Sentences with phrase «mythe en scene»

Prepare your mise en scene and have your ingredients ready.

Mise en Scene by Ruffian — 2 sizes up in tops (10), 1 size up in dresses (8).

Part of the Mise en Scene by Ruffian collaboration, it's one of two items featuring this spectacular Jacquard.

The movie does have a certain amount of star power and occasional bursts of inventive mise en scene, which do a good job of diverting us so we don't realize that not much else is going on.

In the scenes with Nolte, set in a posh club, so much gets said that we don't care if Rudolph's mise en scene is show - offy or not.

Two rare occasions when star power and mise en scene function together are Watson's extended scenes with Warren (a Rudolph regular) and with Nolte.

In a nutshell, the filmmakers weren't bold enough to even edit the songbook (a.k.a. trust / dare their base audience) let alone create an actual script that allowed for quiet, CINEMATIC moments (was it to much to ask for a freakin» mise en scene that allowed for medium 2 - and 3 - shots when lyrics overlapped?!)

Vatel was a gorgeous movie and the mis en scene was gorgeous and you felt you were back in the time period.

The stunning mise en scene only serves to enhance Bonello's sympathy for these poor, and sick women.

On first glance Brooks» directorial style is anonymous, but the way in which Mother questions success and happiness appears in its mise en scene consistently.

Moreover, in their deployment of original material the installations are also highly attentive to the politics of mise en scene.

The mis en scene created through the costumes, production design and stark cinematography carry us deep into this nightmare.

Buschel's eye is distinct, deliberate and carefully considered and «Glass Chin» has some tremendous mise en scene.

The merit of Gosford Park, apart from its impressive ensemble acting and mise en scene, is its smartness about the relations between servants and their employers, not its insights into the nature of either class (which The Rules of the Game has in abundance).

In terms of mise en scene, we get a show - offy opening shot and some equally show - offy extreme close - ups near the end but, contrary to what we've been hearing, no particular signs of development or renewal in Altman's camera style.

The camerawork and mise en scene move into a kind of cinema verite existence feelung often like do umentary rather than dramadoc.

Because it derives its style from documenting what actors do — the action takes place in and around a glass house, designed by Richard Neutra, and a pool, an archetypal Hollywood setting that puts everyone on display — this isn't a movie where the mise en scene can easily be separated from the plot.

The mise en scene of Inherent Vice is one of its strongest features, and the costumes have a lot to do with it.

The mise en scene of

Use of mise en scene, in particular the use of music.

I'm even tempted to roll out the phrase mise en scene as it might apply to a shooter, but such an academic fancypants terms doesn't do justice to set pieces like Tiny Tina's tea party, or Shooty McFace's brief appearance, or Scooter's poem for his girlfriend, or how the characters from the first game are used.

I guess the best way to put it is to say Borderlands 2's mise en scene is so kick - ass that I'm wondering how it happened.

I thought it was something to keep an eye on — mixing an irreverent sense of humor with a distinctive, colorful mise en scene — but there was some work to be done on the core action.

I think the guy wrote about mise en scene (I might have spelled that wrong) in a review.

Alum REGINE RODE ’16 took part in a three - person exhibition Mythe en Scene at the Cite International des Arts in Paris, France from March 15 to April 6, 2018.

For the Turner Prize she presents pieces that include painting on the Guardian newspaper in order to draw attention to and reinterpret found texts, painting on found ceramics, as well as a mise en scene and a painting on canvas.

Inszenierung / Mise en scene», Atelier Augarten Contemporary, Wien 2009 «Spatial Works», Färgfabriken, Stockholm 2009 «Critical applause 3: Tris Vonna - Michell», CCA, Glasgow (performance) 2009 «Finding Chopin», Hamburger Kunsthalle, Hamburg 2009 «Art Cologne / Open Space» (with Cabinet), London 2009 «The Generational: Younger than Jesus», New Museum, New York 2009 «Just in the dark / Solo al buio», Mercati di Traiano, Rome 2009 «The Front Room», Contemporary Art Museum, Saint Louis 2009 «Ars viva 08/09.

Chains of references to texts, scores and gestures are evoked and interwoven in a «mise en scene».

Inszenierung / Mise en scene», Museum Abteiberg, Mönchengladbach 2009 «The Space of Words», Mudam Musee d'Art Moderne Grand - Due Jean, Luxembourg 2009 «I Repeat Myself When Under Stress», MOCAD Museum of Contemporary Art, Detroit 2009 «Iaspis Open House», Iaspis, Stockholm 2009 «Altermodern: Tate Triennial», Tate Britain, London 2009 «A spoken word exhibition», BALTIC Centre for Contemporary Art Gateshead, Gateshead 2008 «Speak and Spell», performance at Vienna Art Week, Vienna (performance) 2008 «Storyteller — Organizing Time and Space», 0047, Oslo 2008 «Lieber Kunstler, erzahle mir!»

Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, London 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, London (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, London 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlin 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlin (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlin (performance) 2007 «Experiment Marathon», Serpentine Gallery, London (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul and Athens (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlin 2007 «Köln Show2», European Kunsthalle, Cologne

Without their sculptural mise en scene, the paintings have a quality that suggests the 20th century — the blurry and partially redacted memories of Gerhard Richter's painted photographs, the fragmented and disfigured forms of pre-war European modernism.

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

He had much skill in oil painting, and in the setting of his mise en scene, but he had none of the deep understanding and sincerity of Jean - Francois Millet in his treatment of the life of the people.

Objects play a central role in the film, almost as characters in their own right; the mise en scene becoming as potent as the action of the protagonists or any suggested narrative.

Mirroring a party scenario in which one invites guests into their home, making the private public, Soares captures the private moments after a celebration ends, when the space remains charged by the memories and traces of a fleeting moment and space; in this way, the viewer provides a narrative for this mis en scene.

Inszenierung / Mise en scene», Museum im Kulturspeicher, Würzburg 2008 «Bending the Word / MATRIX 226», BAM / PFA — UC Berkeley Art Museum, Berkeley 2008 «Time Crevasse», Yokohama Triennial 2008, Yokohama 2008 «ICA: 60 Past, Present and Future», performance at ICA — Institute of Contemporary Arts, Londra 2008 «Fia Backstrom: That social space between speaking and meaning», White Columns, New York (performance) 2008 «The Store», Tulips & Roses, Vilnius 2008 «Experiment Marathon Reykjavik», Reykjavik Art Museum, Reykjavik 2008 «Oral Culture», performance at Jan Mot, Brussels (performance) 2008 «Tate Triennial 2009 Prologue 1», Tate Britain, Londra (performance) 2008 «Self - Storage», CCA — California College of the Arts, Metro Self Storage, San Francisco 2008 «Of this Tale, I can not Guarantee A Single Word», Royal College of Art, Londra 2008 «5th Berlin Biennial», KW Institute for Contemporary Art, Berlino 2007 «Monumental Detours / Insignificant Fixtures», performance at KW Institute for Contemporary Art, Berlino (performance) 2007 «Performa 07», The second Visual Art Performance Biennial, New York (performance) 2007 «Playground», Stuk Performance Festival, Leuven 2007 «The Year of the Human Sciences», performance at Hebbel am Ufer (HAU), Berlino (performance) 2007 «Experiment Marathon», Serpentine Gallery, Londra (performance) 2007 «Floating Territories», Evens Foundation, Transbiennial Project, Istanbul ed Atene (performance) 2007 «The Present Order», Museum de Hallen, Haarlem 2007 «The Moment You Realise You Are Lost», Johann Konig, Berlino 2007 «Köln Show2», European Kunsthalle, Colonia

Inszenierung / Mise en scene», Museum Abteiberg, Mönchengladbach 2009 «The Space of Words», Mudam Musee d'Art Moderne Grand - Due Jean, Luxembourg 2009 «I Repeat Myself When Under Stress», MOCAD Museum of Contemporary Art, Detroit 2009 «Iaspis Open House», Iaspis, Stoccolma 2009 «Altermodern: Tate Triennial», Tate Britain, Londra 2009 «A spoken word exhibition», BALTIC Centre for Contemporary Art Gateshead, Gateshead 2008 «Speak and Spell», performance at Vienna Art Week, Vienna (performance) 2008 «Storyteller — Organizing Time and Space», 0047, Oslo 2008 «Lieber Kunstler, erzahle mir!»

They must be blinded by theory and art magazine sophistry to mistake this clumsy mise en scene for major art.

Art works by 80s art stars Cindy Sherman, Robert Longo and Jonathan Borofsky are integral to the mise en scene, while music by downtown legends Brian Eno, Philip Glass and Arto Lindsay, among others, provides a running soundtrack.

The other show, «Mise en Scene: Pageant and Place», featured Peter Van Dyck and Elise Schweitzer, and was curated by Scott Noel.

Traveled to Hessel Museum of Art, Bard College, Annandale - on - Hudson, NY; Serpentine Gallery, London; Reykjavik Art Museum; Herning Kunstmuseum, Denmark; Centre for Contemporary Art, Warsaw; Le Musée de Sérignan, France; Galerie Rudolfinum, Prague; Songzhuan Art Centre, Beijing (catalogue) La Séance du Dimanche, Centre Culturel Suisse, Paris 2004 Real World: The Dissolving Space of Experience, Modern Art Oxford (catalogue) 2003 Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections, Dallas Museum of Art 2002 Play it as it Lays, London Institute 2001 Sonsbeek 9: Locus / Focus, Arnhem, The Netherlands (catalogue) Bright Paradise: Exotic History and Sublime Artifice / The 1st Auckland Triennial, The University of Auckland Art Gallery (catalogue) 2000 Mise en Scene: New Los Angeles Sculpture, Santa Monica Museum of Art, CA.

Rejecting the typical «product» shot in favour of staging unsettling mise en scene that hint at consumption, sex and desire, his photographs sought to shock and ignite the viewer's curiosity.

They add dimension and blend seamlessly into this rustic stone mise en scene.

Not exact matches

It was a scene reminiscent of Mourinho's sprint at Old Trafford en route to his first European Cup success with Porto in 2004.

I have to say that Ruffian's Mise - en - Scene line is confusing the heck out of me.

Students en - route to school when bus crashed; Significant emergency response deployed to the scene

Adeptly transferring a stage play to th escreen, Shim achieves a highly cinematic effect despite the confined mise - en - scene...

All the illuminating mise - en - scene and framing in the world can't compensate for a screenplay that has some focus issues.

By the time we arrive at «the incident,» the filmmakers are simultaneously mainlining and distorting the scandal's iconic figures and moments: posing a bloodied Harding over Kerrigan's (Caitlin Carver) bruised body; imagining a scene of Harding and Kerrigan bonding over pizza, booze, and En Vogue in a hotel room; and introducing «bodyguard» Shawn Eckhardt (Paul Walter Hauser) and «hitman» Shane Stant (Ricky Russert), the moronic goons who wrenched Harding's narrative away from her and turned it into tabloid grist.

What he lacks in strong narrative skills he makes up for with a brilliant performance and some terrific mise - en - scene.