Thanks to advances in technology and the creative minds now flocking to video games as a medium for storytelling, the time has come for video games to emerge as the pioneers of
a new kind of storytelling.
A NEW KIND OF STORYTELLING Gorogoa isn't just a game - it's a work of art, expressing itself through soulful, charming illustrations and distinguished puzzle mechanics.
The next time they happened to stumble through the area, the text would pop up on their PDA screens: «Hey, come check this out...» Annotatespace.com creator Andrea Moed sees potential in this for
a new kind of storytelling.
Not exact matches
Today, emerging crossmedia business models, such as film / publishing company Cinestate and audiobook / ebook subscription streaming service Storytel, and
storytelling platform oolipo, allow content creators to envision a
new kind of world, uninhibited by format or borders.
The
kind of cross-media
storytelling and promotion which Pottermore represents is certainly not
new, but we've seen nothing on this scale before.
Electricomics, the real life emergence
of a
new kind of digital comic book
storytelling experience, ripped from the fiction
of Alan Moore and Mitch Jenkins «The Show film projects.
A
new kind of interactive
storytelling.
Bruner adds that the dev «really approach it from the interactivity and gaming as a
new medium for
storytelling, so we always put the
storytelling first and then when we think about interactivity as a tool for
storytelling that's where it's
kind of nascent, we feel like we're the tip
of the spear for that.
This
kind of deep emotional
storytelling is a strong part
of what has always set the Halo games apart from the pack, and Halo 4 raises the bar to
new heights by pushing Cortana's wonderfully told story to the forefront.
A first
of its
kind and an exciting
new addition to the «Halo» franchise, Spartan Ops is an episodic adventure that blends immersive
storytelling, high - quality cinematics, and action - packed gameplay to deliver an unprecedented serialised experience.
Storytelling, or the narrative structure itself, has served as a medium in its own right, providing artists with a
new kind of raw material with which to craft their photographic and filmic imagery.
This
new model
of filmmaking not only revolutionizes cinematic
storytelling but also produces a different
kind of spectatorship, in which the viewer is forced to examine each frame for relevant details and action, rather than following a given plot in the conventional Hollywood style.
A dramatically engaging, layered story experience that breathed
new life into the ideas
of transmedia
storytelling, it raised the bar for the
kind of emotional experiences that people can expect from the world
of immersive theater — and it pulled it all off by making the audience part
of the
storytelling itself.
This all adds up to a
new kind of collective digital scrapbook with fresh forms
of storytelling and social bonding.»