Sentences with phrase «museums study centers»

«Glenn Ligon: Day of Absence,» Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CT 1997; brochure «Runaways,» MOSAIC: Museum Study Center, Samuel P Harn Museum of Art, University of Florida, Gainesville, September 11 — December 14, 1997; brochure

Not exact matches

Mal Harrison, founder of the Center for Erotic Intelligence and former advice columnist and resident sexologist for the Museum of Sex, studies human sexuality as a science and shares her findings with the world.

Smitsonian Institution Programs Summer Archeology Programs Connected with DC Universities [Program for Deaf Students] Drinking Water Quality Research Center, Miami, FL [proposal for outreach to disabled students] Museum of Science and Industry, IL Chicago Schools Cooperative Museum Program, IL Recreational Faculties for the Handicapped at Rend Lake, IL SELPH Material Lawrence Hall King Report on Survey of the Special Educational Programs of Members of the Association of Science Technology Centers University of Kentucky Outdoor Education for Handicapped Project Directory of OOPS Programs Maryland Science Center, Baltimore, MD [notes on interview] ABCD Collaboration Science Program Non-Mainstreamed Museum of Fine Arts, Boston, MA Technical Education Research Center Camp Happy Hollow, Mayrille, MI Squam Lakes Science Center, NH Science Enrichment Program Opened to Handicapped Students NY League of Hard of Hearing, NY Center of Science and Industry, OH Carnegie Museum, Pittsburg, PA Pacoma Environmental Education Center, PA Roanoke Valley Science Museum, VA Fairfax County Public Schools, VA US Geological Survey Earth Science Program, WI ERIC - CRESS Info on Outdoor Ed - Science Programs National Council for Therapy and Rehabilitation through Horticulture Environments for the Able and Disabled Nature Study - A Journal of Education and Interpretation OOPS Out of School Science Proposal and Drafts Original Newspaper Article, 1980 - 1981 OOPS Out of School Science Proposal and Drafts II, 1980 - 1981

While little to nothing is known about when the vast majority of butterfly and moth species fly, eat and mate, the study provides a basic and much - needed framework by compiling existing data, said lead author Akito Kawahara, associate professor and curator at the museum's McGuire Center for Lepidoptera and Biodiversity at the University of Florida.

The value of this information is illustrated by the results of a study published May 19 in the journal Geophysical Research Letters by Oster's group, working with colleagues from the Berkeley Geochronology Center, the Smithsonian Institution National Museum of Natural History and the University of Cambridge titled «Northeast Indian stalagmite records Pacific decadal climate change: Implications for moisture transport and drought in India.»

A research team led by Marc Lebeau of the European Center for Upper Mesopotamian Studies and Antoine Suleiman of the Directorate - General of Antiquities and Museums (Syria) began to excavate Tell Beydar, a large mound — or «tell» — rising out of the flat steppes near the Khbr River.

In addition to Marcelino, Backman and Swain, other authors of the paper are Jesse B. Vega - Perkins, William K. Oestreich, Conrad Triebold, Emily DuBois and Margaret Siple, of Northwestern; Jillian Henss, of the Field Museum; and Andrew Baird, of the ARC Center of Excellence for Coral Reef Studies, James Cook University, Australia.

The skull went first to the Carnegie Museum of Natural History's PaleoLab in Pittsburgh, then made a brief trip to NASA's Marshall Space Flight Center in Huntsville, Alabama, where scientists studied it with the same CT - scan equipment used to examine the space shuttle.

A team of researchers from several academic institutions — including the Max Planck Institute for the Science of Human History, Yale University, University of Chicago, the American Center for Mongolian Studies, and the National Museum of Mongolia — used a scientific dating technique known as radiocarbon dating to estimate the spread of domestic horse ritual at deer stones and khirigsuurs.

Officials at the university confirm that land adjacent to the museum is being considered as a possible site being for a new graduate studies center, needed to relieve overcrowding elsewhere.

Slated for the ax are the Center for Materials Research and Education, which seeks to improve preservation and curation techniques for museum artifacts, and the Conservation and Research Center (CRC), a 1290 - hectare rural breeding and study facility for threatened or endangered species, operated by the zoo.

«There are examples of lithospheric buckling on Earth involving both oceanic and continental plates, but this may be the first evidence of lithospheric buckling on Mercury,» said Thomas R. Watters, senior scientist at the Center for Earth and Planetary Studies at the Smithsonian's National Air and Space Museum in Washington, D.C., and lead author of the new study.

According to Stephanie Norby, director of the Smithsonian Center for Education and Museum Studies, the site reflects the work of nearly 1,000 curators, researchers, and scientists, and offers the opportunity to showcase some of the 142 million objects from the Institution's collection.

Web Site Links Schools and Museums Education World chats with Stephanie Norby, director of the Smithsonian Center for Education and Museum Studies, about its new Web site and about the Center's efforts to foster partnerships between museums and sMuseums Education World chats with Stephanie Norby, director of the Smithsonian Center for Education and Museum Studies, about its new Web site and about the Center's efforts to foster partnerships between museums and smuseums and schools.

The Smithsonian Center for Learning and Digital Access (SCLDA)(formerly the Smithsonian Center for Education and Museum Studies, and even more formerly the Smithsonian Office of Primary and Secondary Education) focuses on making the Smithsonian more accessible to teachers and their students.

Some examples are Los Angeles Center for Enriched Studies on the west side or Arroyo Seco Museum Science Magnet School in Highland Park.

The state standardized test scores that are posted in an easily digestible format on the state's website don't break out magnets unless magnets are a standalone school, such as Los Angeles Center for Enriched Studies on the Westside or Arroyo Seco Museum Science Magnet School in Highland Park.

ASCD has been working with the Environmental Education and Training Partnership, the National Environmental Education and Training Foundation, the Smithsonian Center for Education and Museum Studies, and the U.S. Environmental Protection Agency to prepare for the event.

At present, she is the Director School of Manga Studies, KSU as well as the Deputy Director of the KSU's International Manga Research Center which is located at the International Manga Museum in Kyoto, Japan.

The hotel is near the Porsche Museum, Stuttgart City Center and the National Museum of Natural Study.

Narayan Khandekar, the director of the Straus Center for Conservation and Technical Studies at the Harvard Art Museums, also works to curate the collection, which is now mostly used for scientific analysis.

For further reading, visit websites of the Museum of Modern Art; the Pollock - Krasner House and Study Center or Life magazine pictorial.

His paintings, sculptures, and works on paper have been the subject of numerous exhibitions: The Stedelijk Museum, Amsterdam, 1982; Tate Gallery, London, 1982; Whitechapel Gallery, London, 1987; Kunsthalle Düsseldorf, Düsseldorf, 1987; Centre Georges Pompidou, Paris, 1987; Whitney Museum of American Art, New York, 1987; San Francisco Museum of Modern Art, San Francisco, 1987; Museum of Fine Arts, Houston, 1987; Musée d'Art Contemporain, Nîmes, 1989; Staatliche Graphische Sammlung, Munich, 1989; Palais des Beaux - Arts, Brussels, 1989; Fruitmarket Gallery, Edinburgh, 1989; Museum of Contemporary Art, Chicago, 1989; Museo de Arte Contemporáneo, Monterrey, 1994; Fundació Joan Miró, Barcelona, 1995; Galleria d'Arte Moderna di Bologna, Bologna, 1996; Schirn Kunsthalle, Frankfurt / Main, 2004; Museo Nacional Centro de Arte Reina Sofía, Madrid, 2004; Rotonda della Besana, Milan, 2007; Tabakalera, Donostia - San Sebastián, 2007; Museo di Capodimonte, Naples, 2009; The Art Gallery of Ontario, Toronto, 2010; Museo Correr, Piazza San Marco, Venice, 2011; J.F. Willumsens Museum, Frederikssund, 2013; The Brant Foundation Art Study Center, Greenwich, 2013; Dallas Contemporary, Dallas, 2014; Gagosian Gallery, New York, 2014; Dairy Art Centre, London, 2014; Museu de Arte de São Paulo, São Paulo, 2014, NSU Art Museum Fort Lauderdale, Fort Lauderdale, 2014; University of Michigan Museum of Art, Ann Arbor, 2015; Almine Rech Gallery, Paris, 2015; Vito Schnabel Gallery, St. Moritz, 2016; Blum & Poe, LA, 2016; and Aspen Art Museum, Aspen, 2016.

The Museum of American Folk Art will open a Henry Darger Study Center in the autumn of 2001.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Exhibitions include A Study in Midwestern Appropriation, The Hyde Park Center, Chicago, IL, curated by Michelle Grabner; Decade: Contemporary Collection 2002 - 2012, Albright - Knox Art Gallery, Buffalo, NY; 2010, Whitney Biennial, curated by Francesco Bonami and Gary Carrion - Murayari, Whitney Museum of American Art, NY (2010); and Gerhard Richter and the Disappearance of the Image in Contemporary Art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy (2010), among others.

His most recent solo exhibitions include: Lovers, Le Consortium, l'Académie Conti, Vosne - Romanée, France (2015 - 16); Masks (Pentagon), Rockefeller Plaza, New York (2015); Thomas Houseago: Studies «98 — «14, Gemeentemuseum Den Haag, The Hague (2014); Striding Figure / Standing Figure, Galleria Borghese, Rome, Italy (2014); As I Went Out One Morning, Storm King Art Center, Mountainville, NY (2014); Thomas Houseago: Where the Wild Things Are, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK (2012) and What Went Down, Centre International d'art et du paysage, île de vassivière, Vassivière, France (2012, travelled to Museum Abteiberg, Mönchengladbach, Germany; Modern Art Oxford and The Ashmolean Museum, Oxford).

Two exhibitions opening on Saturday, June 24, at the conjoined Center for Curatorial Studies and Hessel Museum at Bard College in Annandale - on - Hudson, N.Y., promise unfamiliar artists and revisionist viewpoints.

He attended the Whitney Museum Study Program in 1972, received his MFA in 1975 from the Yale School of Art, and was a fellow at the Center for Advanced Visual Studies at MIT from -LSB-...]

As a survey about itinerancy and the possibilities of museums today, first - year graduate students at the Center for Curatorial Studies have organized this project, which takes the form of a publication - as - exhibition and a series of informal roundtable discussions.

«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.

Keep scrolling to take see artworks that have been exhibited at New York museums, galleries or the Pollock - Krasner House and Study Center.

Previous group exhibitions include: The Rabbit as King of the Ghosts, Mitchell - Innes & ash, New York; Uncertain States of America, The Astrup Fearnley Museum for Modern Art, Oslo, The Center for Curatorial Studies, Bard College, and Serpentine Gallery, London; Plain of Heaven, Creative Time and Friends of the Highline, New York.

Recent exhibitions include the Santiago de Compostello, Spain, the Weatherspoon Art Museum, Greensboro, NC, the Institute of Contemporary Art, Cleveland, OH, the Miami Art Museum, FL, the Institute of Contemporary Art, Boston, the Kempner Museum of Contemporary Art, Kansas City, Site Santa Fe, New Mexico, the Fabric Workshop and Museum, Philadelphia, the Center for Curatorial Studies, Bard College, NY, P.S. 1 Contemporary Art Center, Long Island City, NY, the Whitney Museum, NY, MASS MoCA, North Adams, Mass., the Worchester Museum of Art, Worchester, MA, the Portland Institute for Contemporary Art, Portland, OR, the Museum of Modern Art, NY, the San Francisco Museum of Art, CA, the Hirschhorn Museum and Sculpture Garden, Washington, DC, the Virginia Museum of Fine Arts, Richmond, VA, the Centre d ¹ Art Contemporain, Geneva, Switzerland, the Bellevue Art Museum, Bellevue, WA, and the Museum of Contemporary Art, Los Angeles, among many others.

1996 Desert Cliché: Israel Now — Local Images, traveling exhibition, Bass Museum of Art, Miami Beach, Florida; Grey Art Gallery & Study Center of New York University, New York Nexus Contemporary Art Center, Atlanta; Yerba Buena Center for the Art, San Francisco

In addition to the thesis exhibitions, Amada Cruz, director of the Center for Curatorial Studies Museum, has curated an exhibition of works from the Center's permanent collection.

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

Archives: The CCS Bard Archives contain the institutional archives for the Center for Curatorial Studies and the Hessel Museum of Art, including full documentation of exhibition and programming history.

APPOINTMENT Isolde Brielmaier, executive director of arts, culture & community at Westfield World Trade Center, professor of critical studies in Tisch's Department of Photography, Imaging and Emerging Media at New York University, and curator - at - large at the Tang Museum, joins the New Museum Board of Trustees.

Myra Greene's work has been featured in nationally exhibitions in galleries and museums including The New York Public Library, Duke Center for Documentary Studies, Williams College Museum of Art, Spelman College Museum of Fine Art in Atlanta, Museum of the African Diaspora in San Francisco, and Sculpture Center in New York City.

This week new exhibition openings included «Julie Mehretu: Hoodnyx, Voodoo, and Stelae» at Marian Goodman Gallery in New York; «30 Americans» at the Tacoma Art Museum in Washington State; and «Willie Cole: On Site» at The David Driskell Center for the Study of Visual Art and Culture of African American and the African Diaspora at the University of Maryland, College Park.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here

Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.

Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.

Group exhibitions include: Space 1026 Gallery Show, The Institute for Contemporary Art, Philadelphia, Pennsylvania; Play's The Thing, The Whitney ISP Curatorial Studies Exhibition, New York; The Sunshine Show, Alleged Galleries, New York; Fashion Takes Action, New York; God Bless America, Alleged Galleries, New York; Art In Bloom, The New Orleans Museum of Art, New Orleans, Los Angeles; Elevated, The Lincoln Center, New York (1996).

The SCAD Museum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American StMuseum of Art presents «Blind Memory,» a site - specific installation by Hank Willis Thomas in the museum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American Stmuseum's Jewel Boxes exhibited concurrently with his exhibition «Freedom Isn't Always Beautiful» in the Walter O. Evans Center for African American Studies.

Tags: California, Center for Maine Contemporary Art, Cincinnati Art Museum, Concept Center for Visual Studies, Don Voisine, Gregory Lind Gallery, Joel and Lila Harnett Museum of Art, Maine, Maine College of Art, McKenzie Fine Art, Metaphor Contemporary Art, P.S. 1 Contemporary Art Center, Peabody Essex Museum, Portland School of Art, PP Projects, RMIT University, University of Richmond

Christiane Paul, Adjunct Curator of New Media Arts, Whitney Museum of American Art and Associate Professor, School of Media Studies, The New School [BIO] Doo Eun Choi, International Curator and Chief Curator, Art Center Nabi, Seoul [BIO]

Located on the second floor of the Hammer Museum, the Grunwald Center study room is open by appointment to students, faculty, and members of the public.

Colen has exhibited at a number of institutions including Royal Academy, London, MoMA PS 1, New York, National Museum of Art, Architecture, and Design, Oslo, New Museum, New York, FLAG Art Foundation, New York, and Brant Foundation Art Study Center, Greenwich, Connecticut, among others.