Sentences with phrase «museum presents images»

Not exact matches

The Museum of the Moving Image's See It Big series, curated in collaboration with Reverse Shot editors Michael Koresky and Jeff Reichert (Remote Area Medical), presented Thursday night, a 35 mm print of Academy Award - winning auteur Martin Scorsese's 1993 masterpiece, The Age of Innocence, starring Daniel Day Lewis, Michelle Pfeiffer and Winona Ryder.

This year's dates are January 8 - 11, with awards presented at the Museum of the Moving Image in Queens on Thursday, January 11th, 2018.

On the occasion of Museum of the Moving Image's Tsai Ming - liang retrospective, presented with support from Taipei Cultural Center of TECO in New York, we created this short film about the work of the great Taiwanese director.

Bonus round: If you're in New York, the Museum Of The Moving Image is presenting the series «Paramount In The 1970s» from June 2nd to July 1st, and among the many great titles will be Bogdanovich's oustanding «Paper Moon» which you should drop everything and see on the big screen.

Helen Sedwick presents From Alligators to Van Goghs: Little Known Sources of Public Domain Images posted at Helen Sedwick's Blog, saying, «If writers and bloggers want to go beyond the Creative Commons in their search for public domain images, here is a list of other sources, including museums, federal agencies, and libraries.&Images posted at Helen Sedwick's Blog, saying, «If writers and bloggers want to go beyond the Creative Commons in their search for public domain images, here is a list of other sources, including museums, federal agencies, and libraries.&images, here is a list of other sources, including museums, federal agencies, and libraries.»

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing» is currently on view at the Studio Museum in Harlem, and brings together more than 200 works in mediums... Read More

Their work has been presented in major international exhibitions including the Biennale of Moving Image, Centre d'art / Mamco, Geneva, Switzerland (2016); Gwangju Biennale, Gwangju, South Korea (2016); 5th Thessaloniki Biennale of Contemporary Art, State Museum of Contemporary Art, Thessaloniki, Greece (2015); CAFAM Biennial, CAFA Art Museum, Beijing, China (2014); and the Swiss Off - Site Pavillon, 54th Venice Biennale, Venice, Italy (2011).

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

Beyond the Image Wars in Science, Religion and Art, ZKM / Center for Art and Media, Karlsruhe, Germany Embracing the Present, Portland Art Museum, Portland, USA Multiples.

The full collection of 181 images was presented at the Studio Museum in Harlem in 2005.

A visual timeline of key events and images from 1993 will be presented on the Museum's Fifth Floor.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

This summer and fall, Norman Rockwell Museum will present the first exhibition to examine the artistic and cultural influence of these celebrated image - makers and the continued influence of their indelible legacies — Inventing America: Rockwell and Warhol is on view at Norman Rockwell Museum from June 10 through October 29th.

1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin

Dazzling the eyes and intriguing the mind, the Philadelphia Museum of Art presents two centuries» worth of American still - life paintings and sculptures, from John James Audubon's images of birds and mammals to Andy Warhol's Brillo boxes.

Present images so that when little girls go to museums they can look up and see themselves.

Schneider Museum of Art is pleased to present The Animated Image, co-curated by Richard Herskowitz and Scott Malbaurn in collaboration with the Ashland Independent Film Festival.

SCAD Museum of Art presents an exhibition by Miya Ando that profiles her ongoing, finely calibrated exploration of images and materials and their cultural significance.

Cincinnati Museum Center Presents Treasures in Black & White Historic Photographs of Cincinnati April 25 — October 12, 2014 South Gallery, Cincinnati History Museum Look through the photographer's lens and revisit images that document Cincinnati's neighborhoods, architecture and

Presented were images and texts regarding the gifts the Forward Arts Foundation gave to various Atlanta Art Insititutions since its inception (High Museum, Michael Carlos Museum, Botanical Gardens, Beltine, MOCA GA, the Atlanta Contemporary Art Center.

Don't Look Back, Contemporary Fine Arts, Berlin Nomadic Images, 16th International Vilnius Painting Triennial, organized by the Lithuanian Artists» Association, Museum of Applied Art and Design in Vilnius, Lithuania «Various are the lines of life...», Galerie Bernard Ceysson, Windhof, Luxemborg The Present Order, Galerie für Zeitgenössische Kunst Leipzig, Germany Sammlung Viehof: Internationale Kunst der Gegenwart, Deichtorhallen Hamburg, Germany Landscapes after Ruskin: Redefining the Sublime, curated by Joel Sternfeld, The Hall Art Foundation, Reading, VT [cat.]

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

The artists presented in this selection from the Rose Art Museum's collection — Sarah Charlesworth, JJ PEET, Robert Rauschenberg, and Andy Warhol — question the role of images circulated within the public sphere.

Designs revealed for new home of Harlem's Studio Museum The Studio Museum in Harlem has released images of Adjaye Associates» designs for its new building, located on the site of its present home.

Richmond, Virginia — The Virginia Museum of Fine Arts presents Napoleon: Power and Splendor, an inside look at the intricacies of Napoleon's Imperial Household and the role it played in shaping the Emperor's image to expand his political and military power and social influence.

The Queens Museum will present her most ambitious work to date, The Wandering Lake (2009 - 2017), a project that redefines the role of artist, image, object and performance in the construction of narratives through an exhibition that integrates video projection, photography, sculpture, publication, and performance as one expansive body of work.

Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008); Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.

His work has been presented in solo and group exhibitions in art spaces and centres in Europe and the Middle East, including AUB Gallery, Beirut; Salzburger Kunstverein, Salzburg; Nile Sunset Annex, Cairo (2013); Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam (2011); BALTIC Centre for Contemporary Art, Gateshead, UK; Contemporary Image Collective, Cairo (2010); Bonner Kunstverein, Bonn and UKS, Oslo, Norway (2009).

In a gallery adjacent to Performing Images, the Smart Museum presents the concurrent exhibitionInspired by the Opera: Contemporary Chinese Photography and Video (February 13 — June 15, 2014).

Recent exhibitions have included The Portrait as an Image of the World at the Museu de Arte Moderna de São Paulo, Brazil and Present Tense at the San Francisco Museum of Modern Art.

The Herbert F. Johnson Museum of Art at Cornell University presents iCON: Consuming the American Image.

The Interrogative Imperative in Durational Media Drawing on the recent record - setting survey of Pipilotti Rist's work at the New Museum, Sutton's talk presents a close reading of Rist's work arguing that the distinction between analog and digital image media is not ontological, but rather scalular — registered in degrees and subject to increases in speed, volume and spread.

On October 24, 2014, the curator Florian Ebner, in collaboration with Museum Folkwang and ifa, presented his concept for the German Pavilion at the Venice Biennale 2015, titled «Resistant Images in Times of Digital Overexposure.»

Rituals since 1851, Fondazione La Triennale di Milano, Milan, Italy Self: Image and Identity, Turner Contemporary, Kent, UK Chercher le Garçon, MAC / VAL, Paris, France In Search of Meaning, Museum de Fundatie, The Netherlands Staying Power: Photographs of Black British Experience 1950s - 1990s, Victoria and Albert Museum, London, England Making Africa: A continent of Contemporary Design, Vitra Design Museum, Weil Am Rhein, Germany Unravelling Identity: Our Textiles, Our Stories, Textile Museum, The George Washington University Museum, Washington DC, USA Heartbreak Hotel, presented by the Vanhaertens Collection, Venice Biennale, Italy 10th Anniversary Exhibition, Museu Afro Brasil, Sao Paulo, Brazil The Inverted Worlds, BPS 22, Charleroi, Belgium La vida es esto, DA2, Salamanca, Spain

From July 20, 2016 the New Museum in N.Y. presents The Keeper, an exhibition dedicated to the act of preserving and collecting objects, artworks, images.

National Museum of Women in the Arts is proud to present the exhibition of images by 12 women photographers from the Arab world titled She Who Tells a Story: Women Photographers from Iran and the Arab World.

In 2014, the Stedelijk Museum in Amsterdam presented a major retrospective of the artist's work, Marlene Dumas: The Image as Burden, which traveled to Tate Modern, London, and the Fondation Beyeler, Basel, in 2015.

In conjunction with the exhibition Harun Farocki: Images of War (at a Distance), the artist's first solo exhibition at a U.S. museum, Farocki (b. 1944, German - annexed Czechoslovakia) will present a talk and screening in connection with his prolific oeuvre.

Instead of presenting artist Francis Alÿs» collection of images of Saint Fabiola in its own premises, Schaulager staged the exhibition in the Haus zum Kirschgarten, once Basel's foremost town house, and now a museum of extravagant domestic lifestyles.

In today's hyper - visual world the concept of image fatigue is familiar and often debated, and it's something that Foam, whose mission statement is «All about photography», challenges with the variety of its programmes, exhibitions, publications and events: «We present diverse forms of photography and we usually have four exhibitions at a time in our museum.»

2017 — «UPROOT» Smack Melon, Brooklyn, NY 2017 — «Sea of Trace» 505 Johnson Studios, Brooklyn, NY 2017 — «How We Come and How We Go» Trestle Projects, Brooklyn, NY 2017 — «PAPER: work & Jua Kali» 1:54, London, UK 2017 — «Making Africa» High Museum of Art, Atlanta, Georgia 2017 — Brassage Photographique, Villers - la - Ville, Belgium 2017 — «My Collection», MoCADA, Brooklyn, New York 2017 — «PAPER: work», Pioneer Works, Brooklyn, New York (solo) 2017 — Biennial Fotografica Bogota 2017, Bogota, Colombia 2017 — «PAPER: work», Art Africa Fair, Cape Town, South Africa 2017 — Figure 8, Foley Gallery, New York, New York ---------- 2016 — In Dialog II — Photobastei, Zurich, Switzerland 2016 — Addis Foto Festival, Addis Ababa, Ethiopia 2016 — «Jua Kali» as part of «Making Africa» at Kunsthal Rotterdam, Netherlands 2016 — «Tumia» part of Frontiers of The Present Exhibition, Circle Art Agency, Nairobi Kenya 2016 — «Jua Kali» at Africa Reframed, Copenhagen, Denmark 2016 — «Tumia» at GALERIA OLIDO for Afreaka Festival, São Paulo, Brazil 2016 — «Value» Exhibition at Brooklyn College Library, Brooklyn, New York (solo) 2016 — «Jua Kali» as part of «Making Africa» at CCCB, Barcelona, Spain 2016 — «Jua Kali» Exhibition at United Photo Industries, Brooklyn, New York (solo)---------- 2015 — «Displaced» as part of «FUSE», SVA Gallery, New York, New York 2015 — «Jua Kali» as part of «Making Africa» at Guggenheim, Bilbao, Spain 2015 — «Jua Kali» in OBSCURA Festival, George Town, Malaysia 2015 — «Jua Kali» in Rencontres Internationales de la Photo de Fès, Fès, Morroco 2015 — «Jua Kali» in LagosPhoto Festival, Lagos, Nigeria 2015 — «Jua Kali» in IFCV Festival International de Fotografia, Mindelo, Cape Verde 2015 — «Jua Kali» as part of «Image Afrique» 15» in ArtBasel, Theaterplatz, Basel 2015 — «Jua Kali» in Rencontres Internationales de la Photographie, Ghar el Melh, Tunisia 2015 — «Jua Kali» as part of «Edition POPCAP» at Artificial Image, Berlin 2015 — «Jua Kali» as part of «Making Africa» at Vitra Design Museum, Weil Am Rhein, Germany ---------- 2014 — «Untitled» — Art Cabinet, Nairobi, Kenya (solo) 2014 — «Jua Kali» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo) 2014 — «Value» — Exhibition at Kuona Trust Arts Centre, Nairobi, Kenya (solo)

Teller removes the artifice between photographer and subject, leaving only the purity of each image, and unlike the sculptures in the museum's collection, his photographs do not present a standard of beauty but are more akin to a tribute to women and the human form.

With support from a Andrew W. Mellon Foundation grant, the museum has launched a digital archive, making available videos of artist talks and panel discussions, artist biographies, images of artworks presented, installation views of the exhibition at the three venues where it appeared, and all eight essays published in the now - out - of - print exhibition catalog (at right), among other material.

1994 The Art of Betye Saar and John Otterbridge, 22nd Biennial of Sao Paulo, Museum of Modern Art, Sao Paulo, Brazil Urban Paradise: Gardens in the City, Paine Webber Art Gallery, New York, NY The Sacred and the Profane, Jan Baum Gallery, Los Angeles, CA The US Delegation Fifth Biennial of Havana, Wilfredo Lam Center, Havana, Cuba Generation of Mentors, National Museum for Women in the Arts, Washington, DC 25 Years of African - American Art, The Studio Museum in Harlem, New York, NY; The Wood Street Galleries, Pittsburgh, PA; The Art Museum, Rhode Island School of Design, Providence, RI; The Scottsdale Art Center, Scottsdale, AZ; Munson - Williams - Proctor Institute, Utica, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; The New York State Museum, Albany, NY; The Mexican Museum, San Francisco, CA; Tufts University Art Gallery, Medford, MA; Heckscher Museum, Huntington Long Island, NY; The Lowe Art Gallery, University of Miami, Miami, FL Passionate Visions of the American South: Self - Taught Artists from 1940 — the Present, University Art Museum & Pacific Film Archive, Berkeley, CA; New Orleans Museum of Art, New Orleans, LA; San Diego Museum of Art, San Diego, CA; Corcoran Gallery of Art, Washington, DC; North Carolina Museum of Art, Raleigh, NC Relatively Speaking: Mother and Daughters in Art, Sweet Briar College Art Gallery, Sweet Briar, VA; Rahr West Museum, Manitowock, WI; Snug Harbor Cultural Center, Staten Island, NY; Rockford Museum of Art, Rockford, IL, Hofstra University Museum, Hempstead, NY African American Women Prints, Brandywine Workshop's Printed Image Gallery, Philadelphia, PA

Taking a cue from programs that the ensemble presented with curators at the National Geographic Society and the Metropolitan Museum of Art, Gallery music department head Stephen Ackert combined the ensemble's holiday repertoire with images of paintings from the Gallery's permanent collection, which have in past years been featured on Christmas stamps issued by the Unites States Postal Service.

He was a 2015 artist - in - residence at ISSUE Project Room and has presented solo and collaborative films, performance, and audio works at the Serpentine Gallery, London; the Whitney Museum, New York; Tramway, Glasgow; mumok, Vienna; Images Festival, Toronto; the Montreal Biennale; the Ljubljana Biennial of Graphic Arts; and the Festival du Nouveau Cinéma, Montreal.

If you are interested in presenting an artwork for consideration, email the Curatorial Department, or send a letter to the Curatorial Department Attn: Collections Review, at the main museum address (850 San Clemente Drive, Newport Beach, CA 92660), state the specifications of the work (artist name, title of work, date, medium, and dimensions), and include an image for preview.

Beyond the Battlefields presents a unique set of images taken by photographer Käthe Buchler (1876 - 1930), which are usually part of the collection of the Museum of Photography in Braunschweig — where she lived and worked.

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Detroit Affinities: Jamian Juliano - Villani,» which was on view at the Museum of Contemporary Art Detroit through March 29, 2015.

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Dandy Lion: (Re) Articulating Black Masculine Identity,» is currently on view at Museum of Contemporary Photography at Columbia College in Chicago until Sunday, July 12.