, p. 239 Sam Hunter, «Francis Bacon: The Anatomy of Horror», Magazine of Art, vol.95, no. 1, Jan. 1952, p. 12 Robert Melville, «Exhibitions: The Venice Biennale», Architectural Review, vol.116, no. 693, Sept. 1954, p. 189 (as «Study for a Composition») John Rothenstein, The Tate Gallery, London 1958, p. 116, reproduced John Rothenstein, «Introduction», Francis Bacon, exhibition catalogue, Tate Gallery, London 1962, pp.2 - 3 Ronald Alley, Francis Bacon: Catalogue Raisonné and Documentation, London 1964, pp. 11, 12, 36, pl.16 Mary Chamot, Dennis Farr and Martin Butlin, Tate Gallery: The Modern British Paintings, Drawings and Sculptures, I, London 1964, pp.21 - 2 John Russell, Francis Bacon, London, Paris and Berlin 1971, 2nd ed.

During the remainder of the 1960s, he was a regular contributor to both ARTnews and Arts, guest editor at the Museum of Modern Art, an associate producer of a program on art for public television, and taught literature and writing workshops at the New School for Social Research and Yale University.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works